Jazz /
Spirits Rejoice & Bells - Revisited
Together, ‘Spirits Rejoice’ and ‘Bell’s encapsulate a four month period where long-gestating ideas of Ayler’s were birthed, helping to usher in a conception of music unlike virtually anything else extant, paving the way for his own adventures of the next several years and, perhaps more importantly, providing an extremely fertile bed for a generation or two of musicians to come. – Brian Olewnick
Albert Ayler’s recording career was a short one, spanning only the years 1962 – 1970, yet he went thro…
Live at Molde International Jazz Festival 1976
Classic Cool/Bop session from 76, and regarded as one of the finest Norwegian jazz live recordings of the seventies featuring an impeccable performance by alto sax player Carl Neumann, playing mostly original songs by pianist Christian Reim, Bjørn Kjellemyr on Bass and Ole Jacob Hansen on drums. First time on vinyl format and with great sound quality, new pictures, new notes.
Mona Lisa - Moldejazz 73
* Edition of 500 * An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!
Live in Avignon, France 1989
On October 14th 1989, Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra, performed alongside his close friend and musical partner Michael Session at the Théâtre du Chêne Noir in Avignon, France. This was during a tour in which they traveled across Europe. The duo presented compositions by Leimert Park musicians Jesse Sharps, Nate Morgan and Tapscott himself.
The stark instrumentation of this concert led to minimal arrangements of compositions typically performed by much larger ensembl…
Blunder
The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.
Microclimates
Recorded, mixed and mastered by Marc Schots in January 10th 2018 at Splendor, Amsterdam. Performed by Hupata! : Ada Rave - tenor saxophone, clarinet, Marta Warelis - piano, Yung-tuan Ku - percussion + objects, preparations, voices; featuring Marc Schots on track no.8.
All compositions by Marta Warelis, Ada Rave, Yung-Tuan Ku. Special thanks to: Michael Moore.
Live at Static Age Records
Recorded at Static Age Records in Asheville, NC, June 10, 2018 by Dylan Jordan. Performed by Tatsuya Nakatani - percussion, Shane Parish - nylon string guitar, Zach Rowden - double bass. Mixed by Tatsuya Nakatani in Truth or Consequences, New Mexico, Summer 2019.
Hellraiser
Icepick is the super-power trio of some of the busiest musicians on this planet – American, Brooklyn-based trumpeter Nate Wooley, Norwegian, Austin-based bass player Ingebrigt Håker Flaten, and American, Upstate New York-based drummer Chris Corsano. «Hellraiser» is already the third album of this trio and was recorded live in February 2018, on the occasion of a gathering supporting the Option series at Experimental Sound Studios (ESS) in Chicago. Originally, this performance was slated for anoth…
Luke Stewart Exposure Quintet
"Back in 2018, I was invited by Dave Rempis to participate in the Exposure Series at Elastic Arts in Chicago. The Series was for me a shining example of artist-lead organizing of different yet connected communities around the Music. From my standpoint, it is yet another in the continuum of such actions, specifically in Chicago, and has been a major inspiration for my work as an artist and for the material on this recording.
The ensemble was assembled by Mr. Rempis, and was the first time the gro…
Songs Of The Unsung
Distinguished Los Angeles-based jazz pianist Horace Tapscott is probably best-known as the founder of the Pan-Afrikan People’s Orchestra of PAPA, also known as The Ark, though he began his career as a trombonist, working with Lionel Hampton and others during the late 1950s. The 1978 solo album, Songs Of The Unsung, released in small number on pianist Toshiya Taenaka’s Interplay label, features Tapscott alone on piano, delivering a superb set of freely interpreted jazz tunes, including an unfette…
Live In Paris, March 1979
Superb performance recorded in Paris, March 1967, and broadcast on French radio station ORTF.From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases t…
Peter Kowald Quintet
Reissue, originally released in 1973. The only LP featuring a band under Peter Kowald's name, Peter Kowald Quintet comes from a vital moment in the German bassist's career. A close colleague of Peter Brötzmann's in their formative years, including the saxophonist's debut For Adolphe Sax (1967) and the classic Machine Gun (1968), Kowald had by 1972 broadened his circle of collaborators, eventually working with a who's who of global creative music. Recorded live in Berlin, released on FMP, this da…
Writing In Water
Reissue, originally released in 1985. Gentle, incisive solo music for violin and electronics by one of the unsung giants of free improvisation. Philipp Wachsmann emerged in the fertile mid '70s underground free music scene in London, playing with everyone from Simon Mayo to Barry Guy to Derek Bailey to Evan Parker, starting a band called Chamberpot, making albums for the collective artist-run label he managed: Bead Records. These LPs, 26 of them in total, were made in tiny batches and are now ra…
Daymare
Taking their name from a Thelonious Monk quote, I Like To Sleep are three young Norwegian musicians, all 22 years old. "Nicolas and Øyvind first met in high school in Trondheim before they joined up with Amund in a youth big band. It soon became apparent that they shared the same musical background centered around 70s progressive rock, jazz, improvisation and classical music. Soon after the trio was formed, first for fun, but soon with higher ambitions, they won the prestigious "Young Jazz Music…
Alvin Curran, Roberto Laneri, Giancarlo Schiaffini, Frances-Marie Uitti, Tony Ackerman, Bruno Tommaso
Beat 72 Lost DateAn unearthed treasure from the '70s Italian avant garde archives! A previously unreleased recording from the legendary Beat72 club in Rome in 1973, featuring a one-off Italian-American all-star ensemble with Roberto Laneri founding member of the experimental vocal group Prima Materia, maverick American composer Alvin Curran co-founder of Musica Elettronica Viva. Trombone specialist Giancarlo Schiaffini from the historical Gruppo di improvvisazione Nuova Consonanza. Cello virtuoso Frances Marie U…
Live in Paris
An average of one album every other year is pretty good going for a free jazz collective, and that's what The Nu Band has achieved. Its fifth, Live In Paris, comes ten years after their first communion in 2000. It's also a departure, not in that it is a concert recording as there are already three of those in the discography, but in that, for the first time, the quartet showcases its considerable talents at instant composition. Reedman Mark Whitecage's résumé numbers two fine, though overlooked…
European Recordings Autumn 1964 - Revisited
"Albert Ayler With Don Cherry European Recordings Autumn 1964 Revisited” in this context will inevitably make some people think of Revenant, the label that in 2004 issued a nine-CD box of Albert Ayler materials, almost all of them rare and unissued. The release prompted some revisionist thinking about Ayler, who has remained a controversial figure in modern jazz, hailed as a genius, dismissed as a hoax or a man in the grip of an autism, an avant-gardist who suddenly decided to be a populist inst…
She Knows...
Temporary Super Offer! The Thing started as a recording project in 2000, for the newly formed label Crazy Wisdom, run by Christian Falk, Conny Charles Lindström and me. I wanted to put together a trio, to record some Don Cherry pieces and since I had recently played with Paal in Stockholm and heard Ingebrigt playing live, I knew they were tight. So, things went where they went.
I invited the two young Norwegians to Stockholm for a recording date at Atlantic Studios. One day of recording for the …
Where Is Brooklyn?
Trumpeter Don Cherry, an Ornette Coleman soulmate and a world musician decades ago, became one of jazz’s many early losses 10 years back. But saxophonist Pharoah Sanders, who joins him on this fizzing 1966 set, has since ascended to cult status, and he is still around to admire . In the 1960s, he knew no melodic fear at all, in which respect he was aptly partnered with Cherry. This is a quartet set, strongly influenced by the melodic approach of Coleman, but with a fierce abstraction of tone qui…
Antiphonen
Sainkho Namtchylak is a singer originally from Tuva, an autonomous republic in the Russian Federation just north of Mongolia. She is known for her Tuvan throat singing or Khöömei. Her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. Once the Soviet Union had collapsed, she moved to Vienna, making it her base, although she traveled widely, working in any number of shifting groups and recording a number of discs that revolved around free improvisation. Amongst th…