Jazz & Improvisation / Free Improvisation

* Edition of 500 * An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!

On October 14th 1989, Horace Tapscott, founder of the Pan Afrikan Peoples Arkestra, performed alongside his close friend and musical partner Michael Session at the Théâtre du Chêne Noir in Avignon, France. This was during a tour in which they traveled across Europe. The duo presented compositions by Leimert Park musicians Jesse Sharps, Nate Morgan and Tapscott himself. The stark instrumentation of this concert led to minimal arrangements of compositions typically performed by much larger ensembl…

The immaculate mess of Blunder originates from a three-piece impro group consisting of Mads Forby (drums), Kristian Poulsen (guitar) and Lars Greve (saxophones and clarinets). Their debut album Blunder presents a music that's hazy and patient, struck by a disarming sense of attentiveness. It's a slow dance around a malformed energetic forcefield, it's the pull of the vortex, sucking the listener into an elastic sound world of repetitive rhythmic structures and shamanistic summoning.

Recorded, mixed and mastered by Marc Schots in January 10th 2018 at Splendor, Amsterdam. Performed by Hupata! : Ada Rave - tenor saxophone, clarinet, Marta Warelis - piano, Yung-tuan Ku - percussion + objects, preparations, voices; featuring Marc Schots on track no.8. All compositions by Marta Warelis, Ada Rave, Yung-Tuan Ku. Special thanks to: Michael Moore.

Recorded at Static Age Records in Asheville, NC, June 10, 2018 by Dylan Jordan. Performed by Tatsuya Nakatani - percussion, Shane Parish - nylon string guitar, Zach Rowden - double bass. Mixed by Tatsuya Nakatani in Truth or Consequences, New Mexico, Summer 2019.

A special bundle that includes the latest 4 CD releases published in late October 2020 by Belgian label A New Wave of Jazz. Includes works by John Russell, Stefan Keune, Kris Vanderstraeten, Colin Webster, AndrewLisle, Rubicon Quartet, Cath Roberts, Dirk Serries, Martina Verhoeven, Tom Ward. This bundle includes the following CDs: - John Russell, Stefan Keune, Kris Vanderstraeten "On Sunday" (NWOJ036) - Colin Webster, Andrew Lisle "New Inventions" (NWOJ037) - Rubicon Quartet "Crosscurrents" (NWO…

Taking their name from a Thelonious Monk quote, I Like To Sleep are three young Norwegian musicians, all 22 years old. "Nicolas and Øyvind first met in high school in Trondheim before they joined up with Amund in a youth big band. It soon became apparent that they shared the same musical background centered around 70s progressive rock, jazz, improvisation and classical music. Soon after the trio was formed, first for fun, but soon with higher ambitions, they won the prestigious "Young Jazz Music…

Since 2015, Chicago's Experimental Sound Studio has been the host of Option, a series of intimate concerts of improvised music. Featuring an uncommonly wide range of players representing virtually all haunts of free music, the series has fostered not only an important exchange of ideas in musical form, but it has also promoted literal conversation about the music, usually substituting a dialogue with the musician or musicians for the requisite second set. In 2018, the series was funded by a cons…

**75 copies** Long Day documents a live performance by Daniel Wyche (guitars), Patrick Shiroishi (saxophones) and Ted Byrnes (percussion). The performance took place in Los Angeles in August 2019 and was recorded by Jared Rodriguez. The album was mixed by Daniel Wyche and mastered by Brian J. Sulpizio in Chicago, IL.

[Ahmed], the quartet of Pat Thomas, Antonin Gerbal, Joel Grip and Seymour Wright – make music of heavy rhythm, repetition and syncopation set deep into an understanding of jazz and the obscure depths of its history. Across the 2 LPs which make up Super Majnoon [East Meets West] the group work and rework the music of the late musician Ahmed Abdul-Malik to create a stamping, swinging, relentlessly propulsive record where profundity and physicality root right back to ecstatic feeling.Abdul-Malik wa…

A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson. Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral streams”. This record already fetches high p…

Rodrigo Amado was born in Lisbon, Portugal, in 1964 and took up the saxophone at the age of 17 while convalescing from an accident. Later he studied at the Hot Club Music School and was soon playing with numerous rock, pop and experimental projects. At the shifting boundary between free jazz and improvised music, Amado's position is clear: he plays jazz. He is so clearly a jazz musician that he doesn't require any pre-determined elements of rhythm, harmony, chorus lengths or melody to play jazz.…

The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…

The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…

The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…

The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970’sNever bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and…

Chicago drummer and composer Jeremy Cunningham wrote The Weather Up There in response to the loss of his brother Andrew, who died in a home invasion robbery in 2008. Co-produced by Jeff Parker and Paul Bryan, and engineered by Paul Bryan and John McEntire, this new work confronts the tragedy of violence and examines the acute ripple effect on several people's lives through the lens of memory, response, and collage. Further deepening the textural and emotive impact, Cunningham formed a “drum choi…

**300 copies, 2019 stock** Punk Kong is a chameleon, it changes color according to the circumstances to avoid being part of any particular musical idiom. The bassless ensemble offers you a crossover among African blues, avant-garde jazz, noise rock and improvised music. In addition to his collaborations with improvisers from all over the world, the leader and guitarist of the group Giotis Damianidis was influenced by his long collaboration with the legends of Afro-beat Oghene Kologbo and Tony Al…

**300 copies** Pull Ninja, the second album of the chameleon quintet Punk Kong is relesed by Mr. Nakayasi / El Negocito Records. Edgy guitar, powerful drums and three hyper dynamic saxophones, a special instrumentation that creates a unique sound. Pull Ninja continues the story telling of Lonely Cedar - Punk Kong's first album released back in 2016 - with songs that blend Jazz, Psychedelic rock, African Blues and improvised music into a remarkable amalgam. Viktor Perdieus: tenor & baritone saxGr…

“Peter Brötzmann has made no secret of the fact he doesn’t especially dig playing with pianists, citing a few notable exceptions including Fred Van Hove, Pat Thomas and Masahiko Satoh. Recorded in Dublin in 2015, this adventurous set extends the honour to Irish pianist Paul G Smyth. As Brötzmann locks into a characteristically savage mutter, Smyth responds with hyperkinetic leaps up the keyboard but, when the tenor briefly drops out, he’s able to employ a more deft touch, generating intricate dr…

The long awaited second release from the Peter Evans Quintet. Four new compositions commissioned by the Jerome Foundation's Emerging Artist Grant and recorded at the Experimental Media and Performing Arts Center in Troy, New York. The album is named after a novel by Frank Herbert concerning a mission into space to create an artificial consciousness, a mission designed to use planned failure as a springboard to new levels of creativity. Destination: Void is an epic, cinematic synthesis of eccentr…

The eponymous debut recording from the quartet Rocket Science, recorded live at the Vortex in London. Rocket Science brings together four virtuosic instrumentalists: Evan Parker (tenor and soprano saxophones), Craig Taborn (piano), Sam Pluta (live electronics) and Peter Evans (trumpet and piccolo trumpet). Together they perform an hour of highly detailed, dynamic and surprisingly beautiful improvised electro-acoustic chamber music. Each member of the group is widely recognized as having pushed t…

The first release from Evans' new group Being & Becoming, featuring some of the leading lights from the next generation of creative musicians: Joel Ross, Nick Joziwak, and Savannah Harris. This debut album features a set of new compositions from Evans, moving between notated chamber music textures, free improvisations, deep grooves and telepathic ensemble playing. Being & Becoming represents a new chapter in Evans' commitment to composition and improvisation in a small-group format. After workin…

Ornette Coleman's most controversial album back on vinyl. Originally from 1966, 'The empty foxhole' also marking the recording debut of his son Denardo, who was ten years of age at the time of the recording. " Ornette Coleman's brief tenure at Blue Note was neither as seminal as his Atlantic output nor as brazenly ambitious as his early-'70s work for Columbia and later with Prime Time. Still, the period did produce some quality music, and The Empty Foxhole is one of his most intriguing efforts. …

**500 copies** First release from the first time trio of legends Susan Alcorn, Joe McPhee and Ken Vandermark. Invitation to a Dream is not only the first recorded statement, it is also a document of the very first meeting of the trio. Back in 2016 we asked Alcorn and McPhee to play a duo set at our favorite festival Cropped Out in Louisville, KY, and after getting our minds blown we knew we had to get the duo into a studio to record an album. After a few failed attempts due to schedules and bad …

"I have to admit that this record contains some of the most intriguing and wicked music I ever experienced. And I say that from the point of view of a John Coltrane aficionado. Well, Ayler and his mates Don Cherry on trumpet, Sonny Murray on drums and Gary Peacock on bass guitar are definitely on par with the before mentioned god of free jazz and others like Ornette Coleman. If you listen to this album from the pop music perspective you may find only screeching and overblown saxes and some non s…

For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music that they decided to release it and continue to play gigs as the trio. Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new ja…

Roman pianist and film composer Armando Trovajoli scored over 300 feature films during his remarkable career. Starting out in the 1930s as a player in Orchestra Rocco Grasso and Sesto Carlini’s beloved jazz orchestra, in 1949 he represented Italy at the Festival du Jazz de Paris and he began composing films three years later. Jazz Piano, released by RCA in 1959, saw Trovajoli fronting a quartet with three of his regular orchestra members, namely drummer Sergio Conti, bassist/arranger Berto Pisan…

The story of the founding of AACM is repeated often enough that it’s codified into legend: pianists Muhal Richard Abrams and Jodie Christian, drummer Steve McCall and trumpeter Phil Cohran, having come together in Abrams’ Experimental Band, met to lay the groundwork for what would be an independent organization for the production and promotion of creative jazz on Chicago’s South Side. As an organization committed to egalitarianism and self-determination, Abrams’ clear role as the spiritua…

The tenth Conference Call album and the first with drummer Dieter Ulrich taking over for former drummers Matt Wilson, Han Bennink, George Schuller and Gerry Hemingway, the 20 years journey for this transatlantic band leading to this album captured in the studio in Central NY while on tour, performing 3 original compositions from Ullman, 2 from Fonda, and 2 from Stevens. "The gift of playing music together with the same people over 20 years is priceless. A long-standing musical ensemble becomes a…

**Edition of 200 copies. This is the sixth release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound** In the context of European free improvised music, it would be hard to find a name that towers to the heights of Peter Brötzmann. Trained as a visual artist, the saxophonist turned toward music during the second half of 1960s, and quickly became a focussed, creative lens for the…

**Edition of 200 copies.** For fans of European free jazz, Globe Unity Orchestra needs little introduction. The project is nothing short of legendary, carving a path over the last half century. Formed as with a commission received by Alexander von Schlippenbach in 1966 - debuting at the Berliner Philharmonie late in that year - it joined three of the most powerful forces in German freely improvised music as a single unit - Gunter Hampel's quartet, Manfred Schoof's quintet, and Peter Brötzmann's …

The recording of the last show ever in the legendary NYC club was only available in a limited run of semi-official cd-bootlegs. Now mastered for vinyl, screenprinted cover - design of course by Peter Brötzmann, handnumbered. Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Recording by Bruno Soria, Ulrich Petereit. Mixed and mastered by Martin Siewert in Vienna. Artwork by …

In case you weren't there, Bocian present documentation of a pretty unhinged Cafe Oto session between gifted improvisers, Mats Gustafsson (reeds), John Russell (guitar) & Phil Minton (voice). Just imagine stumbling in on this one unprepared - a trio of blokes bleating, parping and yanking like Reeves & Mortimer after three days on the sauce. Of course, that description does a disservice to their well-honed extended technique and dexterity, but we'd defy anyone to keep a totally straight face at …

**First pressing of 175 copies with red cassette shells** The longer one works as an artist, the more secure one’s own identity becomes — whether visual, sonic, textual, or otherwise, the goal is to be clearly oneself. It may seem overly simple to cut the fat and center on creation and individuality, but considering those who have gone before and died for their art, the gambit seems far from easy. Saxophonist and photographer Rodrigo Amado (b. 1964, Lisbon) has worked in two different but relate…

"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…

"Free improvisation is as much an act of discovery as of creation. On their breathtaking debut, Expanding Light, the brand-new Whit Dickey Trio shines their collective illumination into the heretofore unexplored darkness between them. The album teams the drummer with one of his most long-standing collaborators in saxophonist Rob Brown and for the first time with the young firebrand bassist Brandon Lopez, in what is certainly hoped will be an ongoing communion. The light and the dark, intimate fr…

**175 copies** "A joint release between Noel Meek's New Zealand label Called God In The Music and Astral Spirits, the trio of Meek himself on electronics, Arrington de Dionyso on saxophone and Rodrigo Rico on drums are caught live at Gallery 1412 in Seattle, WA in 2017 for a freely improvised album of controlled chaos among intensely wicked and mischievous electroacoustic improv." - SquidCo

**175 copies** "Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice and objects, Steve Marquette on acoustic and electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part New Omens and some Telly Attire." - SquidCo

**500 copies** Performing live at Lily Pad in Cambridge, MA, the trio of free jazz piano legend Burton Greene with bassist Damon Smith and drummer Ra Kalam Bob Moses, in six collective improvisations, with impressive playing from all three as they segway through the three parts of Life's Intense Mystery, taking exploratory moments and even some Kid Play in between.