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Placebo's debut LP "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band.
"Bitches Brew Live" contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew sessions in August of that year - and have remained unissued till this day.
**Comes packaged in a gatefold jacket with a 28-page booklet.** Earth Rot is visionary composer / arranger / producer David Axelrod's third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it features choral vocals and marks a departure for Axelrod's signature sound, which would take on a jazzier feel in the 1970s. The instrumental version of Earth Rot was fir…
**Comes packaged in a gatefold jacket with a 28-page booklet.** Earth Rot is visionary composer / arranger / producer David Axelrod's third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it features choral vocals and marks a departure for Axelrod's signature sound, which would take on a jazzier feel in the 1970s. This definitive version of Earth Rot, oversee…
Souffle Continu Records present a reissue of Baroque Jazz Trio's self-titled album, original released on Saravah in 1970. This CD also includes tracks from the 7" Orientasie/Largo originally released in 1970, and reissued by Souffle Continue Records. Mixing Baroque, free-jazz, and world music, the unique album of the Baroque Jazz Trio (which is in fact 3/5 of the Bach Modern Quintet) is a difficult-to-label sound object which is far from being typical of the psychedelic sounds associated with th…
Gong’s fourth album for Virgin Records has been remastered from the original Virgin masters for the very first time by the original producer, Simon Heyworth at Super Audio Mastering and has been expanded with a second disc containing a previously unreleased concert recorded live at the London Marquee in September 1975, plus 3 previously unreleased edits.
**2019 stock, reduced price** The Headhunters' Straight From the Gate was their second album and was released in 1977. Originally started as a jazz-fusion band fronted by Herbie Hancock, members Paul Jackson, Bennie Maupin, Michael Clark, Paul Potyen, Derrick Youman and Obsidion Blackbiyrd delved further into jazz-rock and fusion sounds and recorded the album at The Automatt studios in San Francisco. The Headhunters use a wide range of instruments. From the electric piano, to tenor and soprano s…
**Bundle edition, LP + 7"** Souffle Continu Records present a reissue of Baroque Jazz Trio's self-titled album, original released on Saravah in 1970. Mixing Baroque, free-jazz, and world music, the unique album of the Baroque Jazz Trio (which is in fact 3/5 of the Bach Modern Quintet) is a difficult-to-label sound object which is far from being typical of the psychedelic sounds associated with the early 1970s. Because, although fusion with Indian music (amongst others) and jazz (but also pop) wa…
Based in the city of Buenos Aires, Argentina, Sales de Baño is a group that brings together musicians of different nationalities. Led by Colombian composer and bassist Carlos Quebrada, their sound explorations have led them to expand the languages of jazz, and incorporate elements of experimental rock, contemporary music, and free improvisation. Geometría del vínculo (Geometry of the Bond) is Sales de Baño's third album, can be understood as an avant-garde jazz album which is also connected with…
Along with the due reissue of the Baroque Jazz Trio homonymous album, Souffle Continu Records present a reissue of the group's one and only single which has reached a cult status among the Jazz connoisseurs and collectors. Alongside Alfred Panou & the Art Ensemble of Chicago's Je Suis Un Sauvage (FFL 055EP), Baroque Jazz Trio's Orientasie / Largo is probably one of the hardest-to-find EPs on Saravah. Hitting #2 on Jazzman Records European Jazz 45s top 10 list, this is the finest fusion between f…
Re-mastered edition of the 1971 album performed by the legendary enterprise consisting of John McLaughlin on guitars, John Surman on reeds, Karl Berger on vibes, Stu Martin on drums, and Dave Holland on bass. Recorded at the end of May 1970 at the Apostolic Studios in New York, “Fortune Smiles” is a jazz fusion LP that sees all five musicians experimenting equally with their outstanding music qualities. Released here as a picture disc and featuring the original Dawn Records folded insert, the al…
Miles Davis' often overlooked masterpiece Miles in the Sky is his venture into the jazz-rock, which later became known as fusion. While working together with his second great quintet his interest in the usage of electric instruments was increasing every day. The first album from his “Electric” period is one big grooving adventure, in which he gets the support of the stellar line-up of Wayne Shorter, Tony Williams, Ron Carter, Herbie Hancock, and George Benson. It's a ground-breaking record from …
**300 copies** Pull Ninja, the second album of the chameleon quintet Punk Kong is relesed by Mr. Nakayasi / El Negocito Records. Edgy guitar, powerful drums and three hyper dynamic saxophones, a special instrumentation that creates a unique sound. Pull Ninja continues the story telling of Lonely Cedar - Punk Kong's first album released back in 2016 - with songs that blend Jazz, Psychedelic rock, African Blues and improvised music into a remarkable amalgam. Viktor Perdieus: tenor & baritone saxGr…
**300 copies** Mr. Nakayasi releases the Don Kapot debut album. The group consists of baritone saxophonist Viktor Perdieus, Giotis Damianidis (this time not as a guitarist, but as a bassist) and drummer Jakob Warmenbol. The last two can also be found together in Abschattungen, Giovanni Di Domenico's big band. In other combinations the three cross each other separately with Nest and Punk Kong, among others. On Don Kapot we note parallels with Morphine in top gear, especially because of the way t…
**300 copies, 2019 stock** Punk Kong is a chameleon, it changes color according to the circumstances to avoid being part of any particular musical idiom. The bassless ensemble offers you a crossover among African blues, avant-garde jazz, noise rock and improvised music. In addition to his collaborations with improvisers from all over the world, the leader and guitarist of the group Giotis Damianidis was influenced by his long collaboration with the legends of Afro-beat Oghene Kologbo and Tony Al…
Buntús Rince translates from Irish as 'basic rhythms', and this new compilation explores how Irish musicians were influenced by strands of different genres of music from around the world, merging them to create their own unique sounds. The compilation features some of the most innovative and talented figures in the history of Irish music and includes rare Irish jazz, fusion and folk outliers from the 1970s and early 1980s from musicians relatively unknown outside of Ireland. Often regarded as a …
The first official release of the June 1970 Montreux Jazz Festival concert featuring trumpeter Ian Carr’s pioneering Nucleus performing with US vocalist Leon Thomas on a set of Thomas’ repertoire. The collaboration with Thomas is (in Ian Carr's words) a combination of the “rock thing...with the roots of the music”. The set kicks off with "The Creator Has a Master Plan," originally the thirty minute plus opus found on Pharoah Sanders' 1969 album Karma.
This version although only half the length i…
Crossings was the second release by the Herbie Hancock Sextet lineup known as the Mwandishi Band, following 1971's Mwandishi which stretched Hancock's already-adventurous writing and expanded the music through post-production. This approach would play an even larger role on Crossings, the pianist's final album for Warner Bros. For two of Crossings' three pieces ('Quasar' and 'Water Torture'), Hancock took basic instrumental tracks to Patrick Gleeson's Different Fur Studios, hoping to learn how t…
After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…
If Fat Albert Rotunda sounds like the most fun Herbie Hancock had in
his early years as a band leader, it should. He composed the music for
the pilot of the children's television show Fat Albert, redirecting the
post-bop jazz he honed in a five-year stint with the Miles Davis Quintet
towards the R&B and funk styles with which he was becoming
enamored. The result was a playful, joyous album in which Hancock
clearly had a great time.The same goes for the rest of his Sextet, which by the time…