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Braz Gonsalves was an Indian jazz musician (soprano and alto saxophone, clarinet). He is considered one of the great saxophonists of India and one of the outstanding musicians of contemporary jazz in Goa. He first worked as an entertainment musician, before he became one of the pioneers of Indo jazz rock and 1970 recorded the album 'Raga Rock' in Calcutta. After Ananda Shankar there are very few other Indian jazzmen that can be named to have spanned the continental musical barriers of East and W…
“Fetén” brings together a selection of recordings made in Spain between 1961 and 1974. The tracks selected were originally released on records that have become impossible to find, and which, in most cases, have never been reissued. These are unique recordings spanning modal jazz, hard bop and even avant-garde jazz by Spanish musicians such as Mantequilla, Juan Carlos Calderón, Ricard Roda and Vlady Bas, as well as by international jazzmen like Dusko Goykovich, Lou Bennett and Tino Contreras. Th…
In the early sixties, "Mantequilla" had the chance to lead his own combo, Mantequilla y su conjunto, with which he was to record the three splendid EPs that are compiled on the present album. All these 7" have become elusive collector pieces in the record market, with sellers demanding from 200 to as much as 950 euros per copy. In 1961 "Mantequilla" was at his best moment, his gigs at the Jamboree Jazz Cava had brought him back to the first line of Barcelona's jazzmen after he had been working a…
This splendid catalan Jazz LP was originally released on Edigsa in 1968 and sees its first ever vinyl reissue here. Barcelona has always had a boiling jazz scene, and since the 1960s a strong focal point of the city jazzmen has been the Jamboree Club, in the centric Plaça Reial. The Jamboree was a regular point for al American artists doing the European jazz circuit, as it was for all European acts and, of course for the local talent. Among these, a young quartet formed by alto sax & flute playe…
**very last copies** Limited numbered 1/70 only with hand-made foder cover, printed labels and black inner sleeves! dj qbico mix a selection of very rare/obscure 45 from Us, none of these tracks had been reissued or appears on any compilations
A legendary German session from the 60s – and a record that really showcases the unusual criss-crossing of modes that was going on in the European scene at the time! There's a very strong MPS vibe here – as trumpeter Dusko Goykovich leads a swinging sextet that includes Nathan Davis on flute, soprano, and tenor – blowing some tremendously soulful reed lines – plus incredible rhythms from Mal Waldron on piano, Peter Trunk on bass, and Cees See on drums. The record's an attempt to bring traditiona…
Recorded in 1973, “Morning Flight” by trombonist Hiroshi Fukumura is a stunning modal and spiritual jazz album! Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – avoiding any of the cliches of trombone-heavy groups from the past – and instead, using the open-ended Three Blind …
** 2012 Audiophile Remastered Edition of 500 copies with Original 3page-Multi Fold Out Cover, long out of print, few copies available ** Incredible early work from one of Germany's greatest modernists – one of the key records that showed the world that German jazz was way more than just a rehashing of American modes in the postwar years! This rare 1963 recording features the quintet of trombonist Albert Mangelsdorff – a groundbreaking unit that includes tenorist Heinz Sauer, altoist Gunter…
** 2012 Audiophile Remastered Edition of 500 copies with Original 3page-Multi Fold Out Cover, long out of print, few copies available ** An early session from German pianist Wolfgang Dauner – one with a sound that's every bit as great as you'd expect from the title! The "dream talk" component here is one that comes from Dauner's gentle, yet modern approach to the keys – one that's clearly learning lessons from 50s modernists like George Russell or Bill Evans, but which is stretching out here in …
We’re proud to introduce the new Superfly reissue of splendid deep independent jazz LP! Great from start to finish, this is the kind of record you want to play again and again! You won't find the name Bobby Jackson in the jazz books. Yet here is a remarkable man who did more than anyone to promote live jazz in his hometown of Minneapolis, risking everything to open a venue for jazz lovers and putting on such luminaries as Freddie Hubbard, Roland Kirk and Elvin Jones. In so doing, he rode the…
We’re proud to introduce the new Superfly reissue of the rarest LP at cult Strata East label! Reissued for the first time, John Gordon’s ‘Erotica Suite’ is one of the holy grail for deep and spiritual jazz fans, check the superb ‘Neleh’! A great later label effort under the leadership of trombonist John Gordon, with work by James Spaulding on alto and flute, John Miller on piano and keyboards, Waymond Reed on trumpet, Lyle Atkinson on bass, and Frank Derrick on drums and bells;As usual, beautif…
Pheon is the new label started by Jonny Trunk with James Pianta from Votary / Roundtable. Both have a love of obscure library music, film music and jazz. Using those musical fields as a starting point, the label will be issuing very limited, vinyl only short runs of desirable and obscure LPs, compilations and new old discoveries. The third Pheon Records LP release is the 1969 debut by Indian jazz guitar legend Amancio D’Silva. A perfect storm of amazing, accessible British jazz and incredi…
Finally reissued, this mega rare spiritual jazz by reed player Milton Marsh – one of the harder-to-find albums on Strata East – and one of just a couple incredible records to Marsh's name! Obscurity aside, this is prime Strata East. In 1975, Milton Marsh released his first album Monism for the Strata-East label. Marsh, a composer, arranger, saxophonist and flautist, recorded the album in New York City from 1973-1974. The musicians on Monism represent some of the finest living in NYC at t…
In a time before jazz music went free and ‘avant-garde’ there were a couple of inspired souls who put an emphasize on extended jams and improvised yet melodic parts based on a rather repetitive rhythm background. The result in turning away from the rather artistic and complicated bebop was the modal jazz that came up in the second half of the 1950s and lasted as the leading style until the mid to late 60s when bands either became free avant garde or discovered rock music to boost up their sound.…
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
Considered to be one of Australia’s most iconic modern recordings, Eastern Horizons is the result of several jazz workshop sessions recorded in the mid 1960s Sydney. A pioneering exploration of eastern influenced modern jazz that represents one of earliest prototypes of the genre, arguably predating other more widely acknowledged international eastern influenced and indo jazz recordings of the late 60s and early 70s. Following in the footsteps of early 60s Coltrane and the exotic jazz of Yusef L…
*2022 stock* 1999 Release. A lost Italian gem from the 60s! Bassist Giorgio Azzolini was one of Italy's best players during the postwar years, and this handsome reissue brings to light one of his rarer sessions from the 60s. The record's a lyrical septet session, with Azzolini's warm round basslines right up front, and beautiful solo work by a young Gato Barbieri on tenor, Franco Ambrosetti on trumpet, and Renato Sellani on piano. The session has the warmth and sensitivity of some of Horace Silv…
Ptah, the El Daoud was the third solo album by Alice Coltrane. This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders had played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. All the compositions were written by Coltrane. The title track is named for the Egyptian god Ptah, "the El Daoud" meaning "the beloved". "Turiya", according to the liner notes, "was defined by Alice as …
Originally issued by Impulse in 1971, this is definitely one of the best truly cosmic jazz orchestrations ever realized. Recorded at the Coltrane home studio, Dix Hills, New York on November 8, 1970. Alice Coltrane (harp, piano); Pharoah Sanders (soprano saxophone, perc); Charlie Haden (bass); Rashied Ali (drums); Cecil McBee (bass); Vishnu Wood (oud); Tulsi (tamboura); Majid Shabazz (bells, tambourine). "Swamiji is the first example I have seen in recent years of Universal Love or God in actio…