Jazz /
Choma (Burn)
Wewantsounds is delighted to reissue Harold Land's 1971 Mainstream Records LP 'Choma (Burn),' recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with …
New World
Nat Birchall returns with a new studio album with an expanded Unity Ensemble. Six original compositions played by a seven-piece group featuring the legendary UK tenor saxophonist, Alan Skidmore and guest percussionist Mark Wastell. Both musicians joined the group onstage at a John Coltrane tribute concert at London’s Café Oto last year, the resulting performance showing just how compatible all the musicians were, so Nat thought it would be propitious to record the group in the studio with their …
Azimuth
Recorded in 1977 and now reissued in ECM’s audiophile Luminessence vinyl series, the debut album of the Azimuth trio was truly ahead of its time. Formed by adding Canadian-born trumpeter Kenny Wheeler to the British duo of pianist John Taylor and vocalist Norma Winstone, the group’s futuristic musical palette embraced hypnotic, minimalistic pulse patterns, otherworldly synthesizer sounds, songs, collective improvisation and solo flights. In recent seasons, the number of listeners under Azimuth’s…
No Blues (The Complete Hopbine '65)
“He said ‘who the fuck are you?” so I said, “I’m the bass player”. And all he said was “Well, we’ll see about that, won’t we?” When Tubby Hayes arrived at the Hopbine, Wembley’s popular jazz pub, one evening in the spring of 1965, his career was in a state of flux; still topping polls and casting an impressive shadow over the British jazz scene, he nevertheless remained frustrated. The elongated free-flights of John Coltrane and Sonny Rollins now held his fascination and although actively search…
Mine
Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. Mind-blowing reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. This is the terrifying debut album from saxophonist Kosuke Mine, with a sense of tension that seems to burst throughout, and is a monumental work that marked the historic beginning of the prestigious three blind mice label
Completely original reproduction specification (reproduced as f…
Dream Talk
German pianist Wolfgang Dauner's early session sounds as fantastic as the title suggests! The "dream talk" component comes from Dauner's gentle, yet modern approach to the keys, which is clearly learning from 50s modernists like George Russell or Bill Evans but is stretching out here in some of the bolder freedoms of the European scene at the time. It's a precursor to later modes on MPS and Saba, but performed here with more restraint. The record is acoustic and inventive, with a "set free" soun…
Belonging
Tip! "Belonging is a studio album by American jazz pianist Keith Jarrett, recorded over two days in April 1974 and released on ECM later that year—the debut of Jarrett's "European Quartet", featuring saxophonist Jan Garbarek and rhythm section Palle Danielsson and Jon Christensen. Because Jarrett's contract with ABC/Impulse! prevented him from performing with the quartet under his own name, the group became known as the 'Belonging' quartet." - Wikipedia
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Quetzalcoatl
Tip! Before coming to Europe, in 1970, pianist Manuel Villarroel was a vet in his native Chili. A few years later, as leader of the Machi Oul Big Band, he returned to the animal kingdom. A very specific kind of animal, for sure, the Quetzalcoatl, also known as the Feathered Serpent. What is behind this title (also the name of one of the three original compositions on this album released on the Palm label in 1976), is first and foremost a sort of homecoming…
After discovering the jazz of Herbie H…
The Legendary Trio At Birdland 1960 „Revisited"
Temporary Super Offer! "This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
Live in Paris – The ORTF Recordings 1966/67 (3LP)
A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
Sahib Shihab And The Danish Radio Jazz Group
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …
Paris ’76
A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA. Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.
“That was the first Heath Brothers album. Stanley Cowe…
Antibes '75
Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …
Free Form Suite
Temporary super offer! Masayuki 'Jojo' Takayanagi (1932 - 1991) was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. He was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar.
Greek Variations & Other Aegean Exercises
Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influential jazz-rock band Nucleus was…
Cassiopeia
"Ville Vannemaa Cassiopeia is an exciting quintet project led by reed player Ville Vannemaa, a key player in UMO Jazz Orchestra and known for his engagement in several other Finnish jazz constellations. With him on this date is vibraphonist Panu Savolainen, Kasperi Sarikoski on trombone, Heikko Remmel on bass and Jaska Lukkarinen on drums. Six sublime songs penned by Ville himself, plenty of detail and swinging from joy to melancholy in a melodic sense aimed for repeated listening. Future classi…
Now Jazz Ramwong
2024 Repress. Eastern-infused outstanding album by German trombonist Albert Mangelsdorff – recording here in 1964, but sounding years ahead of his time, with an amazing a blend of jazz and Asian styles! The album's one of Mangelsdorff's best ever – a set of rhythmic tunes that seem clearly informed by the work of Ornette and Joe Harriott, but also based along eastern themes picked up by the group on a tour of the Orient – and performed by a sharp-edged quintet that includes Heinz Sauer on tenor …
Yogi Jazz
2024 Repress. After the excellent New Jazz Ramwong (TB6171), Tiger Bay is back with another almost overlooked gem from the German jazz scene of the 60s. Joki Freund, the composer and multi-instrumentalist is one of its most dazzling figures and Yogi Jazz is without a doubt his masterpiece.The influence of John and Alice Coltrane is clear throughout the album and the sextet, for which he gathered together a group of young European musicians who later would achieve great notoriety, reaches an outs…
Tension
This rare 1963 recording showcases the incredible early work of German trombonist Albert Mangelsdorff and his quintet. Featuring Heinz Sauer on tenor saxophone, Gunter Kronberg on alto saxophone, Gunter Lenz on bass, and Ralf Hubner on drums, the ensemble creates a groundbreaking modernist groove comparable to the innovations of Ornette Coleman and Joe Harriott. The absence of piano and the three-horn frontline contribute to a bracing and powerful sound, striking a dynamic balance between freedo…