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Bomb! The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker, & William Parker formed by parker to play concerts in conjunction with the milford graves mind body deal exhibition at the institute of contemporary art los angeles & now a working group. across x2LPs of side-length long-form improvised sets recorded at 2220 arts & archives in LA & the chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by the Cecil Ta…
National and international jazz musicians were invited to the NDR for the Jazz Workshop series. A number of ten to twenty musicians could rehearse for some days and finally present their results to the North German listeners in a live studio concert. The organizer focused on offering some space for experimenting to different musicians who otherwise would never have played together, and to free them from their daily commercial pressures within that period of time. Even though all predominant jazz…
*CD Version* Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Sla…
*2025 stock* 7-CD set of Braxton's interpretation of the music of Lennie Tristano and associated colleagues including Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca among others.
Anthony Braxton: pianoEivind Opsvik: bassMike Szekely: drumsJackson Moore: alto and baritone saxophones (left channel)André Vida: tenor, sopranino, bass, contrabass, and c-melody saxophones (right channel)
Under the driving force of drummer extraordinaire Beaver Harris, the 360-Degree Music Experience was one of the great ensembles of the late 70's / early 80's. A stellar collective playing music deep in the African-American Jazz tradition. A bunch of heavyweights like Grachan Moncur III on trombone, Ken McIntyre on alto sax and bassoon, Rahn Burton on piano, and Cameron Brown on bass. First released in 1979 and reissued here for the first time on vinyl, "Beautiful Africa" stands as a fierce stat…
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
"Keep Your Soul Together" (1973) is Freddie Hubbard’s fifth studio album released on Creed Taylor's CTI label. The album features Hubbard alongside an ensemble that includes Junior Cook on tenor sax, George Cables on keyboards, Aurell Ray on guitar, Kent Brinkley or Ron Carter on bass, Ralph Penland on drums, and Juno Lewis on percussion. The album’s sound, though occasionally funky, is rooted in creative jazz, showcasing Hubbard in peak form across four of his original compositions.
Though som…
2024 stock Outstanding performance by the Austrian saxophonist Hans Koller; this is a very uncommon and memorable session from the 1960s. Koller plays tenor in a quartet that also features Fritz Pauer on piano; the track was initially recorded for a sound library session, but it is exemplary 60s contemporary jazz. In a style that appears to really challenge Koller during his solos, maximizing his remarkable tone and phrasing without descending into any kind of overdone experimentalism, most of t…
*2023 stock* "From his earliest days as a composer, George Russell has worked from the assumption that if jazz was to grow as an art form it would have to look within itself for the materials of growth. Developing the theoretical ability to abet that process has occupied Russell from his works for the Dizzy Gillespie big band of the late 1940s to his most recent electronic music. The Outer View is one of his most brilliant small-band recordings, applying Russell’s system of tonal organization no…
2024 repress. "Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet, is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA's Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest …
Wendell Harrison was born in Detroit in 1942 where he began formal jazz studies for piano, clarinet and tenor saxophone. At 14, while still in high school, Harrison started performing & recording professionally with artists such as Marvin Gaye, Grant Green, Sun Ra, Hank Crawford … and many others.
In 1971, Harrison began teaching music at Metro Arts (a multi-arts complex for youth) where he also connected with Marcus Belgrave, Harold McKinney and Phil Ranelin…soon after they formed the (now lege…
2024 Stock. Limited to 300 copies. Se och Hör first got together in the fall of 2011, and it’s been a free jazz love story ever since. The four fearless voices of the band’s members make their music unpredictable and a borderline dangerous listen. They have performed at clubs, festivals, churches and in the streets—both in and outside of Sweden—and have attracted many with their catchy and addictive music. Their debut album “Hör och häpna” (2014) was received with overwhelmingly positive respons…
This is the first time this concert has been published in its entirety. The adventure began in 2022 with a visit to a tape recorder enthusiast in Brittany. It turned out that he had the missing part of this mythical recording. It took us almost two years of traveling through the south of France and the United States to finally find the other original tapes in... Stockholm. We are proud and happy to present this first volume.
In October, on the stage of the Olympia - a legendary Parisian venue th…
This tracks on this album were recorded between 1967 and 1969 and include all the tracks on the five sessions Ray Russell’s Quartet recorded ‘live’ for Jazz Club in that period. Those sessions included compositions from Ray’s first two albums he made as leader for CBS – Turn Circle and Dragon Hill. Just six tracks from these sessions were previously released on very limited edition vinyl as Spontaneous Event by Jazz In Britain in 2000. That album attracted particular interest on its release, it …
A never-before released Mal Waldron Trio 1970 live recordings. First official release with the full permission and cooperation of the Mal Waldron Estate & INA (Institut National de l’Audiovisuel).
2024 Stock The arrival of English tenor saxophonist Tubby Hayes in New York during the autumn of 1961 caused a sensation in American jazz circles. The first British jazz soloist to ever make a guest appearance in a US club, his opening night at the Half Note was attended by figures including Miles Davis, Al Cohn and Zoot Sims, with Metronome describing Hayes as a swinging ambassador from Britain who definitely can hold his own in fast company. At the end of his visit Hayes recorded the album Tu…
Originally released in 1974, this is Isao Suzuki's second album, following his acclaimed debut, "Brow Up," which introduced him to the jazz world. The album features exquisite interplay with Kazumi Wataabe, showcasing a unique musical synergy that makes it a true masterpiece.
Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly rema…
When I arrived in Geneva, Claude picked me up in his Aston Martin. He had a tape deck playing Lowell Fulsom – a guy who used to come to Memphis a lot and I knew some of his musicians. I grew up around the Blues, so this was a natural sound for me. Claude didn’t tell me until much, much later that he played Blues harmonica. He took us to the hotel where we had a warm and cordial welcome. Montreux was a quaint and sleepy town in 1967. However, there was a palpable excitement in the air and we coul…