I'm Always Crying
Another brilliant bit of excavation from Death Is Not The End, a label rapidly becoming a crate-digging collective par excellence. Think Honest Jon’s with a particular focus on early-to-mid-20th-century folk musics of all strains. This particular release focuses on the career of Dolores Jiménez Alcántara, stage-name Nina de la Puebla, who was a prime exponent of the Flamenco and Andalusian Copla songbooks. As the fourteen songs here demonstrate, powerful alto was dexterous enough to encompass th…
Longing For The Shadow: Ryūkōka Recordings, 1921-1939
*In process of stocking* Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of weste…
River of Revenge: Brazilian Country Music 1929-1961, Vol. 1
Tip! Death Is Not The End present the first volume in a survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the…
YU Aerobic
The phenomena of exercise tapes and albums started officially in Yugoslavia in 1983, Jane Fonda’s book was heavily promoted and published in local edition. Famous actress Milena Dravić released Aerobika Sa Milenom Dravić cassette for RTV Ljubljana and Sarajevo choreographer Gordana Magaš released Aerobik Ples: Pokrenimo se malo!. They were classical instructional tapes with voice-over and international disco or chart hits in the playlist . But Vesna Mimica, who perfected her art with Sylvie Vart…
I Had The Craziest Dream: Modern Jazz And Hard-Bop In Post War London, Vol. 3
The third volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: …
I Had The Craziest Dream: Modern Jazz And Hard-Bop In Post War London, Vol. 2
The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…
Come, Let Us Sing
What shall we sing? Folklorist Derek Piotr presents the third and final installation in the Bare family trilogy, this time highlighting lesser-known and garbled versions of local folk tunes, and again braiding the past with the present by incorporating his own contemporary fieldwork of the Bare's living descendants.