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**300 copies** The great fame of Antonino Riccardo Luciani, a musician and composer from Palermo, is due above all to his work for television and to one in particular, namely the music for the Almanacco del giorno dopo (Almanac of the Coming Day), a famous program that has been broadcast on the first channel of RAI - Italian Television for over twenty years. Chanson Balladée, this is the title, is for many people an indelible memory of a television now disappeared and radically changed, for whic…
**300 copies** As often happens in the case of library music albums, even in Leonardo Marletta's one and only record in his career, the titles serve above all as sound indications, as if they were listening guides. In Percussioni ed effetti (Percussion and Effects) we find a vast array of atmospheres, well explained and illustrated by titles such as Violenza (Violence), Guerriglia (Guerrilla Warfare), Allucinazioni (Hallucinations), Compulsioni (Compulsions), Battimenti (Beats), Sospensioni (Sus…
If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini.Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very …
**500 copies** Sonor Music Editions is glad to announce the reissue of this previously unreleased soundtrack for the obscure drama movie from 1974 directed by Daniele Franco. Originally published by CAM label with just two tracks recorded on a scarce 45, our team was able to restore the music from the original Cam archive tapes to offer a proper vinyl edition that this beatiful score absolutely deserves. Maestro and orchestra director Giancarlo Gazzani, the great musician and arranger behind sev…
Originally pressed on LP in 1980, we hereby present an affordable, remastered presentation of the legendary/notorious Lucifer Rising soundtrack that was originally composed for Kenneth Anger’s film of the same name. Comes with printed inner sleeve and spot gloss jacket.“When I composed and recorded the soundtrack for a reconceptualized Lucifer Rising a decade after the first abandoned attempt I drew on my own life experiences to tell the story in music evocative of the mythical Lucifer awakening…
* Restocked, reduced price * Goodfellas present a reissue of Ennio Morricone's soundtrack for La Classe Operaia Va In Paradiso, originally released in 1971. La Classe Operaia Va in Paradiso was another strike for maestro Ennio Morricone, one of the most in-demand composers and arrangers of the time. Avant-garde and slo-funk - with scary fuzz and wah-wah guitars - collide on the track "Metamorfosi" and before you know it, you are in the same vertigo generated by Gruppo D'improvvisazione Nuova Con…
Temporary Super Offer! Groundbreaking! One of the best, and most necessary reissues of the past few years, as well as n extraordinary collection of experimental, ambient and electronic tracks from the Italian cult composer and guitarist Daniela Casa.In an alternate universe, the Rome-born female synthesist Daniela Casa would be a household name. A genuine pioneer of experimental pop music, abstract electronics, giallo jazz, and even heavy drone rock jams, her elusive and infectious music joins t…
First ever reissue for this ultra-rare Library lp from 1971. One of the strongest examples of Egisto Macchi's tactile and meditative approach to composition, an engrossing, intuitive refinement of the techniques and practice he honed over prior years with Gruppo di Improvvisazione Nuova Consonanza. 'Bioritmi' breaks down to seven pieces making up a mesmerising voyage to the heart of modular composition and electronically processed percussions, looped up and effected with various early tape techn…
"Malcolm Mooney passes the baton to Damo Suzuki for Soundtracks, a collection of film music featuring contributions from both vocalists. The dichotomy between the two singers is readily apparent: Suzuki's odd, strangulated vocals fit far more comfortably into the group's increasingly intricate and subtle sound, allowing for greater variation than that allowed by Mooney's stream-of-consciousness discourse." -- Jason Ankeny