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Black Vinyl edition. Incredible reissue of Profondo Rosso, one of the absolute cult movie soundtracks of all times, in its 35th anniversary! This reissue is a faithful reproduction of the very first pressing of 1975 (being made in the same pressing plant of those years). A unique product for this truly legendary masterpiece! Recorded in 1975, the score finds the band at the height of their creativity and features the incredible lineup of Simonetti, Morante, Pignatelli & Martino. Bass & drums are…
Deluxe vinyl edition of the soundtrack to the Vincent Gallo film The Brown Bunny. Features 5 exclusive tracks from John Frusciante. Fully authorized edition on 180-gram vinyl, housed in a deluxe tip-on gatefold sleeve. Australian import, limited to 1,000 copies worldwide. "Everything Vincent Gallo has ever done operates at the fringe of the mainstream. His enigmatic charisma allows him to maintain creative control of his projects, no matter what the outcome. True to form, the avant-garde filmmak…
A previously unreleased haul of compositions by French avant-garde musician François Tusques (who released a legendary Futura label LP in 1971, as as the cult "Intercommunal Music" on Shandar). "I remember that around the time I first encountered the world of Jean Rollin I had been hired by Barney Wilen who wanted toperform my compositions, with Beb Guérin on double bass and Eddie Gaumont on drums. My friend Jean-Denis Bonan was in charge of editing Rollin's debut feature film La Reine Des Vamp…
Gatefold 2LP version. An unreleased soundtrack from 1968 composed and recorded by Irmin Schmidt and The Inner Space. A precursor to Krautrock pioneers Can, Schmidt's 1968 recording assembles Can's original line-up -- Michael Karoli, Jaki Liebezeit and Malcolm Mooney -- who later went on to craft the band's seminal debut, Monster Movie. The film Kamasutra: Consummation of Love switches between India and Germany and stars Bruno Dietrich and Barbara Schöne. A prime example of late-1960s German erot…
LP version. "For the soundtrack to The Source Family documentary, a selection of material was chosen to include the widest variety of Source Family members, showcasing the talents of many not previously showcased. And so, in addition to Ya Ho Wa 13 members Djin, Sunflower and Octavius, we also hear the contributions of Cinderella, Ahom, Aquariana, Anastasia, Rhythm, Horn, Electron, Zoroaster, Vibration, Pythias, Damian, and Zinaru -- as well as the omnipotent Yahowa himself, Father Yod. Their mu…
Kelly Riechardt has directed several films, An Old Joy, Wendy and Lucy, and last year saw the release of Meek's Cutoff. A slow burning, bleak film following a small group of settlers traveling across the Oregon High Desert with their guide Stephen Meek. What follows is increased paranoia and tension as they start to believe Meek does not the territory he has lead the group in to. The film was released to some fantastic reviews and Michelle Williams recently won the Hollywood Film Festival Award …
Another lost gem of French underground music, Delired Cameleon Family was originally conceived as the soundtrack to Pierre Clémenti's "Visa de censure nº X", and was originally released as an LP in 1975. It was a host of reputed experimentalists who took charge of producing this soundtrack. Under the direction of Cyrille Verdeaux we found the likes of Yvan Coaquette (Musica Elettronica Viva, Spacecraft...), Gilbert Artman (Lard Free, Urban Sax...), Christian Boulé, Tim Blake (Gong, solo recordin…
Top notch and bang up identical reissue job; gatefold mini-LP style sleeve complete with inserts and obi. This was originally a private pressing on Terayama Shuji's own Tenjosajiki label. The disc is a soundtrack to his like-named movie, of which the title can be roughly translated as 'Volume of First Love Hell.' Psychedelic insanity, spoken word insertions and has included great vocal participations by sublime vocalist Carmen Maki of Blues Creation. Great disc that rarely surfaces with everythi…
After changing the world in the late '60s with In C and A Rainbow in Curved Air, legendary American composer and father of minimalism Terry Riley abandoned tape manipulation and written composition to concentrate on longform keyboard cycles and improvisations. In the early '70s, while in Europe, he was invited to create scores for two films. The first, in 1972, was Joel Santoni's Les Yeux Fermés, a feature-length art film that instantly became a cult classic by virtue of its never having screene…