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Originally released in 1955. One of the very earliest and most important examples of electronic tape music to be pressed on vinyl (alongside the Radiodiffusion-Télévision Française musique concrète compilations in France and Jim Fassett's comedic 1953 Strange to Your Ears novelty record), this privately pressed 1955 10" was released on a one-off label owned by businessman Gene Bruck to document a custom-made performance at the Museum of Modern Art in New York in 1952. This facsimile edition of t…
Psych LP from 1968 by the Love Machine, “Electronic Music to Blow Your Mind By!!!” – and trust me, it can be done – on the Design label. One of the harder-to-find exploito-psych albums with an absolutely psychedelic cover. Like all these studio cash-in albums, you need to approach this one in the right state of mind, and by that I mean altered. But the great thing about these budget albums is that someone behind the controls seems to be trying out all the latest psychedelic effects – stereo pann…
Egisto Macchi (1928-1992) has long existed in the shadow of his friend and famous collaborator Ennio Morricone. Founding member of the astounding ‘Il Gruppo Di Improvvisazione Nuova Consonanza ' Macchi was a busy film (LSD Inferno, Bandidos, The Assassination Of Trotsky) and TV (E.S.P, many commercials with Mario Bava) composer in late 1960s and 1970s Italy and France. Macchi also cut a number of highly desirable library LPs for the Gemelli, Sermi and other Italian labels in the 1970s. ‘I Futuri…
Recent claims made re: Tod Dockstader’s absence from the public eye since releasing his owl-label lps in the late 60s are somewhat off. In 1979 this and another “companion” volume were released on the boosey & hawkes library music label; consisting of a spate of sound-queues made by mr. dockstader for production/documentary use. this sounds like no other dockstader recording you’ve heard. There are a couple of “fat brass synth-fanfares for sci-fi” kind of queues, but for every one of those there…