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** 2021 Stock. Original Videotape, Numbered ** Vanilla Records presents Deep Electronics Live by C.C.C.C. The VHS in NTSC format contains the recording of the Live at Bears, Osaka Aug. 10. 1991. Bass – Ryuichi Nagakubo. Cameraman – Michio Tejima. Design – Akifumi Nakajima. Electronics – Fumio Kosakai. Electronics, Performer – Mayuko Hino. Synthesizer – Hiroshi Hasegawa.
Merzbow's unpublished/excavated archive series by Slowdown Records began to be released in 2018, and so far 10 chapters have been published. This 60CD box contains all those 10 chapters. They have been published in chronological order starting from 1979, you can trace the changes of the various styles of Merzbow by listening to all of them in the correct order.
Deluxe book, 650+ pages, weighs nearly 3kg, Japanese & English. A masterpiece of a subculture photo book that contains the underground rock scenes that supported Tokyo underground music acts from the 70s and 80s.
** Deluxe vinyl LP version. Limited edition to 299 copies ** Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presen…
** Deluxe vinyl LP version. Limited edition to 199 copies ** MSBR (Molten Salt Breeder Reactor), aka Koji Tano, was one of the most respected noise artists to arise from Japan's exciting noise/experimental music scene of the 1990s. Much of his material was self-released on his own label, the astounding MSBR Records, which was dedicated to the production of limited-edition releases with incredible artwork. MSBR present a music elaborated with previously chosen source of sounds, whose origins are …
** Deluxe double vinyl LP version in gatefold sleeve. Limited edition to 299 copies ** Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely…
** Picture disc LP. Ltd x 400 copies in a heavy PVC archive sleeve. ** Two giants of the Japanese Noise scene present exclusive material on a special limited vinyl release. Controlled Death is the nom de plume of Maso Yamazaki (Masonna), who unleashed his claustrophobic Death Industrial / Blackened Electronics debut for Cold Spring last autumn (the sold out split LP with Rudolf Eb.er). "Devil's Sacrifice" (in 6 parts) continues Maso's obsession with heavy, Korg MS-20 drones. Deranged vocals chok…
2026 stock, reduced price ** Original Compilation, Numbered **
Jirai Wo Fundara Sayounara - translating, with characteristic Japanoise black humor, as something close to "Goodbye if you step on a landmine" - is one of the essential compilation documents from the Vanilla Records catalog, gathering the label's core artists into a single tape and offering a compressed portrait of the underground it had quietly built since 1985.
To understand the Vanilla Records compilations is to understand how Ja…
2026 stock, reduced price ** Original Single Sided, Numbered **
Floating around the sub-underground for years, rarely surfacing, rarely seen. Skull by Zyklon B. Zombies is one of those cassettes that circulated mostly as rumor - a ghost tape, a name that appeared on want lists - until Minimum Table Stacks finally pressed it to vinyl in 2023, giving a wider public its first proper encounter with what had been locked inside. This is the original 1993 Vanilla Records cassette.
Zyklon B. Zombies wa…
2026 stock, reduced price ** Original Single Sided, Numbered **
Among the more enigmatic entries in the Vanilla Records catalog - and one of the rarest. 藤圭子's ダーク・ポップ is a cassette about which almost nothing has been committed to public record, which is itself a kind of document: the extreme scarcity of information surrounding certain Vanilla releases is inseparable from the conditions under which the label operated, pressing in tiny numbered editions for an audience of a few hundred at most, …
2026 stock, reduced price ** Original Single Sided, Numbered **
Deisel Guitars was the name under which Youki Noseyama (能勢山陽生, born 1967) first operated - a duo formation that preceded his long solo career as Diesel Guitar and, later, under his own name. Materialism Rock, released on Vanilla Records in 1992, is one of the project's two cassettes from this period, followed by Atom in 1993, before Noseyama continued as a solo entity running the independent noise label Good Microphone.
The sound o…
2026 stock, reduced price ** Original Single Sided, Numbered **
Solmania is the project of Masahiko Ohno, one of the key figures of the Osaka noise underground in the late 1980s and early 1990s. Alongside Masonna, Incapacitants, C.C.C.C., and others circulating through the Vanilla Records orbit, Solmania emerged from the same world of home-recording and ultra-limited cassette runs - noise made on homemade instruments and homemade systems, outside any commercial framework and mostly unknown beyo…
2026 stock, reduced price **Clear cassette case, 4-panel J-card stamped with the label info on the inner side. **
The most radical act of any art is the refusal to aestheticize. Incapacitants have held that refusal for over four decades, and Extreme Gospel Nights - a cassette recorded live at Gospel in Tokyo in 1993 and released on Vanilla Records the same year - remains one of the most uncompromising statements of that position.
Toshiji Mikawa formed Incapacitants in Osaka in 1981 as a solo pr…
2026 stock, reduced price. A thirteen-year archive compressed into a single cassette. Live Materials 1980-1993 by Nord traces the arc of a project that stretches back to the earliest years of Japanese experimental electronics - years before Japanoise had a name, before Vanilla Records existed, before most of the artists who would define the scene in the late 1980s had begun recording.
The breadth of the timeline captured here is significant. 1980 is contemporaneous with the earliest industrial a…
**Limited Edition of 299 copies.** Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “Japanoise” scene. Masonna’s abundant productions on his own legendary and astonishing label Coquette were presented in very limited editio…
**Limited Edition of 199 copies.** Akifumi Nakajima was probably best known for his work under the name Aube, which was one of the more prolific and most interesting noise acts from Japan. He had an impeccable and marvelous sense of design and appreciation for the materials, taking packaging beyond just using regular old paper with his wonderful and unique label G.R.O.S.S., dedicated to releasing experimental music and noise, in addition to his own recordings as Aube. He began recording in 1980 …
**Limited Edition of 299 copies.** Kohei Gomi began experimenting with home recording in the 1980s and got so lost in extreme sonics under the Pain Jerk moniker that his output inevitably spilled out into the wider world. By the mid-90s, he was one of the most prolific and influential noise units operating out of Japan, hurling maelstroms of chaotic chunder and deranged grime at anyone who could handle the extremes. Pain Jerk became one of the leading figures in the "dynamic" style of Japanese n…
** 2021 Stock ** Hospital Productions announce the unreleased, would-be-classic from Japanese noise hero Painjerk. Originally recorded immediately after the canonical Gallon Gravy classic, this is pure -- definitive -- loop-heavy noise energy and dynamism that would become the signature of Kohei Gomi's electronic studies having influenced two generations of underground electronics since. Hailing from a background of Japanese punk, Kohei Gomi stayed true to the fierce ethos of independence and ex…