Psych /
Egg
** 2021 Repress. Thick card glossy sleeve, 180 gram vinyl ** The debut album of Egg ( nothing but Arzachel without guitarist Steve Hillage, who left to study psychology in Kent University) is a real early progressive gem. All Egg's releases stayed in the shadow, and it's a shame. Guitar less trio, heavily based on future on of the greatest Canterbury scene keyboardist Dave Stewart plays perfect mix of psychedelic jazzy symphonic progressive. Nearest comparison could be ELP, but Egg's music is mo…
Camel
** 2021 Repress. Thick card glossy sleeve, 180 gram vinyl ** In August 1972 Camel signed with MCA Records and their eponymous debut album Camel (1973) was released six months later. The record was not a success and the band moved to the Deram Records division of Decca Records. The roots of Camel go as far as 1964, when the Latimer brothers Andrew and Bryan form part of a band called The Phantom Four, after gaining some fame, the band changes their name to Strange Brew, a when the bass player Gr…
Mighty Baby
The obscure British prog band Mighty Baby evolved from an earlier group called The Action, a London Mod act that signed to Parlophone after building a strong live reputation, with guitarist Alan King, bassist Mike Evans and drummer Roger Powell, later expanded to include former Savoy Brown guitarist Martin Stone and keyboardist/sax player, Ian Whiteman. Moving heavily into experimental psychedelia in 1969, they cut this incredible debut album for the Head label, which is rightly hailed as one of…
Space Cabaret
This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management,UK, remastered from an original master copy out of the vaults of BMG, album originally released in 1973 on Transatlantic Records. CMU (stands for Contemporary Music Unit), were founded 1970 in Cambridge (UK) and recorded 2 albums (Open Space, 1971 and Space Cabaret, 1973) before they called it a day late 1973. They were mixing various aspects of Art-,Westcoast-, Jazz- and Folkrock with Psychedelic Roc…
Spring
Spring were a Leicester-based British progressive rock band that represented the early 1970s progressive rock movement. A one-shot band, it recorded only one album in its career, a self-titled LP released in 1971. The reissue includes three bonus cuts ("Fool's Gold", "Hendre Mews" and "A Word Full of Whispers") that were from sessions of a never-completed second album from 1972. Spring's music is notable for the use of the mellotron, with three of the its five members credited with playing that …
PLVG
** 2021 Stock. A limited edition record of the unreleased recording of PLVG (pronounced “plug”) recorded in 1973. A coloured vinyl, of which only 1000 numbered copies have been made, with insert ** PLVG is formed of ex-members of the band Calcium, considered the cream of French studio musicians. In May 1971, soon after his triumphant Olympia 70, singer Julien Clerc surrounds himself with musicians Charles Benaroche and Denis Lable. They are joined in 72 by Stéphane Vilar (ex-Calcium) who had jus…
Matching Mole
Recorded in an abandoned CBS studio in the cold winter of 1972, this is the historical first album of Matching Mole, Robert Wyatt's immediate post Soft Machine grouping featuring himself on drums and vocals and three of the most creative musicians from the legendary Canterbury scene. Guitarist Phil Miller (Hatfield & the North, National Health), keyboardist Dave Sinclair (Caravan) and bassist Bill McCormick (Quiet Sun). Matching Mole is the quintessence of Canterbury sound. A visionary mixture o…
His Greatest Misses
The track selection seems to have been designed as an ideal introduction to the former Soft Machine drummer's solo work, collecting key album recordings and even one or two bonafide hits (regardless of what the album title says). Wyatt's debut single, a cover of the Neil Diamond/Monkees song 'I'm A Believer' is included in its extended form (although, as ever it sounds jarringly out of place when set among his own compositions), as is the 1998 remaster of 'Shipbuilding', Wyatt's memorable 1982 r…
Happy French Band
This French group started out under the spelling of Maajun and their debut album from 1971 is supposed to be a bit of a classic in a mixture of early underground styles. It's not on CD however. They changed the spelling of the name and a released a couple of albums for Saravah in '73/'74 and then this last album in 1977 (on Gratte Ciel). There's a post-Zappa influence involved and they supposedly "melded Arab, Free, and folk influences, doling out derision through satirical lyrics and music whic…
Brez Naslova
**Reissued for the first time. Limited to 500.** When it comes to a fusion of jazz and rock music, most of us connoisseurs look over to England. Canterbury is not only a place, it is a term to define a whole scene and sound in the field of jazzrock. And this scene spawned some magical names, bands and musicians, being carved into the soul of every woman and man who were engaged in jazz and progressive rock music in the 70s. Now we can only wonder how the call of Canterbury reached Yugoslavia, a …
Circus
Circus were a shining example of the creative explosion at the heart of the early days of Progressive Rock. A tight knit jazz-rock band that crafted high quality musical workouts, Circus mixed the heavier aspects of late 60s rock with the nuances of jazz modulations, folk, pop and even forays into psychedelia. Circus decided to focus less on the sound of the pop psych scene and joined the ranks of the more experimental progressive bands emerging during the 60s such as Soft Machine, Caravan, Colo…
Acnalbasac Noom
Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …
Frob
Remastered reissue of this killer album. A unique psychedelic kraut/jazz rock/avant album, originally released in 1976, sees a welcome reissue. Formed in 1973 in the German town of Rheda-Wiedenbruck, Frob also included French jazz-fusion guitar player Philippe Caillat in its line-up. The album is shadow-strafing suite of spidery rhythms and inquisitive jazz gestures, effortlessly binding avant instrumental dexterity with cool blue harmolodic sentiment in a timeless style that could feasibly be d…
Souvenir Cassette And Other Further Live Adventures
A limited edition collection of exquisite live interpretations of songs by Japanese pop genius, Haco, taken from the band's first and second European tours in the early 1980s -- technically innovative events at which they set up 5'1 sound systems at every concert. Powerful, delicate music featuring exotic as well as conventional rock instrumentation, and the extraordinary voice of diminutive diva, Haco. Includes previously unreleased materials. Powerfully played and beautifully recorded with ful…
SWF Session 1973
Long Hair is not only proud to present Tortilla Flat`s legendary sole album „Für ein ¾ Stündchen“, on vinyl, but also the groups a lot more legendary broadcast sessions for Germany`s leading underground and Krautrock program on radio SWF (look for the further recordings in this series on LongHair). The mainly instrumental album is very flute and in opposite to the latter album electric violin driven, with very exciting guitar playing accompanied by a rocking drumming and nimble bass lines, very …
Fur Ein 3/4 Stundchen
Long Hair proudly presents one of the most sought after German albums of the early seventies, now for the first time officially re-released on LP: Tortilla Flat's 'Für Ein 3/4 Stündchen', originally recorded in winter 1974 and released in early 1975 as a private pressing. The instrumental album is very flute and electric piano driven, with very exciting guitar playing accompanied by rocking drumming with slightly jazzy influences and nimble bass lines, very tight! Music is very unique, not typic…
Striptease
The recordings of Striptease were a long time lost. In 1975 Secret Oyster had reached broad acceptance in Danish cultural life and on the music scene. Their 3rd album „Vidunderlige Kaelling (Astarte), reissued on vinyl and CD by LongHair, received massive media attention and a big audience. After finishing the rcordings for their 4th album „Straight to Krankenhaus“ (also reissued on vinyl and CD by LongHair) the band was pleased to work on the recordings for another „Ballet“ with working title „…
Abraxis
Remastered reissue of this prog/fusion/jazz record, featuring members of Cos, Julverne, Pazop, Brainstorm and Speed Limit. Comes on black 180 gram vinyl, limited to 500 copies. The musicianship is consistently outstanding throughout the album. A true obscure gem which reissue is more than welcome, when it comes to Canterbury/jazz-fusion flavoured mix with a pinch of Zeuhl sounds
Henry Cow: The World Is a Problem
In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits.Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism.In Henry Cow: The World Is a Problem, Benjamin Piekut tells the band’s story —fro…
Live At Royal Albert Hall, London 13th August 1970
Classic Soft Machine performing live at the prestigious Royal Albert Hall, right after the release of the milestone Third on CBS. Classic line up with Hugh Hopper (bass), Mike Ratledge (keyboards), Robert Wyatt (vocals / drums) and very special guest Elton Dean on alto saxophone and saxello. Canterbury goes to heaven!