Psych /
Vivre La Mort Du Vieux Monde
Tip! Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was… Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble…
Temple Stone
2024 vinyl reissue. Green color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored th…
Second Time Around
2024 vinyl reissue. Blue color vinyl. "Returned from early '90s Japan are the holy sounds of Ghost. Their collective, clearly inspired by various forms of transcendental music throughout history, created a new syncretic psychedelia with these albums, mixing the texture and vibe of multinational forms of traditional music, with strummed antique stringed instruments and the haunting wail of a recorder on top of their heavy beats and guitars. The considerable depth of this approach was explored thr…
A Criminal Record
2024 stock. A lost slab of rock/psych improvisation from 1970. A well-known singer in Israel recorded many of Israel's classic popular songs, beginning with the Ofarim Trio and later High Windows (in 1967), Israel's best-know folk-rock band, who released Israel's first pop record. Krause also spent several years in an asylum. His “Cape of the Big Hope” was released in 1969, with musicians who appear on Danny Ben Israel's Bullshit 3 1/4; in 1970, some problems with the law landed Kraus in jail. H…
Ngélar
In Ngélar—the sextet’s sophomore LP—deeper social narratives and more intimate subject matters are more apparent. In which they speak a lot about ‘tanah’ or ‘land/soil,’ owing a lot to the fact that their hometown, Jatiwangi’s history of being the country’s largest producer of clay/terracotta-based products. The people in Jatiwangi’s intertwining relationship with ‘tanah’ is simply unparalleled—even their instruments are mostly made of terracotta. From the reimagining of their hometown’s past gl…
House In The Tall Grass
Kikagaku Moyo 3rd album "House in the Tall Grass". Like a long journey this record unfolds itself through many layers. Fans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.The patient listener is rewarded by trac…
A Gift From A Flower To A Garden
Donovan’s music, his poetry - including two mono LPs, one for parents or grandparents and one for the children, with beautiful art illustrated lyrics, all approved by Donovan, with exclusive liner notes by Will Hodgkinson, chief rock and pop critic for The Times
Diana
Progressive folk act Comus was a true one-off, their unique take on folk rock a spine-tinglingly shocking one, even as the music draws the listener into singalongs. Formed by singer-guitarist Roger Wootton with some art school mates, including guitarist Glen Goring, violinist Colin Pearson and oboist Rob Young, Comus began recording their debut LP for RCA, who dropped them halfway through, leading to further recordings for Dawn with Barry Murray. Every song on this single bears the hallmark of t…
Hemåt
More than a single cult, the sole album by Swedish combo Harvester was released as a sort of private press on the small Decibel Records. A magical blend of folk and psychedelic rock, Hemåt was published in 1969. With some extra-rock elements like cello, fiddle and even spare horns, the record is a beautiful and magical ritual. The band eventually morphed into Träd, Gräs Och Stenar.
Ghost
Formed in 1984, Ghost burgeoned slowly, blowing open the gate in 1990 with their eponymous debut. Opening with a vast spirit plosion – shards of antique light and clouds of centuries-old, dust-laden airs escaping from a primeval tomb – they settle into the deep feeling. A variety of mostly acoustic instruments aids their projection of traditional sounds from space and time, troubadours of unknown, an enigma of eternal trippiness all about them.
Silence Beyond Time
*2024 stock* “Between stood and still stands for the simultaneity of things that are really mutually exclusive” (Peter Michael Hamel, 2005). “Originally we wanted to call the project B.A.C.H.,” Peter Michael Hamel re-calls, when, in 1970, they were looking for the most unusual name possible for a extremely unusual formation. “Naturally we chose in it in part in allusion to the immortal baroque composer of that name, but above all the letters stood for “Between All Chairs.” That’s exactly how we …
Into You
* 2024 stock. Last copies. * One of the "holy grails" of Indianapolis private-pressdom (surpassed only by Zerfas and Anonymous) available again in its original format! Ray "McKay" Pierle and his musically-adept brothers and friends partied, jammed and partied some more on Indy's south side throughout the mid-70's, forming a band (Loos) which managed to garner zero media attention at the time. However, Ray's trusty Teac four-track was always close at hand and countless hours of home recordings we…
Banda Da Capital
Som Imaginário are the stuff of MPB mythos. Integral to Brazil’s Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between ‘70 and ‘73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But ar…
Black Tempel Pyrämid Discs 2
*30 copies limited edition* Patrick R. Pärk’s Black Tempel Pyrämid has been insanely prolific since its inception at the back end of 2020, releasing eight albums over a variety of labels in that time. The CD collection includes pro-printed cover art with insert and download code for all discs. Features an eclectic mix of American primitive, Krautrock, drone, and folk-country most of which is dedicated or inspired by Southern Colorado geography and history.
Fairport Convention
By far the most rock-oriented of Fairport Convention's early albums, this debut was recorded before Sandy Denny joined the band (Judy Dyble handles the female vocals). Unjustly overlooked by listeners who consider the band's pre-Denny output insignificant, this is a fine folk-rock effort that takes far more inspiration from West Coast '60s sounds than traditional British folk. Fairport's chief strengths at this early juncture were the group's interpretations, particularly in the harmony vocals, …
Happy End
Happy End's eponymous debut is a crucial piece of the J-Rock puzzle and a turning point for Japanese music. Originally released in 1970 on URC (Underground Record Club), Happy End finds creative mastermind Haruomi Hosono aborting the short-lived psychedelic rock project Apryl Fool, for a new direction in sound. Here the future YMO head teams up with former Apryl Fool drummer Takashi "Rei" Matsumoto and two new guitarists, Shigeru Suzuki and Eiichi Ohtaki, to deliver pioneering Japanese folk rock…
Unhalfbricking
Unhalfbricking is the third album by the British folk rock band Fairport Convention and their second album released in 1969. It is seen as a transitional album in their history and marked a further musical move away from American influences towards more traditional English folk songs that had begun on their previous album, What We Did on Our Holidays and reached its peak on the follow-up, Liege & Lief, released later the same year.
The album features several Bob Dylan songs, which he had not yet…
What We Did On Our Holidays
Sandy Denny's haunting, ethereal vocals gave Fairport a big boost on her debut with the group. A more folk-based album than their initial effort, What We Did on Our Holidays is divided between original material and a few well-chosen covers. This contains several of their greatest moments: Denny's "Fotheringay," Richard Thompson's "Meet on the Ledge," the obscure Joni Mitchell composition "Eastern Rain," the traditional "She Moves Through the Fair," and their version of Bob Dylan's "I'll Keep It …
Liege & Lief
Liege & Lief is the fourth album by the British folk rock band Fairport Convention. It is the third album the group released in the UK during 1969, all of which prominently feature Sandy Denny as lead female vocalist (Denny did not appear on the group's 1968 debut album), as well as the first to feature future long-serving personnel Dave Swarbrick and Dave Mattacks on violin/mandolin and drums, respectively, as full band members (Swarbrick had previously guested on Unhalfbricking). It is also th…
So far and further on ...
*6 Colour variants limited to a total of 276 numbered copies* Introducing a meticulously crafted DIY limited vinyl box set housing 3 LP’s and a comprehensive illustrated booklet. This set is highlighted by a captivating textured sleeve handmade with deluxe Bookbinding Savanna Cloth combining the timeless charm of vinyl records with the tactile allure of vintage materials. Immerse yourself in the depths of folk-rock’s best hidden gem and the thrill of a collector's treasure trove. This limited ed…