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Psych /

The Deviants #3
**1000 copies, white and black splatter vinyl, gatefold cover!** The Deviants were the closest thing the '60s British rock scene had to The Mothers of Invention, with a Stooges-like fondness for fuzz guitar freakouts thrown in. And playing the Frank Zappa role as lyricist, singer, and provocateur was Mick Farren, one of the most intriguing figures to emerge from the UK underground. Farren actually had a much longer and distinguished career as a writer than he did as a musician - he penned a tota…
Chelsea Girl
2019 repress. Her debut originally released in 1967 (mere months after the groundbreaking The Velvet Underground & Nico album). A masterpiece of dark orchestral folk-pop featuring playing and songwriting help from the VU's Lou Reed, John Cale and Sterling Morrison (as well as the then unknown Jackson Browne who was dating Nico at the time). Features the definitive version of Browne's 'These Days,' as well as classics like the title track and Tim Hardin's 'Eulogy For Lenny Bruce."Although Chelsea…
The Gospel According To Zeus
When one thinks of Motown Records, heavy guitar riffs and psychedelic rock is not the first thing that comes to mind. Perhaps that's why Power of Zeus's 'The Gospel According to Zeus', the debut rock release by Motown subsidiary Rare Earth Records and the Detroit band's first and only full-length album, has achieved mythological status in the years since its release in 1970. Marked by the virtuoso guitar work of Joe Periano, Power of Zeus created an album that merges the high-concept songwriting…
Songs Of Experience
Audiophile reissue, lacquered directly from Axelrod's original EQ'ed master tapes at Capitol Records by Ron McMaster, housed in a deluxe gatefold jacket. "Audiophile reissue, transferred directly from David Axelrod's original EQ'ed master tapes at Capitol Records by Ron McMaster 'Songs of Experience was supposed to have a different feel than Song of Innocence. You see, music is a great outlet. And regardless of what the titles say, and as close as I wanted it to be to William Blake, what was goi…
Ithaca, Agincourt And Other Psych-Folk Fairy Tales
If one is aware of high prices on online music sites or is a part of any worldwide record collectors' circles, albums from groups such as Ithaca and Agincourt might sound familiar. Producers, composers, singers and multi-instrumentalists Peter Howell and John Ferdinando are two English musicians who started their partnership in the mid-1960s. From 1968, with the release of their soundtrack for the play Alice Through The Looking Glass, until the release of a project called Friends in 1974, they p…
Contribution
Shawn Phillips' first major album, recorded in 1968 with help from the members of Traffic, among others, is a condensation of a far more ambitious studio original that was intended to fill three LPs. The range of sounds on this record is shockingly diverse, from breezy folk-rock ("Man Hole Covered Wagon") to pieces incorporating classical guitar and phantasmagoric lyrics ("L Ballade" finds Phillips' at his most Donovan-like, but with a better voice), and, in between, bouncy throwaways ("Not Quit…
The Cheerful Insanity Of...
2019 repress. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.
Prophetic Spirit
Blazing sitar and crazed percussion, a 50 year old mystery! Known only in legend from their appearance in 33 1/3 Revolutions Per Monkee, the Moon Express album finally arrives 50 years after its recording! Paul Arnold (mastermind behind The Inner Sounds Of The Id) and Tsvia & the Followers weave peculiar music that ebbs and flows with unusual time signatures, sonic baths of wild, exotic percussion and other fascinating and hypnotic sounds, all under Arnold's booming narratives and Tsvia Abarbane…
Magic Time: The Millennium/Ballroom Sessions
An awe-inspiring three CD set! We’ve emptied the Columbia vaults of material by these late-‘60s Curt Boettcher-led groups, whose dazzling soundscapes and choral arrangements created a perfect hybrid of sunshine pop and psychedelia. Produced with the bands’ full participation, Magic Time is the definitive compendium of Millennium/Ballroom material, including the entire Begin and Ballroom albums and an additional wealth of unheard songs and alternate versions, plus interviews and rare photos! Magi…
Omnibus
New Jersey's Omnibus formed from the ashes of garage bands from the New Milford area: The Cliffhangers, The Forerunners and The Vandals. Original members came from these three local bands and consisted of Jay Polt, Al Raimondi, Bob Wegrzyn, Bobby Marcinczack and Jerry Garino. They soon hit the local scene and got in touch with brothers Steve and Eric Nathanson who would become their managers and finance their first recordings. A United Artists recording deal was the next step, through wich the b…
Awake In TH' Red Desert
**The first vinyl reissue of the zoner masterpiece, originally released in 1968. Edition of 500** "For the first release in Feeding Tube's Unknown Province series -- a run of records dedicated to exploring little known nooks of the Canadian underground, curated by Alex Moskos -- we are delighted to bring you the first vinyl reissue of the 1968 zoner masterpiece by poet bill bissett and his fellow Vancouver freaks. We have always been shocked this LP was not included on the NWW list, but Canadian…
Ronda
"Brilliant, inspired and somewhat surprising collaboration between Chicago's premier free-rock trio and the truly legendary percussionist, Hamid Drake, who has played with everyone from Don Cherry to Peter Brötzmann to Lee Perry. This collusion was precipitated by Matt Jackowiak, a mutual friend, who thought a merging of their sounds might make for an ecstatic explosion. This feeling became mutual after they played a show together at Constellation. The set mixes Mako Sica tunes with improvis…
Turn On, Tune In, Drop Out
One part psychologist, one part psychonaut, and one part huckster, Dr. Timothy Leary was one of the most fascinating and enigmatic figures to emerge from the '60s, and the fact that he released a soundtrack to a film that nobody ever saw fits right in with his modus operandi. Indeed, mass confusion reigns as to the origin of the tracks found on Turn On, Tune In, Drop Out. First of all, Leary had released an album by the same name a year earlier on the ESP-Disk label; that one was a spoken-word r…
Paper Garden
Gatefold cover vinyl reissue of 1968 psych record originally released on the Musicor label. Sgt. Pepper taught a lot of bands to play in 1967, including New York's Paper Garden, whose absorption of the Fab Four's Summer of Love statement came out on Musicor Records the following year. What Paper Garden can't match in terms of the Beatles sophistication they make up for in ambition, as exhibited on the harpsichord-enhanced pop genius of 'Lady's Man', orchestrated gems like 'Way Up High', the fuzz…
Begin
The Millennium looms large in the hearts of fans of the '60s sunshine pop genre. The studio group was the creation of legendary tunesmith/studio genius Curt Boettcher, who had previously been instrumental in the formation of the fabled '60s cult acts the Ballroom and Sagittarius. In 1968, Boettcher assembled a group of talented California singers and musicians (including singer/guitarists Lee Mallory, Sandy Salisbury, Joey Stec and Michael Fennelly and Music Machine drummer Ron Edgar) to record …
Red Weather
After leaving Blue Cheer in 1969, guitarist Leigh Stephens, whose pulverizing roar was an essential element of the band's original sound, made his solo debut with Red Weather. In contrast to his former band's stripped-down metallic blast, Stephens spread his musical wings to explore new musical territory. Although Stephens' trademark guitar sound is still prominent, it's featured in a more eclectic context that encompasses elements of avant-psychedelia and electric blues. Also featured is stella…
Outside Inside
Blue Cheer's second album, Outsideinside, fully matches its predecessor's primal power. The last Blue Cheer release to feature the beloved lineup of Stephens, Peterson and Whaley, Outsideinside is a bracing orgy of volume, distortion and aggression, with such highlights as "Just a Little Bit," "Come and Get It," the instrumental "Magnolia Caboose Babyfinger" and the band's distinctive take on the Rolling Stones' "Satisfaction." Like its predecessor, Outsideinside has been out of print on vinyl f…
Vincebus Eruptum
Blue Cheer looms large in the annals of hard rock, laying down the sonic foundations of heavy metal, and serving as a crucial influence on the birth of punk, grunge and stoner rock. While the rest of the rock world was mellowing out and embracing the spirit of the Summer of Love, the seminal San Francisco power trio was churning out ballsy blues-rock anthems whose fuzz-heavy, adrenaline-charged intensity helped to alter the course of contemporary music.Vincebus Eruptum, Blue Cheer's landmark 196…
Balaklava
A record that virtually defies categorization, Pearls Before Swine's 1968 epic Balaklava is the near-brilliant follow-up to One Nation Underground — and second masterpiece from Tom Rapp's merry band. This quasi-historical mystery album featuring a lisping songwriter who was recording 78 RPM cylinders and talking about Florence Nightingale existed, if not in the middle, then somewhere over there. It was fitting that the album had a home on ESP Records then—and now it has one on Drag City. A host …
Bullshit 3 1/4
Ultra limited Israeli reissue (300 only!) of this classic masterpiece of protest music/freak/funk/psych album from 1970. A mix of freak psych and avant-garde, full of fuzzed out and distorted guitars, studio effects, tape loops, tone generators etc. Bullshit 3 1/4 was a quantum leap away from all of Danny Ben-Israel's previous musical endeavours as evidenced by the title's decided lack of commercial potential, the provocative cover artwork and songs that free-formed and furry-freaked all ove…
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