Psych /
The Elektra Singles
More than just a collection of Love's most essential tracks, Love Singles features all the A and B sides of their Elektra singles released in the US between 1966 and 1970, capturing the full scope of the band's creative output during their golden age. Featuring classics such as My Little Red Book, 7 and 7 Is, and Alone Again Or, this compilation highlights their influence on the music scene of the 1960s. 7 and 7 Is became their most successful single on the charts, reaching number 33 on the Bill…
Bill Plummer And The Cosmic Brotherhood
"Welcome to the mind-expanding 1968 jazz recording of Bill Plummer and The Cosmic Brotherhood -- where Eastern and psychedelic influences meld together to produce one of the trippiest jazz albums on Impulse Records. This LP is a much-sought-after sonic travelogue, with the pop-psych spoken-word sitar freakout of 'Journey To The East' to Bill Plummer's swinging, rapid fire/cool jazz compositions, to his covers that go straight to the heart of any '60s genre-crossing jazz fans. Featuring an incred…
Riff Raff
Released in 1972, Riff Raff is a bold statement from a British prog quartet exploring the intersection of rock and jazz-inflected textures. The album moves between blues-tinged grooves, melodic prog passages, and expansive jazzy-rock moments, all anchored by tight rhythms, expressive guitar, and organ flourishes. Standout tracks like the opener and La Même Chose show off the band’s adventurous spirit, balancing precision with spontaneity. Though the variety of songwriters gives the album a loose…
Samurai
*Limited edition - from original master. Luxurious gatefold thick cardboard tip-on sleeve* Cinedelic Records is excited to announce the definitive official reissue of "Samurai," the iconic and great lost gems of British progressive jazz-rock, originally released in 1971.
"Samurai" is a masterclass in early 70s rock genre-blending, intricately weaving elements of avant-garde progressive rock, psychedelic influences, and jazz-rock innovation into a cohesive and captivating listening experience. Th…
Apryl Fool
The Apryl Fool’s self-titled album Apryl Fool (1969) is a singular psychedelic rock record born from the collaboration between Japanese musicians Hiro Yanagida and Takashi Matsumoto and American producer Gary Walker. The album fuses West Coast psychedelia with baroque pop, orchestral arrangements, and subtle Eastern melodic sensibilities, creating a richly textured and cosmopolitan sound that stood apart from both mainstream American psych and contemporary Japanese rock. Though commercially over…
La Onda Pesada
“La Onda Pesada” (1971) by Ernan Roch showcases the most experimental side of Mexican rock of the era, blending blues and psychedelia, with Hendrix-style guitars driven by powerful fuzz riffs, alongside more folk oriented passages and deeply poetic lyrics. This album has become one of the most coveted titles among collectors due to its outstanding musical quality and the fact that it suffered the consequences of the persecution of Mexican rock, which prevented it from being properly circulated a…
With You in My Arms
With You in My Arms by John Michael Roch is a once‑lost mid‑’70s Los Angeles private‑press gem: fragile pop‑rock‑psych songs that sit perfectly beside Michael Angelo and Justen O’Brien & Jake, now finally restored from total obscurity with the care they always deserved.
Twisted Tales From Warped Minds
Vesuvius was a 1970's musical group with Northwest Indiana roots. The band incorporated elements of prog/rock and psychedelia, combining the theatrics of Gabriel era Genesis and the psychedelic lighting effects of Hawkwind but on a bargain budget. First time on vinyl! do not miss this psych-prog gem!
Issue 73 (Magazine)
*50 copies limited edition* 40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item. Buying via Bandcamp you also get the option to download the multimedia content.cover article: Spectrum Orchestrum - French underground today. Plus: Celebrating 5 years since the Audion relaunch as a complete multimedia archive, and with 25 new issues!, Denmark - Scandinavian fusion legends 10, Phog - a French one-man band,…
Issue 72 (Magazine)
Audion 73 is where Audion Magazine’s global circuitry really starts to glow. First published on 3 March 2023 as a 48‑page A4 pdf, the issue threads book criticism, deep historical reappraisal and present‑tense scene reports into one restless survey. It opens, fittingly, on the printed word with “A Fistful of Spaghetti” - an extended book‑review section that uses recent titles on Italian cinema, music and counterculture as a prism, talking through how giallo soundtracks, spaghetti western scores …
Issue 71 (Magazine)
Audion 71 catches Audion Magazine in full cartographic mode, tracing how progressive, psychedelic and experimental tendencies have leaked across borders, labels and generations. The issue opens with a feature on Acid Rooster, cast here as “new space-trekkers from Germany”, picking up the kosmische thread with extended jams that feel closer to orbital slingshots than retro homage. The piece listens closely to their long-form structures, guitar textures and rhythmic drift, showing how they tap int…
Issue 69 (Magazine)
Audion 69 opens on a sustained chord of Italo-symphonic grandeur and slowly fans out across Europe’s most fertile borderlands, using a handful of key case studies to prise open the archive. At its centre is an extended feature on Banco del Mutuo Soccorso, here framed unapologetically as “the Italian masters of classical rock” during their 1970s peak. The article doesn’t simply rehearse the usual praise quotes: it walks album by album through the original run, unpicking how Banco welded conservat…
Fantasy Train
From a southern small town this after school project is hard to describe other than there’s nothing else like it. Teens exploring soul, funk and rock and this album is their interpretation of all three. Catchy tunes, plenty of effects and earnest vocals. Fantasy Train is one of the freshest sounds I’ve heard in many years of digging. – Rich Haupt (Rockadelic)
Fantasy Train is a unique, genre-bending album cooked up in the sweltering Southern heat that impresses me with a special kind of style a…
Warrior On the Edge of Time
Iconic space rock pioneers Hawkwind are thrilled to announce a landmark 50th anniversary reissue of their groundbreaking fifth studio album, Warrior on the Edge of Time, originally released on May 9, 1975. This definitive edition, featuring the legendary lineup of Dave Brock, Nik Turner, Lemmy (Ian Kilmister), Simon House, Simon King, and Alan Powell, captures the band's most polished and ambitious work to date, blending psychedelic fury with cosmic storytelling.
Inspired by Michael Moorcock's …
Clear Light
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at release, now cult classic.
No Way Out
Essential 1967 garage-psych debut by Chocolate Watch Band, raw prototype of protopunk energy with volcanic guitar work and inflammatory vocals by Dave Aguilar channelling Jagger like nobody else. Distorted riffs, cosmic psychedelic legerdemain, killer covers of Stones material.
Raw Power
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.
Fun House
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.
The Stooges
The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.
Epsilon
The self‑titled Epsilon introduces Epsilon as one of those early‑70s outfits that understood rock not as a fixed style but as a volatile intersection of impulses: hard rock muscle, blues phrasing, progressive ambition, and a lingering psychedelic afterglow. The album moves with the confidence of a band that has internalised late‑60s British rock grammar - heavy guitar, insistent Hammond, a rhythm section that can punch and pivot - yet refuses to collapse into pure riff worship. Instead, the grou…