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Chicago trio Axis: Sova follow up 2023's Blinded by Oblivion on Ty Segall's God? Records: post-punk songs worked out live on tour, then recorded with Cooper Crain at Electrical Audio, all earworm hooks and phased, fuzzed guitars.
Les Rallizes Dénudés returns with Disque 4 -’76 Studio et Live-, the latest in the ongoing series of official archival releases from the celebrated Japanese underground band.
*2026 stock* A long-awaited reissue of a unique and only album of a legendary Mongolian ensemble. The self-titled album first time was released on vinyl in 1980 by the Soviet label Melodia and due to a huge demand was urgently re-pressed again in 198…
The master of the echo-guitar, alone in the wilderness. Schickert layers cascading, delay-drenched guitar into trance-inducing krautrock ritual: hypnotic, psychedelic and deeply cosmic. Solitary genius from the Berlin underground.
Open Up The Door is the sixth release from Das Rad, and continues our group’s progression from studio based instrumental music to live performance unit - featuring the sublime voice of Peter Rophone alongside the multi instrumental talents of the oth…
*200 copies limited edition* Toronto’s shape-shifting psych project Lammping continues its ambitious four-album series with the upcoming LP — a lush, immersive collaboration between Drew Smith (Dr. Ew, The Bicycles) and Chris Cummings (Marker Starlin…
More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional se…
Based in Montreal, and known as Freedom, Freedom of Choice (for the US release of their debut single on Wand) — and finally, Freedom North, the band had success with their first two singles, both released in 1970: ‘Doctor Tom’, which garnered radio a…
The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era,…
3/3 is best known as the precursor to Friction, one of the most influential bands in the history of Japanese rock. Despite the fact that their only album was originally selfproduced in 1975 in an extremely limited run of just ten copies, it has since…
Pink Floyd Live at the Oakland Coliseum, is a landmark triple-album release featuring a recording of Pink Floyd’s May 9, 1977 show at the Oakland Coliseum during their “In the Flesh” tour, staged to promote the album Animals. Delivering the full forc…
The first full-length document of Rotting Telepathies, the group of the late post-punk figure Michio Kadotani and Asahito Nanjo. Recorded live in February 1982 and long buried on a tiny La Musica cassette, it captures the most band-like peak of Kadot…
A door into the most private corner of the Japanese underground. With its La Musica series, Black Editions turns to the catalogue of La Musica, the tiny imprint run by Asahito Nanjo - the bassist and ringleader behind High Rise, Mainliner, Musica Tra…
One of the prized private press rarities of early 1970s American rock. Originally issued in 1972 on the tiny East Coast Records imprint, Keep On Truckin' is the lone album by Surprize, a Philadelphia five-piece whose single recorded statement - heavy…
One of the strangest and most ambitious artifacts of American psychedelia. Originally issued by Monitor in 1967, Peak Impressions is the lone album by The Freeborne, a band of Boston teenagers - their ages ranged from seventeen to nineteen, three of …
US Heavy rock band Los Angeles-based, active in the 1st half of the 70s. Stepson was formed in 1972 by Bruce Hauser (bass), Jeffrey Hawks (vocals), Vern Kjellberg (aka Joey Newman) (guitar) and Len Fagan (drums). Hauser, Hawks and Newman hailed from …
Anonymous transmissions from a spectral, dead-of-night mystery zone. Recorded in 1996 and originally release by Japan's enigmatic La Musica Records label on limited cassette. A group that deconstructs and liberates the chance nature of contemporary c…
The Common People are perhaps the greatest remaining enigma of the ’60s US rock music. Their sole album has belatedly been acclaimed as one of the most distinctive recordings of its time. Produced in 1969 by “Lord” Tim Hudson (The Seeds) and arranged…
Bangor Flying Circus, the self-titled debut from the short-lived but influential Chicago progressive rock trio, is a striking document of late-1960s American psychedelia and ambitious musicianship. Formed in mid-1967 and active through 1969, Bangor F…