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2025 stock ** "Ende vom Lied is a genre-spanning collection of punk, post-punk and avant-garde bands from the former East Germany, chronicling the work of free spirits pitted against government restraints and implied genre limitations. The underground scene in the GDR was a hydra, a noisy mix of musicians, poets, pain¬ters, photographers, filmmakers, punks and freaks. In the immediate aftermath of the primal scream that was punk, music often bred with poetry or painting in short-lived liaisons o…
2025 stock ** "My Only Warm Coals neatly sums up a fifteen year span of Emil Amos' (Grails/Om) basement home-recording in nineteen songs. Using the 4-track like a mirror in LSD therapy sessions, Amos disassembles himself and leaves the puddle on the floor for the listener to contemplate without easy resolution. The record also arcs a period of "lo-fi" recording technique and sonic experimentation that has largely gone undocumented in the larger underground culture, while epitomizing a supremely…
Ultra-rare copy in fantastic condition of the original first 1972 edition with gatefold cover on Bacillus of Frame's progressive and hard-rocking only LP, produced by Dieter Dierks.
Original copy in perfect condition of the 1975 pressing on pläne of the 6th album by Floh De Cologne with an amazing gatefold 'book' sleeve by HR Giger.
Following his dismissal from The Velvet Underground in the Autumn of 1968, Cale acted as a producer and arranger on albums by The Stooges and Nico before venturing out as a solo artist with his debut album ‘Vintage Violence’ in 1970. Following the release of a collaborative album with Terry Riley he signed with Reprise Records and recorded two albums for the label.
In 1974 John Cale relocated to London and signed with Island Records, for whom he was to release three inventive and influential alb…
“apostrophe (‘)” is a testament to Frank Zappa’s genre-defying approach and ability to blend seamlessly rock, jazz, funk, and avant-garde, letting his virtuosic guitar work shine through. The opening track, “Don’t Eat the Yellow Snow,” sets a whimsical comical tone, while “Cosmik Debris” and “apostrophe (‘)” emphasize intricate solos and quirky techniques that demonstrate Zappa’s musical dexterity. The album is a cohesive musical voyage in which the musician explores societal issues such as cons…
A further collection of missing pieces uncovered since the release of the 18 CD Henry Cow Box that fills in parts of the story still undocumented - even on the bootleg circuit. Contents: 1: The earliest and only known stage recording of the band as it was in June 1972 (Martin Ditcham, Fred Frith, John Greaves and Tim Hodgkinson) at the first Glastonbury Fayre. The recording is quite clean, though the mix heavily favours bass and guitar but, in a way, this makes it of special interest, both music…
This seminal, eponymous post-punk album by Japanese group Aunt Sally, fronted by experimental singer Phew, was first released by the iconic Vanity Records label in 1979. Over the past forty-plus years, Phew has forged a singular path through a wide range of styles - from free improvisation to pop - and has collaborated with the likes of Ryuichi Sakamoto, members of Can, DAF, Einstürzende Neubauten, The Raincoats and more. But Aunt Sally is where she got her start and, despite the members’ young…
2006 release ** "A weird and wonderful mix of spoken word,strange eerie sounds, avant rock and modern composition. It's such an eclectic mixture of theatrical ramblings and verse that it turns into a strange aural journey with each disparate section weaving into the next. Its getting a 'pretentious' suggestion from elements of the office and the band do admit its 'open to ridicule' but let's keep our judgmental hats in the drawer and appreciate this for all its innovation and bravery."
On “First Flight Redux” Dave Harrington takes a scalpel to the multi-tracks of "First Flight" (LP/DL, Algorithm Free) remixing the raw material into something else entirely.
**200 copies** Speleocombo was a casual collective of Dutch art students that convened in the Antwerp Academy in the late ’80s. The core of this group consisted of Hewald Jongenelis and Egbert Aerts, sporadically joined by Fons Debaedts and several others, all of whom are still active in the fields of painting and drawing. During their time in Antwerp they hosted a show on Radio Centraal, Het Universeel Programma, and released several scarcely distributed cassettes and one single. This single’s …