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2015 release ** Edition of 150. KTB are Shawnie from Bugs & Rats, and Arian from Guerilla Toss playing an aggressive, stripped down game of noise rock Shenanigans® while lazy young people fall down all around them, scrunching up their faces and mewling. There is something very non-Bostonian about the duo’s sound. This doesn’t mean it sounds Belgian or anything (although I suppose there are Belgian precedents in terms of guitar/thump/voice blending), more that its muscularity is diffused in a way…
2008 release ** Cardboard sleeve. "Sun of the seventh sister is a collective of artists-musicians from Australia and New Zealand ranging in number from 10-25 players. Their rack of instruments is pretty immense including multiple drummers, electrified chordophones, horns, vocals, oscillators, electric guitars and pretty much everything they can put their hands on. This hord of nomad musicians reminds me of the nomadic artists of the middle-ages with everything that this brings to mind, the madne…
1990 release ** "Naked City was formed a year and a half ago to give Zorn a focused vehicle for his omnivorous compositions and rearrangements. Taking its name from the gritty pulp TV show ("There are eight million stories in the ..."), this collection of downtown all-stars – John Zorn, Bill Frisell on guitar, Wayne Horvitz on keyboards, Fred Frith on bass, Joey Baron on percussion – did a four-night, eight-set stint at the Knitting Factory, in New York City, last summer, never repeating a tune.…
2007 release ** "Solo 'noise guitar' side from Mr Michael Yonkers, whose 1968 recording Microminiature Love remains one of the most avant garde garage punk recordings ever to make it to Sub Pop. This is eleven tracks of cranked-up, F/X shredding six string destruction from a guy with a whole lifetime of ferocious electric guitar re-invention already behind him. A wild one."
2003 release ** All music was completely improvised and not overdubbed. Originally released as a CDr with the same catalogue number, this reissue contains a bonus track. "Tsurubami is yet another side project by the prolific Acid Mothers Temple guitarist Makoto Kawabata, with Temple bassist Hiroshi Higashi and drummer Emi Nobuko. Comprised of improvisational tracks, the first, "Hitsumyo O Gotoshite," recorded at the Acid Mothers Temple studio, begins with a long, slow ambient interlude of shimm…
2009 release ** ""Nancy Garcia is among the most galvanizing and evocative provocateurs in the current underground strata of New York multi-media art. Coming from a fully realized performance background Garcia translates the experience to her compositions and delivers Be The Climb, her solo debut for Ecstatic Peace. The album is part of a new project called I need more, which is comprised of an online video, a live performance, and the album. While the project's components can function independe…
2009 release ** Strongly Imploded is the supergroup composed by part of One Starving Day (Beta-Lactam Ring) A Spirale (Fratto9/ Deserted Factory) and Weltraum (Lona e Toxo Records), a blend of electro-acoustic, free improvisation and elements from heavy sounding music styles such as noise, hardcore and power electronics, that results in improvised /new obscure music. "In their radical improvisations they mix sources of acoustic and electronic origin. In the quiet and open passages their music f…
2009 release ** "The songs on Festival may sound chaotic, but actually they are pretty structured. each song has certain goal-posts that we have to execute precisely. a melodic idea, or a rhythmic idea, or some sort of event that has to be synchronized with the other members. at the same time though, the songs allow for free improvisation within certain sections. a lot of these ideas came from our interest and love of free-jazz. particularly the late-era recordings of John Coltrane." - Joseph Ki…
Originally released in the late 1970s, Mureedil by Tonton Macoute stands as a singular statement in the French experimental tradition. The group weaves together repetitive, trance-like rhythms, spoken word, and electronic interventions, creating a sound that is both hypnotic and unsettling. The music is marked by its willingness to embrace both the structured and the chaotic, with lengthy instrumental passages giving way to bursts of surreal poetry and unexpected sonic detours.
Influenced by th…