What Do I Get/Nobody Knows
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron …
Nov. 22/Meet The Creeper
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron …
Bored/You're Gonna Die
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron A…
Hot Box 1974-1994
Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected poles th…
Art Record Covers
Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particul…
Solo Works For Electric Guitar, Electronics and Audiotape 1975-7
An 8-cd box set of solo recordings by shaw produced during, and just after, the period of his involvement with the early improvisational incarnation of the proto-noise band Destroy All Monsters. there guitar assaults, tape cut-ups, and loop experiments are guaranteed to turn your mind to jelly.Jim Shaw is an atypical figure in California’s art circles, sharing with Paul McCarthy and Mike Kelley the same desire to produce a visual body of work aimed at exploring the dark side of an American …
Duets: 1975-1976
A 2-CD collection of Shaw/Kelley Duets from the early Destroy All Monsters period. Primarily featuring Shaw on guitar and Kelley on percussion, these extended improvisations also incorporate tape loops, tape collage, and primitive electronics. (Original Release Date: 2011)