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*2022 stock* "I used my experience of The Scratch Orchestra (1969 - 72) to work with a younger generation of people. We by working with John Cage's magnum opus 'Song Books'. Then we worked with the improvisation rites in Cornelius Cardew's collective work 'Nature Study Notes'. This book documents that process and its assessment, and afterglow in some details"
Harry Everett Smith (1923-1991) was a boyhood resident of Anacortes, Washington for ten years of the Great Depression. Sounding for Harry Smith: Early Pacific Northwest Influences is a visually compelling oral history-based biography that immerses the reader in Salish Sea traditions and discord to explore the myths of a countercultural shaman whose strange impacts on art, music and film resound from studies of place to beat improvisation, through brain paintings to a Grammy Award for his folk mu…
Over the course of this bastard year of 2020, Numero will issue nearly 150 digital-only “records.” In previous years we may have attempted to press many of these, but as our world and industry change in light of the ongoing ecological crisis, we know that it’s irresponsible to commit precious resources to every flight of fancy. Our love for the physical hasn’t diminished—we’re still pressing a select number of LPs, box sets, and 45s—but at the end of the day, the music is what’s important, not t…
* Hardcover Edition * Although La Monte Young is one of the most important composers of the late twentieth century, he is also one of the most elusive. Generally recognized as the patriarch of the minimalist movement—Brian Eno once called him "the daddy of us all"—he nonetheless remains an enigma within the music world. Early in his career Young eschewed almost completely the conventional musical institutions of publishers, record labels, and venues, in order to create compositions completely un…
Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the st…
Unquestionably the founding work of minimalism in musical composition, Terry Riley's In C (1964) challenges the standards of imagination, intellect, and musical ingenuity to which "classical" music is held. Only one page of score in length, it contains neither specified instrumentation nor parts. Its fifty-three motives are compact, presented without any counterpoint or evident form. The composer gave only spare instructions and no tempo. And he assigned the work a title that's laconic in the ex…
In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind.W…
This Life of Sounds portrays an important and previously unexplored corner of the history of new music in America: the Center of the Creative and Performing Arts int eh State University of New York at Buffalo. Composers Lukas Foss (the Center's founder), Lejaren Hiller, and Morton Feldman were the music directors over the life of "the Buffalo group," during the years 1964-1980. Based on Foss's plan, the Rockefeller Foundation provided annual fellowships for young composers and virtuoso instrumen…
Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourte…
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that cont…
Two events in music history had revolutionary consequences: the creation of notation and the invention of electronic sound. The initial stages of electronic music brought about new musical instruments like the theremin, the electric guitar and the synthesizer. In the digital age, the computer has itself become a musical instrument, with the invention of live electronics providing traditional instruments, such as the violin or piano, with new, unimagined sonic possibilities. The SWR Experimentals…
Smallest Functional Unit was founded in 2020 by Ute Wassermann, Tony Buck, Mazen Kerbaj, Magda Mayas and Racha Gharbieh with the aim of performing and publishing unconventional, hybrid notational formats and graphic scores by international composers. The publication will appear as Graphème, a series with a thematic focus on experimental notation.
The phenomenon of “graphic” scores has been a subject of fascination, controversy, and a flourishing of artistic talent since its inception in the aftermath of the Second World War. The scores of that age, despite their compelling visual presence, nevertheless remain elusive: the means of performance are obscure, and they resist conventional analysis. This study reconsiders graphic scores from the perspective of Information Theory, derived from studies of “ergodic” texts: the ergodic score requi…
Absolute tip! In the form of a richly illustrated compendium, Tape Leaders is an indispensable reference guide for anyone interested in electronic sound and its origins in Great Britain. For the first time a book sets out information on practically everyone active with experimental electronics and tape recording across the country, revealing the hidden history of early British electronic music. With an individual entry for each composer, starting with Daevid Allen and going through to Peter Zin…
Jerry Hunt (1943–1993) has been described as a shamanic figure with the look of a Central Texas meat inspector. One of the most compelling composers in the world of late twentieth-century new music, he made work that combined video synthesis, installation art, and early computers with rough-hewn sculptures, scores drawn from celestial alphabets, and homemade electronics activated by his signature wands and impassioned gestures. Hunt lived his entire life in Texas, eventually settling in a house …
Inside Computer Music is an investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years. This book combines detailed research into the development of computer music techniques with nine case studies that analyze key works in the musical and technical development of computer music. The book's companion website offers demonstration videos of the techniques used and downloadable software. There, readers can view …
Published on the occasion of her long-deserved retrospective organized by Muzeum Susch from June to December 2021, this book testifies to the singularity and innovative vision of Italian artist Laura Grisi within contemporary art history. Although her work has mostly been “reduced” to Italian Pop art—if not entirely overlooked—from the outset Grisi worked beyond that category, pertinently intercepting various lines of international artistic research (Conceptual art, Optical art and Kinetic-Progr…
The US ensemble The Hub is one of the pioneers of network music and live coding. The formation consisting of Tim Perkis, Scot Gresham-Lancaster, Chris Brown, John Bischoff, Phil Stone, and Mark Trayle emerged from the League of Automatic Music Composers in 1986. They revolutionized electronic music with democratically organized composition and performance processes operating in networks and received the Giga-Hertz Prize from the ZKM | Hertz-Lab. The publication depicts the collective’s work in a…
The festival, which is now 50 years old, was designed from the start to be an alternative concept, one that would refuse to be part of the mainstream. Instead, it wanted to be understood as a major (social) experiment in which the dialogue between musicians and audience formed part of the programme. Perhaps that’s exactly how the book should be written: as a dialogue between musicians and audience, without an omniscient author.
[re]visiting Moers Festival is not a meta-account. [re]visiting Moer…