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2024 stock. In November 2008 Robert Eikmeyer and Thomas Knoefel made live recordings with Jake and Dinos Chapman in the run-up to their "Memento Moronika" show in Hanover. The theme, how could it be otherwise, the hell and its inmates. Its about Lucifer and his darksome paradise, tantalisation and perdition, the evil and the libido. The performance of human monstrosity, its prophets and subworkers, about perpetrators and victims, masters and slaves, but also about transgression, and a deepness o…
Italian only Pubblicato in Inglese nel 2018 da Vleeshal Middelburg e Koenig Books London, Kunstverein Publishing è lieta di annunciare l'uscita del libro nella lingua d'origine. Il libro d’artista raccoglie i ricordi d’infanzia trascorsa prevalentemente in Italia, alcune esperienze di vita e riflessioni personali sulle storie e relazioni famigliari e il loro intrecciarsi con diverse ubicazioni geografiche.
Ho accumulato così tanti libri (…) tutti riguardanti la famiglia. Tutto questo si riversa …
2024 stock. Taking its name from the Judson Memorial Church, a socially engaged Protestant congregation in New York's Greenwich Village, Judson Dance Theater was organized as a series of open workshops from which its participants developed performances. Redefining the kinds of movement that could count as dance, the Judson participants—Trisha Brown, Lucinda Childs, Philip Corner, Bill Dixon, Judith Dunn, David Gordon, Alex Hay, Deborah Hay, Fred Herko, Robert Morris, Steve Paxton, Rudy Perez, Yv…
2023 upgraded and remastered version of Robert Ashley's Perfect Lives -- in 1080P full HD video format, pressed on double-Blu-Ray (175 minutes; stereo; Region 0/worldwide). Perfect Lives has been called "the most influential music/theater/literary work of the 1980s." At its center is the hypnotic voice of Robert Ashley. His continuous song narrates the events of the story and describes a 1980s update of the mythology of smalltown America. Perfect Lives is populated with myriad characters revolvi…
English/German. Kunsthalle Fridericianum between 1 April and 10 June, 2001. The booklet includes many images, a foreword in German by René Block; an essay entitled "Pictures of Sounds" by Volker Straebel in German with a side-by-side translation by George Goodman; a transcription of a conversation between Julius, Straebel and Aki Takahashi in English; Julius' chronology up to 2001, in German; and credits in German
German/English. First edition. Softcover. 36 pages. Exhibition catalog for a show that ran March 11 through April 22, 2007. From the exhibition press release Rolf Julius is one of the most important representatives of contemporary sound art. His nuanced, mostly small-format sound installations explore the visibility of sounds, the audibility of images and the aesthetic and ontological potential of silence in the most subtle way. Since the 1960s, Julius, a constant border crosser between music a…
English/Japanese. Small naked speakers, iron plates, glass plates, and sand were some of the materials Rolf Julius used to create a sound space. The sky-like tranquil space was filled with whispering electronic sounds that somewhat resembled the songs of crickets.
Rolf Julius has frequently been compared to John Cage for his attempts of integrating the world of common noises into the realm of sounds. "The surface of a sound interests me. Is it round or angled, grinding and raw, or smooth, etc." Julius thus creates extraordinary sound installations which can be described as "music for the eyes" and have secured him an unmistakeable place in the spectrum of contemporary art.
Art-Record / Handmade Art Edition of 100 Copies in Box with 4 Prints & 2 Inserts. This is the first vinyl record by the legendary Rolf Julius (1939-2011) whose work is largely focused on “small music”, or sounds so subtle they’re barely discernible. One of the most significant artists in the border areas of music and fine art, Julius, like John Cage, works with the term of "silence", and sound is a liminal listening experience. The sounds in Julius' works have spatial and physical qualities such…
Tip! *300 copies limited edition* For her first solo exhibition at Hundred Years Gallery, Tomoko Hojo explores the relationship between voices missing from the archive through photographs, objects, scores and sounds. Based on Yoko Ono’s historical exhibition Unfinished Paintings and Objects at Indica Gallery, London, 1966, this show Unfinished Descriptions focuses on undocumented works and highlights silenced parts of that exhibition and Yoko Ono herself. These works explore the relationship bet…
Tip! *25 copies limited release* Xing presents the new LP Livre d'images sans images by Mette Edvardsen & Iben Edvardsen, tenth release of XONG collection - artist records. The release is on white vinyl, in a limited numbered edition of 300 copies. The collector's edition consists of 25 copies accompanied by a unique poster, hand drawn with black marker by the two artists, mother and daughter, folded like a map, echoing the activity of the performance.
Livre d'images sans images by Mette Edvards…
"I put my ear to the engine block and actually heard the delicate, little voices of women singing somewhere deep in the transmission."-Thomas Bayrle. Recorded in a textile weaving factory in Schwalmstadt Trutzhain, Germany, WARP WEFT is a collaborative sound work by Frankfurt-based artists Thomas Bayrle and Bernhard Schreiner.
The LP consists of three audio pieces, each made using multiple in-sync microphones that were focused on a specific historical machine; a Dornier rapier loom from the 1980…
Pump Suck is a recording in which the artist plays electric and manual breast pumps through a mixing board with contact microphones attached to the motors. Using the dials on each pump to control and manipulate the speed and rhythm of the motors, Lisa Williamson upends the original purpose of breast pumps and instead uses these productive (pump) and depletive (suck) machines as tools for amplification and distortion. Breast pumps have a unique repetitious sound in which many women have described…
Culled from a massive collection of recorded material compiled during the artist’s exhibition, Floating World, at Potts in 2018 and edited for release in 2020. Speech and sounds made by viewers in the gallery were captured by umbrellas fastened with microphones and speakers. The audio was processed in real time by software that modified the playback speed and then distributed it at random throughout the space.
Big big Tip! Green Vinyl edition, it comes insert/score print, hand numbered. Edition 150 + 50. Live recordings from World Fair, Vancouver 1994 at Indonesian Pavillion Gamelan-IX-March prelude, featuring Gamelan Son of Lion.
On the South Side of Chicago in the 1960s, African American artists and musicians grappled with new language and forms inspired by the black nationalist turn in the Civil Rights movement. The Freedom Principle, which accompanies an exhibition on the topic at the Museum of Contemporary Art Chicago, traces their history and shows how it continues to inform contemporary artists around the world.The book coincides with the fiftieth anniversary of the founding of the Association for the Advancement o…