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Albert Ayler

Of all the protagonists of free jazz, Ohio-born tenor saxophonist Albert Ayler (1936) had the shortest career (he first recorded in 1962 and committed suicide in 1970 at 34), but he nonetheless managed to articulate one of the most radical aesthetics, second only to Cecil Taylor's. He often sounded like someone who wanted to create a virtuoso art out of anti-virtuoso playing. Ayler started out playing rhythm'n'blues. By the time he landed in New York, he had developed his idiosyncratic style. One of the giants of free jazz, Albert Ayler was also one of the most controversial.

Of all the protagonists of free jazz, Ohio-born tenor saxophonist Albert Ayler (1936) had the shortest career (he first recorded in 1962 and committed suicide in 1970 at 34), but he nonetheless managed to articulate one of the most radical aesthetics, second only to Cecil Taylor's. He often sounded like someone who wanted to create a virtuoso art out of anti-virtuoso playing. Ayler started out playing rhythm'n'blues. By the time he landed in New York, he had developed his idiosyncratic style. One of the giants of free jazz, Albert Ayler was also one of the most controversial.

Music Is the Healing Force of the Universe
Big Tip!  180 gram Vinyl Edition. Gatefold Cover. One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still ste…
Live Greenwich Village To Love Cry „Revisited“
"The two reissues presented herein include the last sessions that Donald would record with his brother, bookending a turning point in Ayler’s music. The Village Theater sessions, from late 1966 and early 1967 (the latter without Donald) mark, arguably, a high point in his work to that date, where the musical ecstasy he sought was as close to realization as he ever achieved – and new avenues may have been opening up – whereas ‘Love Cry’, from the summer of 1967, indicates at least partially a piv…
More Lost Performances (Revisited)
"The almost five year span bookended in this particular Ayler revisitation marks, in a certain sense,  the beginning and end points of the most lasting and creative portion of his remarkable, though  sadly brief, career." – Brian Olewnick
Vibrations
2023 stock. "Vibrations is the second album released by American free jazz saxophonist Albert Ayler's quartet featuring Don Cherry, Gary Peacock, and Sonny Murray. The album was recorded in Copenhagen in September of 1964. Originally issued by the Freedom label, it also been released under an alternate title, Ghosts. Previously out of print for decades, the recordings were remastered for an audiophile-grade pressing on 180gram vinyl at Pallas in Germany."
Europe 1966
Super tip! Europe 1966 is a box set consisting of live performances from free jazz visionary Albert Ayler. Each of the 4 LPs highlight some of the most magnificent moments on this European tour, showcasing Ayler and his bandmates at the height of their powers. The release includes performances from Berlin, Lorrach, Stockholm and Paris, all of which occurred within a two week span. Ayler's masterful band on this tour included his brother Donald on trumpet, Michel Samson on violin, William Folwell…
Love Cry
Tip! Love Cry (1968) is a true Albert Ayler manifesto: a sometimes disorienting combination of childish dirges, band music and folk melodies, all revised according to the New Thing perspective. Experimental album (for the time) containing some of the saxophonist's most famous tunes, such as "Ghosts." Ayler's last recording with his brother Donald, while the others are double bassist Alan Silva and drummer Milford Graves, with (surprise) contributions from harpsichordist Call Cobbs.
Something Different!!!
Recorded in Stockholm on October 25th, 1962, this session marks one of Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 1963 and beginning his legendary run with ESP-Disk and Impulse! Though his genius was not yet fully formed, one can easily hear he's headed that direction, and this rare and long out of print recording is an essential piece of the history of one America's most uniquely lyrical voices on t…
In Greenwich Village
Originally released in 1967, Ayler's first LP on Impulse! and arguably his best for the label. "During 1967-69 avant-garde innovator Albert Ayler recorded a series of albums for Impulse that started on a high level and gradually declined in quality. This LP, Ayler's first Impulse set, was probably his best for that label. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional 'For John Coltrane' and the more violent 'Change Has Co…
Summertime To Spiritual Unity Revisited
Temporary Super Offer! Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the Albert Ayler Quintet in Lörrach on November 7, 1966. This experience has indoctrinated me forever for the music of Albert Ayler. In 1975 I created the label Hat Hut Records and in 1978 I had the chance, thanks to the support of Joachim Ernst Berendt…
Esp-Disk
*In process of stocking. 2022 stock* In October 2018, Steve Holtje, the mastermind of the pioneering American music label ESP, was invited by the 8th OCT-LOFT International Jazz Festival to give a lecture in Shenzhen entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", unveiling the label for the first time to Chinese The talk was entitled "55 Years of Pioneering and Non-Mainstream Music: The Continuing Revolution of ESP-DISK", and unveiled the myste…
At Slugs’ Saloon 1966, Revisited
Temporary Super Offer! 'Among the jazz innovators, Albert Ayler is still considered a solitary figure to this day. From 1964 on he pursued his vision with firm determination. Like no other artist he used well-known melodies from military, marching, blues, gospel and minstrel show music as a starting point, and from these biographical earworm references he set out with the greatest expressiveness into an unconditionality that caused productive disturbance, which his music still does. On the one h…
The Hilversum Sessions
Our Swimmer present a reissue of Albert Ayler's The Hilversum Sessions, originally released in 1980. "Recorded in the Dutch city of Hilversum, The Hilversum Sessions presents Albert Ayler in all his blowzy, testifying glory, fronting a quartet that includes trumpeter Don Cherry, bassist Gary Peacock, and drummer Sunny Murray. The repertoire includes five Ayler originals, notably his signature tunes 'Angels,' 'Ghosts,' and 'Spirits.' It's easy to forget how starkly original Ayler was, given the u…
First Recordings Vol. 2
Tip! *300 copies limited edition* Recorded in Stockholm on October 25, 1962, this session is one of Albert Ayler's earliest recordings, featuring a European backing group he assembled during his brief stay there, before returning to the States in 1963 and beginning his legendary run with ESP-Disk and Impulse. Though his genius is not yet fully formed, one can easily hear he's headed that direction, and this rare and long out of print recording is an essential piece of the history from one of Ame…
First Recordings Vol. 1
Tip! *300 copies limited edition* Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I'll remember April", M Davis's "Tune Up" and "Rollins Tune", a declared tribute to the older master Sonny Rollins. His already super-strong tenor sax voice dominates a quiet, almost shy, local rhythm section featuring Torbjorn Hultcrant on bass and S…
Spirits Rejoice! Albert Ayler and his message (Book)
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
La Cave Live, Cleveland 1966
the first authorized release by permission of the Estate of Albert Ayler of the two concerts played at La Cave, Cleveland on April 16 & 17, 1966. Remastered for best possible sound of these under difficult technical circumstances recorded performances.
New York Eye And Ear Control 1964, Revisited
Temporary Super Offer! Ezz-Thetics presents New York Eye And Ear Control 1964, Revisited. Albert Ayle tenor saxophone, Don Cherry cornet & trumpet, John Tchicai alto saxophone, Roswell Rudd trombone, Gary Peacock double bass and Sunny Murray drums. As a visitor of the Albert Ayler Quintet concert 1966 in Lörrach, Germany and producer of his recordings since 1982, I like to present New York Eye And Ear Control by Albert Ayler, remastered, given permission for it by Desiree Ayler-Fellows of the Al…
Berlin, Lörrach, Paris & Stockholm - Revisited
In the fall of 1966, Albert Ayler embarked on a European tour with his current quintet. For the first time, the four recorded concerts previously issued by Hat are presented here in one package, in chronological order. The group included his brother, trumpeter Donald Ayler, with whom he worked for years but the other three members were relative newcomers to the ensemble. Beaver Harris, who had played and recorded with Archie Shepp and Marion Brown, took over the drum duties from Ronald Shannon J…
Spirits Rejoice & Bells - Revisited
Together, ‘Spirits Rejoice’ and ‘Bell’s encapsulate a four month period where long-gestating ideas of Ayler’s were birthed, helping to usher in a conception of music unlike virtually anything else extant, paving the way for his own adventures of the next several years and, perhaps more importantly, providing an extremely fertile bed for a generation or two of musicians to come. – Brian Olewnick Albert Ayler’s recording career was a short one, spanning only the years 1962 – 1970, yet he went thro…
European Recordings Autumn 1964 - Revisited
"Albert Ayler With Don Cherry European Recordings Autumn 1964 Revisited” in this context will inevitably make some people think of Revenant, the label that in 2004 issued a nine-CD box of Albert Ayler materials, almost all of them rare and unissued. The release prompted some revisionist thinking about Ayler, who has remained a controversial figure in modern jazz, hailed as a genius, dismissed as a hoax or a man in the grip of an autism, an avant-gardist who suddenly decided to be a populist inst…
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