Andrew Lisle
Andrew Lisle is a drummer and composer from Northumberland, based in London, who works in free improvisation and free jazz. He studied jazz at Leeds Conservatoire and played in the band Shatner's Bassoon before spending time in the improvising scene of Lisbon. He is known for his work in small groups with improvisers from the UK and continental Europe. Andrew Lisle plays in the Kodian Trio with saxophonist Colin Webster and guitarist Dirk Serries, and in the trio heard on Multi-Directional with John Edwards and Kit Downes.
Exhaust
The music of Exhaust unfolds through real-time exploration, where quick reflexes and deep listening shape each performance. Nebbia’s powerful saxophone voice drives the ensemble with intensity, while Downes reveals a side of his playing that leans into raw immediacy and unrestrained expression. Lisle acts as both a catalyst and anchor, crafting fluid rhythmic structures that support and propel the trio’s intricate interplay. Their album moves through a vast spectrum of sound, shifting between me…
Furthered
"Furthered" is the new album by Alex Ward Item 4. The quartet's music is the fullest realization of Ward's long-standing desire to create a context where his compositional concerns can coexist with improvisation of the most unfettered stripe. Given a line-up which would be perfectly capable of creating compelling music without recourse to pre-written elements at all, Ward's compositions aim to function as another "personality" within the overall mix, subject to the same spontaneous interrogation…
Temple of Muses
Norwegian guitarist Stian Larsen joins London-based musicians Colin Webster (alto sax), Andrew Lisle (drums), and Ruth Goller (bass) for an exciting collision of energetic free jazz, post-rock and noise that is dynamic, playful and hard-hitting.
The Invisible
"Masters of musical tension. Maintaining tension, resolving tension. It's an integral part of improvised music, but of this international trio in particular. Rodrigo Amado and Dirk Serries first bonded over a couple of duo concerts in the summer of 2018. With his roots in (free) jazz, lauded Portuguese saxophonist Amado became an intriguing sparring partner for the Belgian guitarist, who's been involved in a more abstract style for some time now. With English Andrew Lisle, a drummer with an extr…
Peck And Fleet
*250 copies limited edition* Limited vinyl release on Raw Tonk Records.
John Edwards : double bass Andrew Lisle : percussion Dirk Serries : acoustic guitar Colin Webster : alto sax Recorded at the Dave Hunt Studio, London on February 8th 2020. Mixed by Dave Hunt. Mastered at Sunny Side Inc. Studio. Artwork by Colin Webster. Layout by Rutger Zuydervelt
New Inventions
* Edition of 300 * Performed by Colin Webster (alto saxophone), Andrew Lisle (drums) at Shrunken Heads Studio, London on 24th May 2019. Recorded and mixed by Senor Al Funklinos. Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium).
Quartet & Quintet - Double Vortex
*300 copies.* "Understated, tightly controlled, minimalist music always gets the better deal. There is something mature and cultured about an artist who distills and reaches for the essence instead of provoking and dabbling in exuberance, volume and a cluster of diverging ideas. In a world that is nearly driven to total chaos by a maddening abundance of impulses, Goethe’s worn out adage - that it is in self-limitation that a master first shows himself - has become the ultimate compliment. Less i…
I
*300 copies.* "(...) Lisle, Serries and Webster reconvened again in October 2015 for another studio recording at the same studio in London, now calling themselves the Kodian Trio. This trio is supposed to be a working group and is already touring the Netherlands and the United Kingdom.The interplay on their debut release is much more energetic and experimental than the one explored on Apparitions. Serries and Webster alternate the leading roles, both sounding aggressive and assertive. Serries ex…
Apparitions
*300 copies.* "Apparitions, unlike the volatile spirit of Live at Café OTO, stresses a different approach for this set of four collaborative free improvisations. Here the four musicians explore a kind of a slow-cooking interplay, a calm and conversational one. Apparitions begins and ends with the minimalist I and IV, where all restrain their playing to low whispers, skeletal guitar lines and brushing of the cymbals, building the tension tension patiently and methodically until reaching a brief a…