Carlos Giffoni
The Carlos Giffoni sound can be described as psychedelic electronics for the new era of death and destruction hope music. He is a Venezuelan artist who resides in the New York City area since the year 2000, applying feedback systems, modular manipulation, rewired electronic instruments, analog and digital synthesis to the composition of electronic music pieces, as well as improvising live with local and international renown musicians. Carlos remains very active performing live in New York and in a number of tours and festivals in the US, South America, Europe and Japan.
Eat the Rich
Eat The Rich is an eclectic intersection of two serial collaborators: Giffoni (No Fun Fest / No Fun Productions) continues to explore new dimensions in sound, primarily using modular / synths (with recent full lengths on Ideologic Organ and Room40), paired here with the instinctually abstract percussion of Corsano (known from working with everyone from Bill Orcutt to Richard Bishop to Bjork but with literally 100's of appearances under his belt since the turn of the century). Produced by David S…
Iguana
Carlos Giffoni reconnects with Thurston Moore for the first time in years, blazing through two sides of loose-limbed axe noise, oscillator worship and hard-phased, Spacemen 3-style feedback.
Giffoni's been on a roll recently. Since the No Fun founder returned to the scene with 'Vain', a genius set of synth mutations that appeared in iDEAL back in 2018, he's been slowly ramping up the activity, dropping the celestial 'Dream Walker' on Stephen O'Malley's Ideologic Organ in 2024 and following it wi…
Pendulum
A note from Carlos... "I initially recorded all tracks in California between 2024 and 2025. The tracks were then sent to various locations around the world to each collaborator for completion, before returning to me in California for final touches. They were subsequently sent to Japan for mixing. Then, back to California, and then to Australia, where the final designs for the artwork were created. The final version was then multiplied and spread all over the world until it reached your ears, the…
Dead Mind Records Bundle
A comprehensive survey of experimental sound practices across generations, geographies, and aesthetic approaches. This four-release bundle from Dead Mind Records presents vital documents of uncompromising artistic vision: from contemporary electronic collaboration to archival excavations of ambient and industrial histories.
At the center stands Carlos Giffoni & Joachim Nordwall's New Music - a visceral convergence of two sound artists operating at the outer edges of techno, noise, and electro-ac…
New Music
Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…
Dream Walker
About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of con…
Vain
All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g r u l e sCarlos’ first new release i…
Little Mornings
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper, killer modular synth experiments by Brooklyn's "Venezuelan in-exile" and No Fun label boss Carlos Giffoni
Lift
Pressed in an edition of 250 copies on 200 gram virgin clear vinyl. A new studio LP from this synth maverick. Primordial dance music comprised of pulsating analog rhythms and austere waves of mechanical tones. With beginnings in laptop electronics and his focus now turned toward analog synthesizers and modular manipulation, results vary from the extreme to the beautiful. Photography by Rachael Cassells."...the impression of countless banks of machinery being flicked into operation and the distin…
Viva Negativa! A Tribute to the New Blockaders Vol. III
Viva Negativa! A Tribute To The New Blockaders: Volume III: USA. Volume III in a series of UK-European-US and Japanese artists' tributes to the pioneering UK Noise group The New Blockaders including exclusive tracks by Z'ev, Keith Fullerton Whitman, Alan Courtis, Controlled Bleeding, Plethora, Macronympha, Prurient, Richard Ramirez, Blue Sabbath Black Cheer, Carlos Giffoni, AMK, Aaron Dilloway, Wolf Eyes, Idea Fire Company, Mnortham, Thurston Moore, Jim O'Rourke, Damion Romero, The Haters, Emil …
Claustrophobic wreck
Although it's better than prison, it still isn't easy to live with two guys wearing an ankle bracelet, in the smallest possible wooden cabin somewhere in between new york and detroit. There's no food anymore, tab water is not drinkable, and eating each other's intestines seems to be the last enjoyable possibilty. The thick dense sound of synth throbbing bubbles up from these hungry bowels. 2 synths fighting their ways to better times, though right now everything looks pretty dark, gnarly and ind…
Live At No Fun
Recorded live at No Fun Fest 2008. White Out (Tom Surgal and Lin Culbertson) are true pursuers of the mythical everlasting improvisational fire. With a style thats both oblique and right to the point Tom's dynamic poly-rhythmic percussion and Lin's dynamic electronics and voice are augmented in this scorching live recording by C. Spencer Yeh (Burning Star Core) on violin and Carlos Giffoni on analog synth. This was their first collaboration and is full of amazing interplay that covers a wide spe…
Techno b/w 070207
Two very active modern electronic musicians who enjoy 20th century analog equipment deliver a document of mind expanding electronics with very different approaches. Giffoni's track 'Techno' is full of layered and perfectly synched synthetic rhythms matched with some very adhesive evolving sounds; Creating something that somehow ends up being a homage to both early Techno and harsh Japanese electronics. Whitman's track is a beautiful exploration of synthetic tonality and space, like a sudden mass…
Two On A Match
The ongoing study and execution of harsh noise by driven artists constantly reinstates the medium via different techniques, concepts, and different artist amalgamations for a collaborative work. For myself, working with the different 'warbling' and generative moving lines of modular synth from Carlos Giffoni offered me a chance to investigate many different 'spaces' of tone and line manipulation. The examination and crossing of the different Lines slowly become their own parallel entity as the a…
The Absence of Essence
Carlos Giffoni's heavy synthesizer work recalls the crushing, massiveness of early power electronics. Completely consuming the air around it with heavy vibrations and total deprivation. These four tracks rip holes through the sonic barriers, loud and powerful but with entrancing subtleties and discreet builds. The nature of the 7" format does not harm Giffoni's work, which normally exists in extended lengths; instead very succinct and unwavering compositions result, creating four vignettes of hi…
Adult Life
This is shining and pure electronic music. adult life continues Carlos Giffoni's work in slow-building drones but he also imbues these new compositions with subtle structure,melodic sequences and blind-siding rhythmic pulses which recall the many pioneers of electronic composition, among them Cluster, Brian Eno, Kraftwerk, and Tangerine Dream.The caustic melding of foreboding abstraction and lively pulse raises adult life to a paradigm of the breathing and the immaculate, a strange set of dichot…
s/t
Studio collaboration recorded and mixed by DR. ID. himself at Smegma's Portland studio during Metalux - Giffoni summer tour. Total weirdness full on psychedelic improvisation in the classic smegma style, amplified by giffoni's arsenal of unmatched apocalyptic precission machinery and Metalux's own arsenal of strangeness electronic sound and vocals from the next dimension. Already a total American classic before it even existed. Enjoy the Present. The Eternal Sound is now and forever. Coreleased …
Zamuro
Limited edition of 300 copies in a heavy stock screen printed jacket. Numbered. A Zamuro is a dark South American vulture of great size. Zamuro is also a solo composition piece for portable synth and analog filter. Side A on this LP is a live realization of this piece recorded at the Compound in San Francisco in 2006 (Mastered by Lasse Marhaug). Carlos composed and performed this piece live on several tours in the US/Europe/Japan all trough out 2006 and 2007, if you saw him live in those two yea…
Eternal Noise
Carlos Giffoni knows no mercy. Of all the noise terrorists on the loose today, Giffoni causes the most upheaval. We know he specialises in brutal and invincible noise collages, but there is so much more to it than that. There is always a glimmer of hope that shines through the dense clouds of noise. His noise lives, broods and swings. His latest album for Bottrop-Boy is a true revelation in this respect, not just for the listener, but also for the artist himself. After all, the Venezuelan artist…
Live at No Fun Fest 2007
Full No Fun 2007 Live sets from each Giffoni and Dilloway recorded to the best possible quality. Total tape loop and contact microphone mangling from Dilloway, heavy analog synth destruction from Giffoni. Limited to 350 copies.