Carlos Giffoni knows no mercy. Of all the noise terrorists on the loose today, Giffoni causes the most upheaval. We know he specialises in brutal and invincible noise collages, but there is so much more to it than that. There is always a glimmer of hope that shines through the dense clouds of noise. His noise lives, broods and swings. His latest album for Bottrop-Boy is a true revelation in this respect, not just for the listener, but also for the artist himself. After all, the Venezuelan artist, who is based in New York, has conceded that this is a new style for him. With Eternal Noise Carlos Giffoni enters the holiest of holies, his noise nirvana. Even though Giffoni’s earlier works already sounded impressively organic, with Eternal Noise he is heading for new heights. His customary thick layers of noise sound more subtle than ever before. The four-part suite maintains physical impact, but all faces are turned to heaven, towards eternity. Rather than a noise exercise that sounds like a wrestling match in the dirt, this recording represents ascension towards the sun and open heavens. At times you will find yourself almost drowning in the feedback splashing against you, at other times you will find yourself breathlessly captivated by the peregrinations, whirls and swells of sinus tones. Giffoni is genuinely inspired by the avant-garde music of the 20th century and the results are miraculous. How Giffoni creates his compositions is of no importance. This is all about their effect on your mood, the spectacle of your ravished soul. You find yourself asking how it is possible that such loud and intense music can be so tranquil and meditative at the same time. Eternal Noise reconfirms Giffoni’s status as the uncrowned king of contemporary noise. Bottrop-Boy is proud to release this key work in Giffoni’s oeuvre.