Daniele Lombardi
Well-known internationally for his uncommon repertoire, Daniele Lombardi has worked extensively on the music of the twentieth-century historical avant-gardes, including first modern performances of a large number of compositions of Italian and Russian Futuristic music. The musicological interest underlying this research has led him to write on this subject articles and the book Il suono veloce. Futurismo e futurismi in musica (Ricordi-Lim, Milan 1996).
He is also an expert in contemporary musical notation and performing praxis (see his books: Spartito preso, Vallecchi, Florence 1981 and Scrittura & suono, Rome 1984). His extensive repertoire includes many works written in the last years, and many compositions which have been dedicated to him.
He is also an expert in contemporary musical notation and performing praxis (see his books: Spartito preso, Vallecchi, Florence 1981 and Scrittura & suono, Rome 1984). His extensive repertoire includes many works written in the last years, and many compositions which have been dedicated to him.
www.danielelombardi.it
Well-known internationally for his uncommon repertoire, Daniele Lombardi has worked extensively on the music of the twentieth-century historical avant-gardes, including first modern performances of a large number of compositions of Italian and Russian Futuristic music. The musicological interest underlying this research has led him to write on this subject articles and the book Il suono veloce. Futurismo e futurismi in musica (Ricordi-Lim, Milan 1996).
He is also an expert in contemporary musical notation and performing praxis (see his books: Spartito preso, Vallecchi, Florence 1981 and Scrittura & suono, Rome 1984). His extensive repertoire includes many works written in the last years, and many compositions which have been dedicated to him.
He is also an expert in contemporary musical notation and performing praxis (see his books: Spartito preso, Vallecchi, Florence 1981 and Scrittura & suono, Rome 1984). His extensive repertoire includes many works written in the last years, and many compositions which have been dedicated to him.
www.danielelombardi.it
Atalanta Fugiens
"Audio Verbal Visual Route. Artist's book that illustrates the sound performance realized during the musical events organized by Milano Suono in Rimini and Milan in June 1990. Afterword by Giovanni Conti. 16mo (cm 25x18). pp. 94."
Futurpiano
Futurpiano showcases three influential avant-garde composers associated with the Futurist movement, by way of piano music composed between 1913 and 1933.
Arthur-Vincent Lourie was the first Russian Futurist musician, and a signatory of the original St Petersburg Manifesto in 1914. The five Syntheses written that same year offer a form of dodecaphony, while Formes en l'air from 1915 is a Cubo-Futurist conception using an innovative form of notation, dedicated to Pablo Picasso.
Born in the Ukraine…
Costellazione Seconda
Constellazione Seconda is the follower of the Lombardi 1978 "Costellazione" a piano sound exploration based upon a map of sky constellation, planned as the first step of a large work focused on the exposition and 'performance' of constellations maps, planetaria and maps of the heavens. This new work breaks up into 21 short piano movements, concentrating on incredibly short staccato notes that sting violently between fractured harmonics leaving plenty of momentum-puncturing silences to really he…
Le son des ténèbres
Art edition including an LP with the recordings at the Istituto della Calcografia Nazionale in Rome of 2 world premiere compositions by Philip Corner and Daniele Lombardi. Issued in 80 signed and numbered copies and including excerpts form the original scores. Philip Corner “Tenebres: Lesson&Light” (Studies in Shadow and Light), learning from the dark the grand lesson of music. The darkest sound in musici s the tone-cluster. Approximation of the even denser aggregates existent already in …
Albumblatter
raro libro d'artista, consistente in una cartella a fogli sciolti, cm. 28,4 x 14,3; pp. (19) in cartoncino stampati in nero. "La composizione è costituita da 13 fogli mobili che si montano in ordine non prestabilito come le carte degli alfabeti/paesaggi del settecento. Il pianista deve eseguire tre volte i tredici fogli nella stessa serata. Ogni volta farà mescolare ad una persona del pubblico la partitura come se fosse un mazzo di carte." (dalla seconda pag. non num.) Edizione originale in quat…
Grande Notturno A Gargonza: Poema Di Suoni, Segni E Luci Colorat
a beautiful double LP housed in a deluxe cover with a large booklte, it featuresGrande Notturno composed for three pianos & one computer, and a live recording of a mixed-media event recorded May 18th 1982 at Castle Gargonza (Italia) and performed by Daniele Lombardi, Stefano Fiuzzi & Riccardo Risaliti on pianoforte. The live electronic treatments realized with the system TAU 2 TAUMUS in collaboration with Pietro Grossi and CNUCE di Pisa. Original, long out of print