Gareth Davis
Theatre Of The Mind
*200 copies limited edition* Theatre of the Mind is a work for bass clarinet and electronics by Swiss composer Roland Dahinden. It was commissioned by the Dutch Foundation Mousai, an organisation that uses contemporary music as a platform to explore and work with issues of mental health. It was written for bass clarinettist Gareth Davis. Roland's composition takes elements of his mixed background performing in jazz and improvised combinations with Miles Davis and Anthony Braxton while at the sam…
(c)ovid's metamorphoses
Big Tip! With a wide range of work by sound artists and musicians, writers, filmmakers, photographers, and visual artists, (c)ovid's Metamorphoses uses the Covid-19 pandemic and its far-reaching consequences as an instrument for change, artistic and otherwise. A play on experiment across various fields of artistic practice, all featured work revolves around ideas of transmission and inspiration, conjuring up a massive body of vital and daring artistic expressions unashamedly avant-garde. (c)ovid…
Becoming
Gareth Davis returns to Moving Furniture Records with a new collaboration. This time together with Monika Buganjy they perform his composition Becoming.
This work is grounded in early minimalist aesthetics of composers like La Monte Young and Phill Niblock, but also shares the sensibilities of contemporary artists like Duane Pitre, Sarah Davachi, Brian Eno and Ellen Arkbro.
Flourescent Standard
*100 copies limited edition* On ‘Fluorescent Standard,’ guitarist Anthony Vine and clarinetist Gareth Davis present two luminous and serene worlds of harmonic sound. The duo entwine sustained tones, glowing with the resonant hues of their instruments, into enveloping and expansive atmospheres. Clarinet sonorities, swelling guitar chords, and tumbling elegiac piano fragments drift quietly through time in elusive cycles that subtly change and expand with each return. Every vibration is interconnec…
In Vivo
** Limited edition of 300 copies. Silkscreen printing on 350 gm paper, black inner ** In Vivo is a cross-media collaboration between clarinetist and composer Gareth Davis and Slovenian-born photographer Klavdij Sluban, released on IIKKI. It sets Sluban’s images from throughout his career, primarily of jailed teenagers in prisons around the world, to Davis’s contemporary classical music informed by post-rock and noise music.
States
**300 copies** States started out as a live electronics setup, developed back in early 2016 by Tijs Ham aka Tapage. The first version combined analogue feedback with digital manipulations which resulted in a self-balancing and self-generating chaotic system, capable of producing deep, melodic and textured soundscapes. During a performance, the setup would be played until it would reach a state in which it was generating its own sonic material. The performer would then take a step back, allowing …
Broken Landscapes
**300 copies** Following on from their 2016 Moving Furniture release, Atsusaku, Broken Landscapes is a new collaboration between Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek) and Merzbow, Japanese noise mastermind Masami Akita.
Footfalls
**300 copies, orange vinyl** Scanner and Gareth Davis, known separately for contemporary electronic music and free clarinet experimentations team up to create the delirious trip, Footfalls. Two scenes are presented here, seemingly taken from different sides of the same desolated seaside setting, loosly inspired by poet and novalist T.S. Elliot and Samuel Beckett.In Towards the Door, Gareth Davis' bass clarinet breathes slow, wave-like tones that merge with the oft-rythmic electronic textures fro…
Sileen II
An adaptation from "Sileen", a composition commissioned by Musica For The Festival Oortreders at Neerpelt, Belgium, 2016 performed with 50 members of a local music school; "Sileen II" was realized with only Gareth Davis on bass clarinet plus sounds from Machinefabriek, recorded in the same pitch and tempo as "Sileen', then slowed to half its speed and one octave lower. Stunning!
Invisible Cities
Invisible Cities, the first collaboration between Aidan Baker (Nadja, B/B/S) and bass clarinetist Gareth Davis (Oiseaux-Tempête), offers the finest ambient/chamber jazz/subtle drones of a highly meditative quality. Be it solo, as member of the drone duo Nadja or B/B/S (his trio with Andrea Belfi and Erik Skodvin, aka Svarte Greiner) or in various collaborations with artists like Tim Hecker or Thisquietarmy, the Berlin-based Canadian is one of the most productive and versatile artists when i…
Atsusaku
Atsusaku is the collaborative output of Gareth Davis (Oiseaux Tempete, Scanner, Elliott Sharp, Machinefabriek etc) and Japanese noise mastermind Masami Akita aka Merzbow. A massive wall of sound over two tracks that moves from the shifting low-end structures and the ricochet of howling reeds to the blistering haze of dense white noise and rapid-fire electronic tones. The title Atsusaku, suggests pressure or mechanical compression and it was from this starting point, the idea of Davis' reed sound…
Memory Space
The central concept behind Alvin Lucier's Memory Space is the representation of another time and place through the use of a new set of sounds. In his instructions, Lucier asks the performer/s to go to an environment and record by any means (notes on paper, graphics, audio recording or by memory) the sound situations that are present, then, at any later time, in a different space, attempt to recreate that situation. The purpose of the work is to avoid elaboration or embellishment, but given that …
Gramercy
On 'Gramercy', we find clarinet abuser Gareth Davis (who might be best known for collaborations with Machinefabriek and Steven R. Smith) paired with virtuoso cellist Frances-Marie Uitti. Uitti is widely revered for her unusual and original twin bow technique, which allows her to eke out far more sounds from the humble cello that you might initially expect. These sweeps and drones are matched perfectly with Davis's patented haunted drones and breathy chokes resulting in a deftly academic yet unne…
Ghost Lanes
Ghost Lanes (the A side) was recorded during the first ever duo session that Gareth and Rutger had, at STEIM, Amsterdam, June 2009. The two hadn't met before, but immediately there was a strange chemistry between them, and without much discussion, it was plug-in and play, and two albums and an EP were recorded. Ghost Lanes was then released as a very limited 3-inch CDr. A year and a half later, they settled at STEIM again, for another fruitful session. That's when Mackerel Sky was recorded. A pe…