John Cage
American composer, philosopher, writer and printmaker. He was educated in California and then made a study tour of Europe (1930-31), concentrating on art, architecture and music. On his return to the USA he studied music with Richard Buhlig, Adolph Weiss, Henry Cowell and Arnold Schoenberg; in 1934 he abandoned abstract painting for music. An interest in extending the existing range of percussion instruments led him, in 1940, to devise the 'prepared piano' (in which the sound is transformed by the insertion of various objects between the strings) and to pioneer electronic sound sources.
American composer, philosopher, writer and printmaker. He was educated in California and then made a study tour of Europe (1930-31), concentrating on art, architecture and music. On his return to the USA he studied music with Richard Buhlig, Adolph Weiss, Henry Cowell and Arnold Schoenberg; in 1934 he abandoned abstract painting for music. An interest in extending the existing range of percussion instruments led him, in 1940, to devise the 'prepared piano' (in which the sound is transformed by the insertion of various objects between the strings) and to pioneer electronic sound sources.
Complete Piano Music Vol. 8 - Hommage à Satie
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Complete Piano Music Vol. 7 - Pieces 1933-1950
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Complete Piano Music Vol. 6 - Pieces 1960-1992)
Recording: February, 21-24, 2000, Fürstliche Reitbahn Bad Arolsen 28-page booklet includes text in English, French and German “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Sch…
Complete Piano Music Vol. 5 - Two pianos
Pianists: Josef Christof and Steffen Schleiermacher “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows …
Complete Piano Music Vol. 4 - Pieces 1950-1960
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Complete Piano Music Vol. 3 - Music of changes
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Complete Piano Music Vol. 2 - Music For Piano 1-85, Electronic M
Includes 36-page booklet of text & photos (with English/French/German text). “The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording su…
Complete Piano Music Vol. 1 - The Prepared Piano 1940-1952
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
Music for eight
Digital recording: August 17-18, 1995 at Fürstliche Reitbahn Arolsen, Germany and October 26, 1995 in Leipzig.Includes 32 page booklet.
Works For Percussion Vol.5
World Premiere Recording: Hungaroton Studio, 2007 Ensemble – Amadinda Percussion GroupPercussion – Aurél Holló, Károly Bojtos, Zoltán Rácz, Zoltán Váczi
Works For Percussion Vol.3-Four4
World Premiere RecordingRecorded at the Hungaroton Studio in March, 2000Score: Henmar Press, Inc., New York (corrected after the autographs and J. Cage's indications)Ensemble – Amadinda Percussion GroupPercussion – Aurél Holló, Károly Bojtos, Zoltán …
Works For Percussion Vol.2 (1941 - 1950)
Recorded at the Hungaroton Studio in December 1998 and February-March and May 2000Includes a 20-page booklet in English, French, German and HungarianPercussion – Aurél Holló (tracks: 1 to 6, 11, 13), Károly Bojtos (tracks: 1, 3, 4, 8, 9, 11), Zoltán …
Four walls - Complete works for piano, voice & violin
John Cage may still be known as avant-garde, a musical rebel, who greatly influenced music all over the world. But not all his music was written for prepared piano or consisted of electronic sounds. He also wrote several pieces for the ‘traditiona…
Complete music for prepared piano
Awesome complete prepared piano recordings by Giancarlo Simonacci. The prepared piano, which Cage invented in the early 1940s, was such a brilliant invention that no one would have blamed him for spending the rest of his life writing for it. A les…
How To Get Started
"John Cage conceived How To Get Started almost as an afterthought -- a performance substituting for another that was previously planned in 1989 for delivery at 'Sound Design: An Invitational Conference on the Uses of Sound for Radio Drama, Film, …
The Works for Percussion I
After 42 Volumes in Mode’s Cage Edition, Mode is releasing the first volume dedicated to his percussion music. Percussion Group Cincinnati is particularly respected for its knowledge of and experience with the entire range of John Cage’s music, havi…
Radio music (1956)
Four different versions of Radio Music (1956) from John Cage performed by S. Pittis, JH Peron, Z. Diermaier. Each version is 6 minutes long and uses radio as only sound source.
In Norway
CD in 64-page hardcover book with photos, interviews with the musicans and a transcription of John Cage's Q&A at the Oslo Art Academy. Having received an invitation from Ole Henrik Moe, the Director of the Henie Onstad Art Centre, John Cage arrived a…
Four4
Four4 for four percussionists (1991). By Simon Allen, Chris Burn, Lee Patterson, Mark Wastell. A unique realisation of one of Cage's late 'number pieces' by an ensemble of musicians better known for their work as improvisers. The 72-minute piece uses…