John Duncan
John Duncan, born in Wichita, Kansas, in 1953, has worked for decades at the cutting edge of performance, video, experimental music, installation and pirate radio and television. He played a pivotal role in the performance art of 1970s Los Angeles, often at the limit of the bearable, in the experimental music of the LAFMS, and later in the noise and pirate broadcasting of Tokyo. His sound work uses shortwave, voice and signals at the very edge of hearing to unsettle the listener, on records such as Riot and the disquieting The Crackling, made with particle-accelerator recordings.
Da sich die Machtgier
Compiling the results of what was originally intended to be a compositional collaboration between John Duncan and renowned sound artist Asmus Tietchens, Da Sich Die Machtgier… transcends its tumultuous creation to stand as a distinctive addition to t…
Phantom Broadcast
Following the records made in collaboration with Francisco López and the instrumental ensemble Zeitkratzer, John Duncan returns to solo work and to exploring further the sound source he's always preferred, shortwave. We know nothing about the actual …
The Nazca Transmissions
** Limited to 380 copies, with embossed total-black cover, insert and full-color inner sleeve with wonderful space images of the Nazca Lines. ** On Christmas Eve, 2004, John Duncan received a mysterious email from an archaeologist working at the site…
Incoming
Long out of print, John Duncan's release Incoming continues his work exploring the inner qualities of electronic drones in conjunction with shortwave radio, itself an extension of his work in pirate media, including both radio and television. The tit…
John See soundtracks
CD including the full soundtrack from 'Move forward' and all soundtracks from the limited-edition picturedisc LP 'The John See Series' released on RRRecords.
s/t
Released in conjunction with a live performance that took place at the 'Lagerhaus' Bremen on 26. September 2003. Exclusive tracks by all three artists. John Duncan's 'The Gossamer Dispatch' is another fine example of his work with Shortwave sounds an…
Auftauchen
John Duncan: Mayday (1983) / Le Donne-Bhennet: Might Find Land 1980) / Tom Marioni: Drum Crushing (on Sand Paper) ( 1978). Edition of 99 copies.
Untitled
Released in conjunction with a live concert on the 2. October 2005 in the“Lagerhaus' Bremen”. The 2x7inch feat. four exclusive tracks for this project. Z'EV provides another intense mix of material which partly originates from a live recording from t…
Our telluric conversation
'23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight o…
Home, unspeakable
Home, Unspeakable is a collaboration between Duncan and Günter based on Samuel Beckett's last work, an opera libretto entitled Neither that he wrote on the back of a card for Morton Feldman. Although Günter and Duncan both claim Feldman as strong inf…
Early recordings 1978-1985
This is the limited friends edition of 33 numbered copies in a red Box Set with silver or golden imprints instead of the black Box Set with black imprints, especially for the artist and a few other people in relation to VOD - a gorgeous box covering …
Tap internal
Have you ever asked yourself 'What is the sound of energy?' John duncan has been trying for years to explain the composition of matter through sound, and not everyone can understand this -- but once the door is opened everything suddenly becomes easy…
Works: 1975 to 2005
An unstoppable attraction for extreme sounds, in line with the passions that emerged from the international underground at the end of the Seventies, carried John Duncan through complex paths and artistic practices (from …