Michael Gregory Jackson
Rivbea Live! Series, Volume 4
"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…
Future Knows the Way (Book)
A limited edition book of Michael Gregory Jackson's poetry. Limited to 200 copies
Frequency Equilibrium Koan
Frequency • the rate at which a vibration occurs that constitutes a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light). Equilibrium • a state in which opposing forces or influences are balanced: a calm state of mind. Koan • a paradoxical anecdote or riddle, used in Zen Buddhism to demonstrate the inadequacy of logical reasoning and to provoke enlightenment. Many, many, years ago in a once enchanted place they called The Big Apple, New Yor…
Guitar Talk: Conversations with VIsionary Players
Secrets of master musicians, revealed in conversation. Guitar Talk offers interviews with many of the most creative guitarists of our time. This new book presents these conversations, between Joel Harrison and Nels Cline, Pat Metheny, Fred Frith, Bill Frisell, Julian Lage, Elliott Sharp, Michael Gregory Jackson, Ben Monder, Anthony Pirog, Henry Kaiser, Mike and Leni Stern, Vernon Reid, Mary Halvorson, Nguyên Le, Rez Abbasi, Ava Mendoza, Liberty Ellman, Brandon Ross, Wayne Krantz, Dave Fiuczynski…
Clarity
Before his career defining records on Arista/Novus in the 80s and 90s, jazz and fusion guitaristMichael Gregory Jackson recorded his debut for ESP-Disk'. The sessions, recorded in New York, Connecticut and Los Angeles in the summer of 1976 are wildly meditative and personify the seventies laid-back vibe. A trio of soft, lilting melodies set the mood; David Murray on tenor sax, Oliver Lake on flute, and the album's leader, Michael Gregory Jackson on acoustic guitar. The unfolding stream of ideas …