Peter Brötzmann
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. He was one of the most prolific and enduring free jazz musicians to emerge from Europe during the 1960s. His fat, rough tone and emotively ferocious method of attack on saxophones, clarinet, and taragato, appeared on literally hundreds of recordings, from solo concerts to large ensemble studio dates and virtually every configuration in between
Member of: Full Blast
Fifty Years After... (Live at Lila Eule Bremen 26.05.2018)
For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music that they decided to release it and continue to play gigs as the trio. Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new ja…
Catch of a Ghost
"Three names, three cultures, three continents, three different concepts of time and timing -- this is the essence of this trio. This is what we have to bring together." -- Peter Brötzmann, Wuppertal, April 1st, 2019With these words, Peter Brötzmann, one of the great figures in the development of a unique European approach to free improvisation since the '60s, announced his return to the AngelicA festival in 2019. A trio featuring Hamid Drake -- one of the best living drummers and guembri player…
In Berlin
**Edition of 200 copies. This is the seventh release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound** Not unlike Globe Unity Orchestra and the Company ensembles led by Derek Bailey, Instant Composers Pool (I.C.P.) was one of the seminal large free-jazz bands to emerge on the global and European scenes during the 1960s. Founded in 1967 as a musicians co-op by iconic Dutch impr…
In a State of Undress
**Edition of 200 copies. This is the sixth release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound** In the context of European free improvised music, it would be hard to find a name that towers to the heights of Peter Brötzmann. Trained as a visual artist, the saxophonist turned toward music during the second half of 1960s, and quickly became a focussed, creative lens for the…
Pearls
**Edition of 200 copies.** For fans of European free jazz, Globe Unity Orchestra needs little introduction. The project is nothing short of legendary, carving a path over the last half century. Formed as with a commission received by Alexander von Schlippenbach in 1966 - debuting at the Berliner Philharmonie late in that year - it joined three of the most powerful forces in German freely improvised music as a single unit - Gunter Hampel's quartet, Manfred Schoof's quintet, and Peter Brötzmann's …
Farewell Tonic
The recording of the last show ever in the legendary NYC club was only available in a limited run of semi-official cd-bootlegs. Now mastered for vinyl, screenprinted cover - design of course by Peter Brötzmann, handnumbered. Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Recording by Bruno Soria, Ulrich Petereit. Mixed and mastered by Martin Siewert in Vienna. Artwork by …
Free Jazz Und Kinder
Restocked, last copies... Reissue of the rare & infamous double 7“ originally published by FMP in 1973. Recordings from a workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, and Han Bennink.At the beginning of the work, the fifteen invited children aged eight to ten years were asked to come for four days in a row, so that a fixed, unchanging group could be expected. In practice, this was difficult to carry out, since every af…
14 Love Poems
A monument of post-free solo reeds playing and a stunning album in Peter Brötzmann's discography
South Moon Under (The Red Hook Concert)
**500 numbered copies, private edition** "Heather Leigh is originally from West Virginia but now lives in Scotland. She is a steel guitar player with an increasing reputation for furthering the unexplored reaches of pedal steel guitar. She combines a physical presence with a playing style which is as spontaneous as it is based on solid musicianship. She is known as a player who combines strength and sensitivity. She has received great reviews from The Wire Magazine, MOJO, Uncut, The Guardian, Th…
I Surrender Dear
A long desire of extraordinaire saxophone player Peter Brötzmann was a studio recording of some of his favorite jazz tunes and his own music -- a grand bridge over the music important for his life and his musical career in the past and present. Trost invited him to Martin Siewert's studio in Vienna to do so in summer 2018. The result is intense, beautiful and touching. Features compositions by Harry Barris / Gordon Clifford, Sigmund Romberg / Oscar Hammerstein II, Herbie Nichols, Dizzy Gillespie…
Rio
Rio is a limited live release by Peter Brötzmann's Full Blast. This is power free jazz in trio format, recorded at Audio Rebel, Rio de Janeiro, Brazil 2016. With all the projects Brötzmann is currently working on, Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Mixed and mastered by Martin Siewert in Vienna. Artwork by Peter Brötzmann.
Eklisia Sunday
2013 Release. Recorded live in front of a small audience on May 15th, 2011 at Eklisia - an old chapel built in the 17th century in Gümüşlük, a small village near Bodrum - this improvisation features the Konstrukt collective - which is Korhan Futacı (tenor & soprano saxophones), Umut Çağlar (electric guitar), Özün Usta (double bass, djembe, gong, bells), Korhan Argüden (drums) - incredibly enriched by the presence of Peter Brötzmann (on tenor), Hüseyin Ertunç (acoustic piano, küstüfon, gong), Doğ…
Music Is the Healing Force of the Universe - Fragments of Music,
"Music Is the Healing Force of the Universe is a powerful and often ignored recording from the Albert Ayler catalog. It is a prophetic statement dealing with guilt, confusion, sorrow, and hopes of redemption. A powerful rhythm section of Bobby Few on piano, Stafford James and James Folwell on bass, (Folwell on electric fender bass), and Muhammad Ali on drums manage to take a backseat to the prominent vocals of Ayler's business associate and girlfriend Mary Parks, listed on the record as Mary Mar…
Risc
With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded months before hi…
Hot Lotta
CD Version. Limited, exclusive, extended reissue of Hot Lotta, one of the rarest items in Peter Brötzmann’s oeuvre. Hot Lotta was a special cultural event, the meeting of the brightest free jazz talent from Germany and Finland. Peter Brötzmann and Peter Kowald were joined by Edward Vesala and Juhani Aaltonen for the studio session that resulted in the album but also toured Finland and recorded a radio session. That radio session has now been unearthed and is presented as an added bonus in this o…
machine gun
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
Machine Gun - Alternate Takes
Alternate versions, never before released on vinyl from Peter Brötzmann Octet's Machine Gun (1968). As Brötzmann has said: 'It was the feeling, the very naive feeling that we could take a little part in changing the world.' Adopting its title from Don Cherry's nickname for Brötzmann, 'Machine Gun' drew on the huge horn section of Lionel Hampton's 'Flying Home' for inspiration, translating the hilarious saxophonic power of the jump blues and Illinois Jacquet's booting and hollering into an abstra…
New Jazz Festival Balver Höhle (New Jazz 1976 & 1977)
A stunning new 8 CD box set, comprised of recording from New Jazz Festival Balver Höhle between 1976 & 1977, and issued by the German imprint B.Free, offers a mind altering vision of just that. Toward the middle of 2016, B.Free released a sprawling 11 CD box of recordings from the 1974 and 75 incarnations of the New Jazz Festival Balver Höhle. As remarkable as it was, the following years seriously upped the game. Found within this new box are complete performance recordings of ensembles led by s…
Brotzmann Box
"Brotzmann Box" is a beautiful box set containing 3 albums by German free jazz master Peter Brötzmann. The first volume of the album is "Full Blast" (JW 1) with Brötzmann (alto and soprano sax, tárogató) playing in a super Swiss-German trio with Marino Pliakas (electric bass), a member of Swiss Steamboat, and Michael Wertmuller (drums), one of the best musiciand of the Berlin music scene and member of the group Alboth. Together these three musicians create a truly unique musical cosmos that lies…
The End
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0050). 180-gram vinyl. One-time pressing of 500. First standalone reissue."The great thing about this trilogy/set is how naturally everything flows. . . . each subdividing of the group, each solo excursio…