Ralf Wehowsky
Spuren & Gegenworte
“Spuren & Gegenworte” began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several months, resulting in the completion of the four pieces on the CD. “Spuren & Gegenworte” can be translated as “traces & antonyms”, opening up a wide range of interpretations. “Traces” may refer to the remnants of the original sounds th…
R
*200 copies limited edition. * First collaboration between Ralf Wehowsky (Germany) and Richard Francis (New Zealand). On a trip from Auckland over Worpswede to Eggenstein Richard Francis visited Ralf Wehowsky on the weekend of September 28th and 29th, 2013. For the recording sessions taking place during these two days Richard used his analogue synth and electronics, while Ralf had a desktop and a laptop for producing digital electronic sounds at hand. For bridging the anatgonistic sound worlds t…
Agnostic Diaries
The common factor linking these recordings are projects that were never fully realized. The basic recordings started in 2005, however the period of reworking and transformation (2016 to 2017) is more important. All vocal parts and general revisions were done during this period. Agnosticism was the basic idea for the vocal/musical re-working of the pieces with the vocals implanted into the basic pieces, not just as simple overdubs, but inserted in a dialectical confrontation with the basic sounds…
Midnight Crossroads Tape Recorder Blues
Bruce Russell : acoustic guitar, vocal, analogue Tape treatments, mixing and composition. Ralf Wehowsky : sitar, digital sound processing. Recorded 2003-05, Lyttelton, New Zealand and Eggenstein, Germany. Digital mastering at the Temple of Music. “It is Midnight during the summer of 1951, the scene is a rural Crossroads somewhere outside Paris. A man called Pierre Schaeffer is sitting in the grass by the side of the road. As the village clock strikes the hour he invokes Eleggua, the Yoruba god o…
Avanto 2006
Three-way split release featuring an extended piece each by Tony Conrad, Ralf Wehowsky, and Jim O’Rourke. Tony’s piece works a lone processed violin to glorious effect; the solo variant of his “four violins.” Ralf’s is a musique concrète piece built out of assorted instrumentation and children’s vocals (coming across like a lost international harvester/älgarnas trädgard out-take in spots...) jim’s is an awesome side-length-plus rumination of drone-sound (harkening back to his “disengage” era) in…
Cases
Musique concrete realized 1999/2000 in Chicago and Mainz. Released in a 6-panel digisleeve.
Sights
Back in stock. Take two collaborators, one a German sound artist noted for his painstaking micro-engineered computer compositions, the other a New Zealand noise terrorist with a reputation for making albums over his morning tea breaks. Put them in a basement studio in Karlsruhe for three days in February 2003, feed them on coffee and apple juice and let them out to walk in the woods once a day. What do you get? Sights, a dramatic collision of two very different but complementary approaches to th…
Verklärte Tage
Released in Digipak. Tracks 1-5 recorded late 1998 until 1999, track 6 recorded late 1996.
Midnight Crossroads Tape Recorder Blues
Recorded 2003-05, Lyttelton, New Zealand & Eggenstein, Germany. Digital mastering at the Temple of Music.
Un océan de certitude
long out of print, one copy only available - Un ocean de certitude' V223 is a triple set: a disk each by Gunter and Wehowsky and one collaboration. Gunter's piece 'Deceptive likeness' is a minimal work, which while at a low volume is not quite subliminal, and close listening (especially on earphones) reveals a delicate soundscape. There are small musical events - what sounds like a cello, rising and falling tones, an almost shaker-percussion, a match being lit, metal clanking, water - which occu…