Sam Dunscombe is a performer, composer, sound artist, and audio engineer. Sam is interested in the multi-dimensional perception of time, which has led to explorations in spectralism, just-intonation, improvisation, the performance of complex-notated repertoire, field recording, audio engineering, and live electronic performance.
Although Berlin-based musical seekers Jules Reidy and Sam Dunscombe are friends who’ve worked together in numerous contexts over the last decade or so, Edge Games is their first, long overdue collaborative album. Over two expansive, mind-bending excursions the former’s microtonal guitar lines are woven into a gorgeously unstable mass of synthesis, field recordings, and clarinet produced by the latter, but it’s important to note that the recording process was deeply collaborative, with a rigorous…
*200 copies limted edition* Fern Recordings presents Expended Desert, a collaboration between Sam Dunscombe and Michiko Ogawa.
Sam Dunscombe (field recordings, synthesis)Michiko Ogawa (shō, hammond organ)December 2022
Locations:Roadside, Joshua Tree National ParkRailway siding, LudlowNorth Shore Yacht Club, Salton SeaSoundwalk, Slab CityAdelanto Solar Park, Victorville
Dunscombe is part of the Berlin circle of just intonation researchers, and spent years on the music of the Romanian spectralist Horatiu Radulescu. Two Forests begins from a single central pitch and works outward from there.
Three works from Horatiu Radulescu's Sound Plasma period, played by Sam Dunscombe and Rebecca Lane: Capricorn's Nostalgic Crickets, Small Infinities' Togetherness and Opus 42, Inner Time / Outer Time. Volume 4 of Mode's Radulescu Edition.
Outside Ludlow / Desert Disco is the first major solo release from Australian performer-composer Sam Dunscombe, now based in Berlin after residing for the past decade in San Diego and Tokyo. A virtuoso clarinettist who has performed in composed and improvised settings with artists such as Klaus Lang and Taku Sugimoto, their practice also embraces computer music, lo-fi electronics and field recordings, in addition to their long-term commitment to archiving, studying and performing the work of Rom…
2017 release **
"Observing Objects is in stark contrast to Voice with Piano in several ways and it helps expand the picture of Houben and her music. Once again, she is featured both as performer and composer, this time playing in the company of Samuel Dunscombe on bass clarinet and Rebecca Lane on bass flute, on recordings dating from May 2017. Ingeniously, the album consists of two versions of the title piece, the first with Houben on organ, the second on piano, each one lasting about twenty-ni…