William Parker, born in the Bronx in 1952, is an American double bassist, multi-instrumentalist, poet and composer, and for four decades a central figure of free jazz in New York. He came up in the loft scene of the 1970s, spent the 1980s in Cecil Taylor's groups, then anchored the David S. Ware Quartet and led his own Little Huey Creative Music Orchestra and In Order to Survive. His playing rests on a tradition of self-expression and experiment; his arco work, dense streaks of colour drawn from the harmonics of the instrument, is the most personal side of his idiom.
** original copy ** 'The music is one of two tracks that make up the entire album, one on each side as it was originally released as an LP, and each over 20 minutes long. The other side is the titled “Psalm”. The recording was made live to two track at Studio Henry, later known as One Morten Street. The trio was put together just for this gig, and features Butch Morris on cornet, William Parker on bass, and myself on piano, some kind of crummy organ, and electronics-including an Aries synthesize…
William Parker’s Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds – to j…
*In process of stocking* How do you welcome adventure? Longtime comrades, legendary Daniel Carter, Matthew Shipp, William Parker and Gerald Cleaver investigated this in their first album, Welcome Adventure, Vol. 1, resulting in 577 Records’ best-selling release in the 20 years we’ve been operating. Now, the group is trying the question again with their second astonishing volume, taken from the same historical recording session. Daniel Carter (Saxophone, Clarinet) has been collaborating with Will…
Originally from Kingsport, Tennessee, New York-based Zoh Amba is a notable rising star in the avant-garde music scene. Growing up in the Appalachian mountains, Amba practiced saxophone to the forest that surrounded her home before she later traveled to study with David Murray in New York, and also at the San Francisco Conservatory Of Music & New England Conservatory in Boston. Today, her music is full of folk melodies, mesmerizing refrains, repeated incantations and powerfully executed Free Jazz…
'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…
Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.
Ferocious JP / US free jazz bomb. A rare meeting between the NYC free jazz scene and the Japanese free music scene. Old-style Gatefold LP, with rare photographs & liner notes by Alan Cummings.
*2022 stock* Futura Marge presents Live At The Sunset by Other Dimensions In Music (Roy Campbell trumpet, pocket trumpet, flugelhorn, flute, recorder & double flageolet, Daniel Carter alto saxophone, flute, trumpet & voice, William Parker double bass & musette & Hamid Drake drums & skin drum).Recorded in Paris at the Sunset on October 17th & 18th, 2006
* 2022 stock * Rob Brown's Big Picture Quartet includes William Parker, Hamid Drake, and Roy Campbell, the band responsible for the sublime Raining on the Moon with Lena Conquest, recorded as the William Parker Quartet, as well as playing together in different configurations yielding some of the most vital and essential recordings of the last decade. In the grand jazz band tradition (think Sonny Greer and his Memphis Men), the music's flavor and quality maintains whoever's name shuffles forward.…
Black Editions presents “Historic Music Past Tense Future”, the first ever album to feature the meeting of Peter Brötzmann, Milford Graves and William Parker. Three of the towering figures in the history of Free Jazz forge an incredibly vital free music born from lifetimes of uncompromising, ceaseless artistry. “Historic Music Past Tense Future” is the inaugural release by Black Editions Archive and the first in a series of records that will present previously unreleased works featuring Milford …
In the late 1980s / early ’90s, pianist Matthew Shipp and drummer Whit Dickey were young musicians taking part in the cultural ferment happening on New York City’s Lower East Side, a place where free jazz, avant-rock and all manner of creative arts and political causes were colliding and combining to further the area’s legacy of progressive action. William Parker – although just 2 years older than Dickey – had been part of that progressive action since the mid-70s, and was already a world travel…
A perfect matching for a free jazz collective piano trio, bringing frequent collaborators Argentinian pianist Paula Shocron and drummer Pablo Diaz, part of the SLD trio heard on Listen! Foundation and Hatology, together with NY bass legend William Parker, recording in NYC for four powerful improvisations of great technical prowess and attentive explorative interaction. The document you hold in your hands is a very special and beautiful document and for many reasons. There is a balance, an equili…
That William Parker is a bassist, composer and bandleader of extraordinary spirit and imaginative drive is common knowledge among any with an interest in the progressive jazz / any music scene of the past 25 years and more. What's become increasingly apparent, though, is Parker's stature as a visionary of sound and song -- an artist of melody and poetry who works beyond category, to use the Ellingtonian phrase. The latest multi-disc boxed set from Centering Records/AUM Fidelity devoted to Parker…
Double CD documenting the magic meeting of one of the all-time great rhythm sections in jazz: percussionist Hamid Drake and bassist William Parker, with London’s brilliant Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Across two sets the quintet are infectiously energetic and inspired, striding from synchronised heavy groove to star bright solos, whilst incorporating dub effects, guimbri and sumptuous blues piano playing.
Formed by Orphy Robinson and Pat Thomas but always real…
Gowanus Session II was seven years in the planning. Thollem McDonas, Nels Cline, and William Parker convened at Peter Karl Studios in Brooklyn on January 3rd, 2012 and recorded two complete albums. The first was Gowanus Session I, released by Porter Records in April of 2012. GS II was put aside to eventually complete the five-album palindromic cycle of trio albums Nels and Thollem ambitiously set out to realize. The albums in between include Radical Empathy with Michael Wimberly (Relative Pitch,…
Live / Shapeshifter is the exemplary new double-album from one of master bassist - composer - improviser William Parker's eternal flagship groups, recorded live and presenting all-new compositions, including the extended suite Eternal Is the Voice of Love, along with a new iteration of the band's theme. Featuring pianist Cooper-Moore, alto saxophonist Rob Brown and (since 2012) drummer Hamid Drake, In Order To Survive is one of the great jazz groups of the past quarter century. Launched in 1993,…
Featuring Frode Gjerstad on alto sax & clarinet, William Parker on contrabass and Hamid Drake on drums & percussion. Norwegian saxist Frode Gjerstad is one of the most prolific and hard working of all European saxists, a career that stretches back some forty plus years, with upwards of 100 releases during his long tenure. Mr. Gjerstad is forever juggling several bands simultaneously: Detail (with John Stevens & Johnny Dyani), Calling Signals (with Nick Stephens), Ultralyd (Scandinavian noise/roc…
"The music takes on short, fleeting forms: fading here, held and moody there, as though the improvisation encouraged skepticism of firm certitudes. The tightness of the discourse, however, demands enlightening energy and lucid tautness." (Jean-François Abert, excerpt from the liner notes)"We have already seen that in the history of the universe, such a spiral nucleus of sounds that subsides on itself and grows dense, that softens and dilates, that provides its exceptional energy of cohesion even…