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*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …
*50 copies limited edition* Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to th…
Graveyard Processions is the first joint recording by Kai Fagaschinski and Yan Jun. The Berlin-based clarinettist and the sound artist and vocalist from Beijing blur the lines between improvisation on the one hand and record production as well as composition-after-the-fact on the other. The four pieces on »Graveyard Processions« work primarily with Jun’s voice and Fagaschinski’s playing and also add a plethora of other sounds to dizzying effect. This is the sound of two prolific artists—the form…
Tip! *2024 stock. 300 copies limited edition. 180g black vinyl. 390g paper folder. with obi. 4 page booklet in chinese and english. The cover Art is an oil painting by the famous Chinese contemporary artist Wang Guangle*
Two Other Comrades + Yan Jun "Nanjing Live"
Produced by Godstalker
Music: Two Other Comrades + Yan JunHuan Qing: Kalimba (Thumb Piano), Mouth ChordsGuitar Effects, Field Recording, MixerChen Zhipeng: TambourineYan Jun: samples, electronics, field recordings
Recorded by Huan Qin…
The duo of Yan Jun and Eric Wong focus on the temporal and spatial interplay of organic and digital sound. Using human voice, sine waves, and white noise as their instruments, the musicians modulate the sound sources to bring out resonance as well as to create sonic movements that blurs the borders among the sonic events. Eric says “When I perform with Yan Jun, I swing my arm holding a Bluetooth speaker as he filters his voice by moving his head and body. I remember I did it for the first time w…
*2024 stock* "leg shaking is not an easy action. or better say "non-action" as it's about moving unconsciously and always meaning negative. yes it's not easy to be unconscious and negative while the body was controlled by such a social agency, i.e. the body itself. i mean there is no naked body left. there is only the built body. so does the language. basically i think language is something generated by a body and through this body to its outer environment. the body is an energy transformer and …
*2024 stock* "This is a work for the art exhibition "36 Degrees North" opening in September 2021 at Space 1302 in Lanzhou. It was released as a cd with the album. These three pieces are improvised electronic music. The instrument used is a circuit board the size of a mahjong tile. It was originally used as a miniature microphone amplifier, and I touched it with my hand to short-circuit it and make it sound.
The first and third songs were of equal length, while the structures were completely diff…
Tip! Reading Group is thrilled to release Contradictions (plays 4 writers), the new LP by legendary musician and poet Yan Jun. Yan Jun has been a central figure in the (non-)music, noise, sound, and experimental performance scenes both in his native Beijing and in the global subterranean community for decades. He founded the Beijing-based experimental label Sub Jam in 2000 and has since collaborated with Lionel Marchetti, Axel Dörner, Toshimaru Nakamura, Torturing Nurse, and many more. On Contra…
*2023 stock. 100 copies limited edition* Recorded at Vital Sounding festival; Nu Space Chengdu. collaboratioin between Yan Jun: open input feedback and Xiang: ableton live, contact mic.
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that a…
Hsia Yu is a legend in Taiwan’s poetry scene. She is one the most influential figures of youth subculture for decades. Under several pen names such as Li Gedi, she is also one of the top lyrics writers in the Mandarin pop music scene. She publishes her poetry only on her own independent label. Yan Jun is a Beijing based musician and poet. In later 90’s and early 00’s he was a key figure in China’s underground rock scene as music critic. Since early 00’s he works on the margin of music with field…
*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…
Tip! "noel meek is from new zealand. he used creates electronic music. he also runs a label called "end of alphabet". we have never met yet. once in 2016 he asked me to compile an album. i then contact zhu wenbo for expand the idea. the result was the “there is no music from china” compilation. in summer or late spring of 2020, while everybody was trying to understand the pandemic thing, noel emailed me about to record an album together. i said yes, and maybe we can do it this way... but could y…
**Limited edition of 75**
Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
** Six-panel digipak, photos by Yan Jun/Zhu Wenbo, design by Yuko Zama ** Erstwhile Records presents Twice by Yan Jun and Zhu Wenbo. Yan Jun: recorded in Beijing, Feb 2021. Zhu Wenbo: recorded in Qingdao and Beijing, Sept 2020 - Feb 2021. Photos/image scans by Yan Jun/Zhu Wenbo. Design by Yuko Zama. Produced by Jon Abbey.
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…
FEN is an improvised music quartet. Comprising Otomo Yoshihide (Japan), Yuen Chee Wai (Singapore), Yan Jun (China) and Ryu Hankil (Korea), it was formed in 2008 in Marseille.
The initial intent of forming FEN was not based on a particular pursuit of any specific form of musical aesthetic, but rather to develop and deepen the improvised music networks of Asia. This desire was furthered by these 4 individuals, each with their individual endeavours to organise music-related activities and bridge co…
**Edition of 200** Tokyo-based sound artist and improviser Makoto Oshiro carries out live performances and installations in which he creates sound using self-made devices and remodeled pre-existing objects. Beijing-based musician/poet Yan Jun, one of the leading Chinese artists on the experimental/improvised music scene, creates music and produces installations freely utilizing electronics, field recordings and voice.
This album was studio-recorded on February 22, 2017, when Oshiro was visiting …