*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that allows no way around it." - Underbelly