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This is probably one of the most clinical releases of Maurizio Bianchi's current discography. Together with Siegmar Fricke from Germany four very complex soundscapes have been produced that on the one hand show similarities and relations in sound…
Charles Ives (1874-1954) earned his living by selling insurance policies to his contemporaries. Besides, he took a great interest in literature, philosophy and, first and foremost, music. And what came of it? The most original modernist music one cou…
Today, the piano concertos by Béla Bartók are regarded as works of classic modernism and are considered suitable even for conservative audiences. Musica Viva, the concert series for contemporary music in Munich, included the piano concertos in their …
In 1988, genius producer Hal Willner (best known, perhaps ironically, for his Disney tribute album STAY AWAKE) traveled to Lawrence, Kansas and taped NAKED LUNCH author and Beat Generation legend William Burroughs performing excerpts from his ... …
A different beast from the spiritual and improvised stylings of the recent (vinyl-only) Sateenkaarisuudelma, this record is much more composed and more succinct – with ten gorgeous slices of hissing, crackling vinyl samples, small instruments, decrep…
String Quartets Nos. 7, 8 and 9 suggest that Rihm has finally left behind the neo-romantic expressive pathos of earlier compositions: “Real or virtual allusions to the past are rarely to be found any more – and the same holds of the luscious and reve…
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and findin…
This piece is sung by the Swiss “deep voice”, Marianne Schuppe in trio with herself, a feat made possible by playing back recordings of her own voice. This is not minimal music; melodic lines arise, sensual, beautiful, and undoctored, swaying like a …
In La Monte Young's formulation, drone music is built on the idea of vertical composition, moving away from developmental form towards "Vertical Hearing". The danger, of course, is that layers will be substituted for composition, resulting in dissona…
The third album by the established and highly respected Greek/Swedish/Norwegian trio Looper: Nikos Veliotis (cello), Martin Küchen (saxophone) and Ingar Zach (percussion). Recorded at GMEA auditorium in Albi, France, by Benjamin Maumus, January 2010.…
Added to these are bits and pieces of first names of real people and opera characters, and numerous quotes from older works by Sylvano Bussotti – who combines it all to a work that is also a grand opera: The Rara Requiem was written as the third part…
Music for a Summer Evening (1974) is the third part of the "cosmic drama" Macrocosmos, which investigates the relations between the innermost human soul and the vastness of the cosmos; relations that also determine the temporal, dynamic and tonal dim…
Concert music for solo harp: The harp, whose ancestor belongs to the most ancient musical instruments, is usually associated with impressionistic sound. But Roman Haubenstock-Ramati - the most visionary inventor of sounds among contemporary composers…
Exclusive work by Italian noise legend Maurizio Bianchi.A marginal division of the whole existence in four palpable seasons, marked by pestilential changes in emotional hemisphere. At the end, the hibernating organisms organize a reproducing molecul…
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including g…
The sonata originated in the Baroque as a small, one-movement form, which nevertheless already contained the core of the sonata to be later developed and composed in elaborate detail by the Viennese Classics. In his Sonatas and Interludes John Cage s…
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and …