We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Fake Man
Do you remember when albums used to be fourteen tracks long, with clear song structures and a sense of narrative development? No? Neither do we. And that is exactly why Artetetra is thrilled to welcome Orange Car Crash in their roster with their new …
A Body of Water
On A Body of Water, Kaloja - the duo of Jan Anderzén and Paul Wilson - summon a strangely pastoral, hyper‑alive electronic ecosystem. Psychedelic synthesis, physical modelling and impressionistic sound‑painting converge into abstract figures that rip…
For The Raven
*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a…
Music To Watch Seeds Grow By 008: Salamanda (Basil)
On Music To Watch Seeds Grow By 008: Salamanda (Basil), Salamanda miniaturise their left‑field ambient world into a single pot on a windowsill: a slow, luminous day‑in‑the‑life of a basil plant where light, water and time turn into gentle pulses, dri…
Scaath Catfish
Songs about the river are a common trope in the history of music. Psalms of being cleansed, being baptized, being redeemed. There are ballads of murder, lost love, jealousy, and all sorts of rank human emotion reflected in the surface of the water. R…
What Was
The first release of a 1995 studio session, produced by Evan Parker. The Kenny Wheeler Sextet includes Ray Warleigh, Stan Sulzmann, John Parricelli, Chris Laurence and Tony Levin.
Issue 123: Cluster (Magazine + 7" White)
You probably don't need us to translate ELEKTRONISCHES DEUTSCHLAND for you. But to expand on that a little, we're heading back to the 1970s and a country then known as West Germany for this month's Electronic Sound cover story. We're bundling the iss…
Issue 114: John Foxx Issue + ‘Miles Away’ / ‘Sunset Rising’
We’re investigating the visual art of John Foxx in this month’s Electronic Sound and we’re bundling the magazine with a white vinyl seven-inch combining two top-notch Foxx tracks – an electropop classic from 1980 and an ambient gem from 1997.
Issue 87 (Magazine)
Audion 87 arrives like a lovingly overstuffed mixtape passed between devotees, its 44 A4 pages packed with rabbit holes for anyone who still hears “progressive” as a verb, not a museum tag. At its core sit two major anchor features. The first is a de…
Ongaku Otaku - Complete Edition (Book, Hardcover)
Hardcover, 527 pages, 21×27 cm! In the mid-1990s, four thick, annual issues of Ongaku Otaku magazine were published. Operating from San Francisco, California, the goal was to spread the word about the compelling independent music being produced in Ja…
Nul Nul - The Complete Edition
In October 1984, Frans de Waard started his Korm Plastics label and his music project Kapotte Muziek. Shortly after, a fellow student, Christian Nijs, joined him as a musical partner. They quickly released a few cassettes and contributed to internati…
Vital - The Complete Collection 1987-1995
Massive edition, 580 pages, hardcover. Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. …
The Abrahadabra Letters 1984 - 1988 (Book)
From 1984 to 1988 Anthony Blokdijk frequently visited Threshold House in London and corresponded with John Balance of Coil about playing live, releasing music and personal affairs. This book collects scans of Balance's original letters, including idi…
Neumusik - The Complete Edition by David Elliott (Book)
425 pages, softcover, 17x24 cm All six editions of this UK fanzine, 1979-1982  Book containing all six issues of the Neumusik fanzine which David Elliott edited between 1979-82 while at university. The 'zine focussed on European, electronic and exper…
This Is Supposed To Be a Record Label
In 1992, Frans de Waard (of Kapotte Muziek, Beequeen and the Korm Plastics label) was asked to work for Staalplaat, then one of the biggest independent labels for experimental and electronic music. Staalplaat was the home for bands like Muslimgauze, …
We Know How To Hate - The Opus De Society story (Book)
Before the internet collapsed distances and democratized distribution, the international noise underground operated through an intricate web of mail-order catalogs, hand-dubbed cassettes, and photocopied fanzines. Labels emerged from bedrooms and bas…
America's Greatest Noise (Book)
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tel…
BBC Jazz Club Session April 1965
On BBC Jazz Club Session April 1965, Don Rendell and Ian Carr capture a historic broadcast moment where British modern jazz finds its new voice. The debut of pianist Michael Garrick within the quintet injects modal colour and compositional bite into …
The Blue Yusef Lateef
** High Quality reissue. Remastered using pure analogue components only, from the master tapes through to the cutting head ** On The Blue Yusef Lateef (1968), listeners get an amazing chapter from the late '60s, an amazing period when everything in t…
Ode To Birds
"Hideto Kanai's first album is fairly hit-or-miss free jazz, but here he's in full-blown Black Saint and the Sinner Lady mode. There are twenty three musicians on this album (twenty three!), and while the undercurrent of free jazz is still running th…