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1992 release (light wear) ** July 1964: the soundtrack to Michael Snow's film, and one of the great collective improvisations ever recorded - a record whose influence runs so deep that entire schools of music stand on it without always knowing. Alber…
1992 release (light wear) ** 1958, and a perfect match: Thelonious Monk sits in with Art Blakey's Messengers - Johnny Griffin and Bill Hardman in the front line - for a full program of Monk compositions. Blakey understood Monk's rhythm like few drumm…
1990 release (light wear) ** The second ESP-Disk' statement, 1966: Marion Brown with a killing band including Stanley Cowell at the piano, deepening everything the debut promised. The writing is stronger, the group interplay more spacious, and Brown'…
1990 release (light wear) ** December 1960: Eric Dolphy and Booker Little's first recorded meeting, with Jaki Byard, Ron Carter and Roy Haynes completing a frighteningly good band - the Five Spot partnership taking its first documented steps, seven m…
1994 release (light wear) ** February 1964: the most ferocious Messengers record ever made, and one of the most intense hard bop sessions in the whole Blue Note vault. Wayne Shorter's title track is eleven minutes of controlled fury - Art Blakey play…
1992 release (light wear) ** The 1961 sextet masterpiece: Freddie Hubbard, Wayne Shorter, Curtis Fuller, Cedar Walton, Jymie Merritt - and Art Blakey detonating Walton's title track, one of the great set-openers in the hard bop repertoire. This editi…
1992 release (light wear) ** The 1957 Columbia session with a split personality, and both halves are excellent. One side belongs to the Art Blakey Percussion Ensemble - Art Blakey surrounded by Latin percussion masters, exploring African and Afro-Cub…
2014 repress. Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "b…
Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense …
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consec…
Alga Marghen presents Éphémère I & II (for tape, or to be played with various instruments) -- two previously-unpublished masterpieces which represent for several reasons a very specific moment in the creative life and catalog of Luc Ferrari. Even if …
Re-emerging from deep Fluxus celebrations in this 2012 summer, alga marghen realized that Philip Corner “Coldwater Basin” LP was instantly sold out. Could there be a better decision than issuing an alternative version of this masterpieces from the gl…
**Edition of 200, very last copies available** Maurizio Bianchi - aka M.B. - began composing in 1979, working in the lineage of Pierre Schaeffer's musique concrète: a practice rooted in the concrete manipulation of recorded sound rather than traditio…
**Edition of 431 copies** Alga Marghen in collaboration with Expanded Media Editions is proud to present the final issue of “Soft Need”, a publication centered on the work of William Burroughs and expanding its deep influences into contemporary cons…
2017 release ** Issued by the Dutch "Nea Mousa Promotion Centre for Contemporary Music", the initial 1976 issue of this music documents the 8th meeting of "The Oeldorf Group" of Composer-Performers Pëter Eótvös (whose "Cricket Music" graces Creelpola…
2006 release ** Mattin: gnu-linux computer feedback. Radu Malfatti: trombone. Recorded in 2005. Going fragile is the latest collaboration between Radu Malfatti and Mattin, following 2004's critically lauded "Whitenoise". This album sees them refining…
Althoff, the master of kinetic sound sculpture, returns to machines for a new offering of textured compositions. Knowing that I used these items for music-making, a friend recently gave me a large old aluminium pot lid with a beautifully flanged edge…
2006 release (storage wear) ** Oversize booklet cover. The history of our music is arguably defined by a tendency to push things to the extreme—by the ability to transform what might once have been dismissed as mere flaws into genuine new qualities. …