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The third album by the legendary Bahian trio, originally released in 1975 on Odeon and finally back on vinyl. One of the most spiritually charged records to emerge from Brazil during the military dictatorship years. Hold on to your hats. Os Tincoãs -…
Creatively visionary and groundbreaking on numerous terms, 1973 'Os Tincoãs' revolutionized Brazilian music by harmonizing Afro-religious singing, heavenly vocal harmonies, and frawing on Yoruba mythology, Samba, Capoeira chants and spiritual songs.
At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring t…
"I envision this music as emanating from a moon inhabited by otherworldly life forms and ecosystems; these sounds as evoking the moon’s topographies, beings, lunar rivers, and strands of light — as if this moon’s essence were itself sonic, vibrationa…
Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”, both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks tha…
Tip! *50 copies limited edition* Tocca Il Futuro is pleased and proud to announce “Seti non tael tene”, its tenth cassette release: a unique project by Maurizio Bianchi and Ramona Ponzini, blending industrial, concrete noise, and sound poetry. The un…
Latin funk at its finest. A kingpin player of Miami’s Cuban music scene, Ray Fernandez, brought together his ‘court’ for this sensational Afro-Cuban funk triumph. Largely a family affair, the album features his wife, two sons and a range of other tal…
*200 copies limited edition* Sound artist, instrument builder and field recordist, Diane Barbé makes their return on forms of minutiae with “musiques tourbes”, a weaving of wetland soundscapes and biomimicking synthesis. Concerned with interspecies c…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportun…
Commenti Musicali: Thrilling Vol.2 presents a mosaic of Italian library music at its most eccentric: electronic soundscapes, krautrock inflections, and ambient dread. The compilation unearths rare, atmospheric pieces from the early 1980s, conjuring w…
"More unearthed demo recordings by the Japanese psychedelic noise legends Les Rallizes Dénudés. Recorded in Azabu, Tokyo 1985." - Take It Acid Is. Vol. 2 of a two-volume set.
Les Poumons Gonflés finds Etron Fou Leloublan at their most joyously unhinged: jagged rhythms, rasping horns and yelped vocals tumbling through songs that splice punk urgency, free improvisation and absurdist theatre into something uniquely volatile.
On their self‑titled debut, Moving Gelatine Plates fuse Canterbury whimsy with French jazz‑rock bite: knotty horn lines, fuzz bass and nimble drumming tumbling through tunes that are as playful as they are technically fearless.
Anubis’s self‑titled release dives into shadowy progressive terrain: long‑form compositions, minor‑key harmonies and ritualistic grooves evoking a journey through underworld myth where 70s prog, psych and cinematic doom intersect.
Subversion’s lone self‑titled effort is a jagged artefact of post‑punk dissent: sharp‑edged guitars, brittle rhythms and urgent, slogan‑skewering vocals carving out songs that feel like manifestos scribbled in the margins of a collapsing system.
Reel 19 36 by Verto splices tape‑saturated psych, loose‑limbed prog and a faint industrial undertow into extended pieces that feel like fragments of some lost rehearsal reel, restless ideas bleeding into one another in real time.
Someone Somewhere was assembled from original tapes during the band's active period (73-77). Acanthe was a French Classic Rock/Prog band in activity in the mid 70’s (from 73 to 77), but that has never seen its music reflected on a official release. F…
Blå Vardag (“Blue Weekday”) by Atlas is a slice of Scandinavian jazz‑rock melancholy: Fender Rhodes, sax and supple grooves painting portraits of urban drift where fusion chops serve an atmosphere of cool restraint and pale‑sunlight introspection.
*250 copies limited edition* Minami Saeki is an actor who also has experience as a film director. Energetically engaged in musical activities as well, she is known for her work as a voice performer on the experimental/improvised music scene inside an…