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First time-ever release of 1950s-60s recordings featuring Raymond Scott's performances on his pioneering electronic music inventions (the 'Circle Machine,' the 'Rhythm Modulator,' the 'Bass-Line Generator,' the 'Electronium,' the 'Clavivox,' & other equipment designed & built by Raymond Scott). Identical tracks to the cd-compilation, but now on 3 vinyls, packed in doublefold sleeves. A beautiful collectors item and finally a chance for dj`s to play tracks from vinyl!
A brand new Christmas single from long-running Los Angeles avant-garde pioneer TOM RECCHION. Includes the Yuletide faves "Where Were You On Christmas?" and "A Christmas Filled With Tears." Limited edition pressing, imported from The Netherlands.
Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …
Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…
Finally restocked, very last copies around...Just say the Hystory of the industrial avantgarde in Italy, since 1981 - Originally recorded in 1984, tasaday's aprirsi nel silenzio (do bloom in the silence) was reissued by wallace records in 2000. The genre of this album: underground classical. Technically, it seems like tasaday wrote this album as a soundtrack to a really bad nightmare, so anguished that the album would probably fit well with a viewing of eraserhead. To create this, they play a mi…
LAST COPY, this is the special member edtion with different cover and a bonus 7", limited to 50 copies only. All the tracks – most rare and long out of print - have been compiled by Kiddy of Sprung Aus Den Wolken who also ran the label. Includes Sprung Aus Den Wolken, A.v.Borsig/Sentimentale Jugend, Leben und Arbeiten, Frau Siebenrock Combo, Out, Lemmy Und Die Schomker, Meisterwerk Sprung/Borsig/Aus Lauter Liebe and Einwegexistenz/Out. An excellent snapshot of the early-eighties industrial/punk …
First volume in a hopefully never-ending series set on liberating unheard early electronic music gems from obscurity ... these all come as full-color printed mini-cdrs housed in mini jewel cases with a full-color insert (front) with stills from the films in question and recording details (back), all housed in a zip-seal banded baggie. these recordings have been professionally cleaned up to remove unwanted artifacts ; sound qualities range based on the source (either 8mm/16mm prints from the sbs …
Til odslig horisont evolves slowly and quietly over forty-five minutes and rewards the listener's attention with a great listening experience, manifold soundscapes and atmospheres melting into one another. As often, describing this work will not do it justice, and so I propose that you make yourself comfortable, close your eyes and simply listen. You will enjoy it without an eloquent description.'B. Günter
Monoton was founded in 1979 by hypermedia wizard konrad becker as an art project that underwent various transformations and collaborations in its exploration of psycho-active sound. these eps contain distinguished electronic soundscapes related to mathematics and psycho-acoustics research made from 1981 to 1983 with analog synthesizers and micro-computers, including a commodore 64. with many materials never released or rarely available, six of these eight lost tracks see the light of day for the…
restocked...AWESOME REISSUE! Elektrofoni is a 3CD / 1DVD box-set which for the first time presents the ground-breaking works by Norwegian experimental composer, guitarist and micro-tonal music pioneer Bjørn Fongaard (1919-1980). The box-set is produced by Lars Mørch Finborud og Lasse Marhaug of Prisma Records. The seeds to the Elektrofoni box-set began when Lasse Marhaug a few years ago found a copy of the old Electronic Music From Norway LP compilation at a second-hand record store in St…
A sequel to the Other Materials compilation (released via Richard Chartier’s own 3Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they’re both shorter and more condensed than Chartier’s conventional output, the most succinct of these being the two-minute sound sculpture ‘Tracing (Sketch For)’ lifted from Raster Noton’s Frequencies [Hz]. You’ll…
"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…
**last copies** Kassel Jaeger lives and works in Paris. He’s a member of the GRM (Groupe de Recherches Musicales) and his album is a weave of improvisations executed on various instruments (koto, rebab, positive organ, Coupigny modular synthesizer), captured and then treated as if they were field recordings. It’s about reducing the instrumental gesture to simple expressive material, shaping it while loosing control over it, letting it grow until there is no more readability in terms of ways of p…
DOME : B.C. Gilbert & G. Lewis. Floating-point re-master by Russell Haswell, August 2011. Cut at Dubplates & Mastering by Rashad Becker, August 2011. New artwork and layout: Dave Coppenhall. Editions Mego are proud to release the complete recorded works of DOME in a deluxe vinyl box set that that also includes newly designed artwork by David Coppenhall, reproductions of the original Atelier Koninck posters that accompanied Dome 1 and Dome 2, insert with sleeve notes by Howard Jacques and …
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
Limited ed. of 400 copies with a bonus album of music packaged in a custom designed full color gatefold case with a mounted 12 page booklet of bonus artwork. What if the Voyager space craft became sentient? Would it destroy humanity? Who is to say it wouldn’t become the most far-out musician of the galaxy? Expo ‘70’s sonic reach seems to extend past even the concept of space/time itself. One Eno Eon past normal, the patter of Expo ‘70’s dark matter squeaks and moans in wave forms, like the Dopp…
Trapped on an ocean of disparate languages, sound gravitates towards meaning, escaping the obsolescence of mother tongues by denying the slow decay of time. In the biblical tale of the Tower of Babel, God punishes the tower builders by scattering them across the earth, unintelligible to each other. As they departed their blissful prison of same-think, they became drunk with new songs, washing down their newfound 'auditory cheesecake' with sectarian babble. In as much as their speech had be…
Jarrod Fowler is a percussionist from Massachusetts, USA. ‘Percussion Ensemble’ is a non-musical rhythmsystemic aggregate ready-made from percussive dialectical composites of “experimental percussion music”. Jarrod Fowler's projects are systemic investigations of musical thought and practice. These experiments question instabilities shared by both music and non-music. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 180 copies.