We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Michel Chion's music concrete from 1971-1997, mostly inspired by classical forms. The compositions are 'Etude d'apres Beethoven' and excerpts from other works. Opera is the central theme. As Chion says, "With concrete music, we can create an 'opera for the ear' in which the composer, because he is working on a sound that is fixed, with its own time and space, finds himself with the possibility of providing the music, decors, lighting and also conducting and directing this theater of louspeakers.…
Last copies, sold out at source: this recording is the fourth version of Images of the Dream and Death by ÃÂÂÂÂÂkos Rozmann; revised at EMS/Elektronmusikstudion, Stockholm in 2001 for a performance in Essen. The first version was realized with Buchla synthesizer at the State Academy of Music, EMS/Elektronmusikstudion, Stockholm 1974-1977 (released on Phono Suecia as PS 27, 1986); the third version in April 1990 (released on Phono Suecia as PSCD 27, 1991). Images of the Dream and Death. "…
Raga Ooty unearths three previously unreleased works (each titled with reference to the area in south India where his mother was born) from Oren Ambarchi's archive, showcasing the rawer side of his solo work between 2006 and 2011. The side-long Raga Ooty unspools a twisting, skittering thread of gritty guitar harmonics over a bed of buzzing tambura drone, creating the same paradoxical impression of simultaneous stasis and forward propulsion achieved by minimalist masters such as Henry Flynt, to …
Debut vinyl album by contemporary electric guitar wizard Bill Nace, ‘Too Dead for Dreaming’ begins in the form of a deconstructed blues piece, slowly exploring the territories of atonal composition, string–scraping and feedback, crashing all these styles in an instinctive, personal way. His affiliations with X04, Northampton Wools and Vampire Belt converge here in a unique flux. Bill’s ability in creating sounds, follows a clear logic of ‘construction of tension’ that eventually explodes…
Subscribers edition with bonus 7" limited to 250 copies. A selection of the best work of Cultural Amnesia spanning 1980--1983. Includes remastered tracks from their three released cassette albums and from compilations. Nearly half the tracks are previously unreleased, including pieces from two unfinished late albums that the band consider amongst their strongest songs.
LP version. Avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening 'echo rock', in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of 'Jamboree', Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms,…
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
Dustin Wong, like many of us, dove into the world of music and art as an unhappy youth looking to rebel against certain ideals and "absolute truths" that contrasted his own beliefs. A twisting path of punk discovery and a growing respect for sonic visionaries like Jimi Hendrix, Brian Wilson, John Fahey, and Brian Eno led Dustin to further pursue his muse. He eventually wound up at the Maryland Institute College of Art, where he met and co-founded the critically acclaimed band Ponytail. …
This review for Wet Hair’s excellent debut full-length is dedicated to the late Barry Goldwater, five-term U.S. Senator. In 1984, Senator Goldwater wrote the Cable Franchise Policy and Communications Act, allowing local governments to require public, educational, and government access channels on television sets in their area. This act also wiped said local government’s hands clean of whatever content these channels would feature. Because of this act, because of Barry Goldwater, many a ni…
Sold out at source FORMA (Mark Dwinell, Sophie Lam, & George Bennett) emerged on the NYC minimal synth scene in 2010 with a singular vision of cosmic Krautrock for a new age. On their eponymous debut LP, the Brooklyn-based electronics trio merges the melodic flow and primitive rhythms of their motorik predecessors with the hypnotic drones of Minimalism, creating an intricate work both addicting and rewarding with repeat listens. Like many of the LP's eleven tracks, the churning and relentl…
Night Gallery III" is the first one to drop from the collaborative efforts of psychedelia power-houses, Sun Araw and Eternal Tapestry. Composed in the heat of SXSW-ian Texas and littered with odes to the Twilight Zone, the upcoming LP of the same name is the result of an improvisational drum circle recorded in one go.
"Night Gallery III" is desert drone that feels cleaner than waking up in the Sahara after a peyote trip left you stranded and asking where the saxophone came from, but sort …
The origins of Ame Son go back to the mid-sixties, when Bernard Lavialle (guitar), Bernard Stisi (guitar, vocals), Patrick Fontaine (bass) and Marc Blanc (drums) formed Les Primitivs circa 1965. They took the Parisian stages with a Yardbirds/Pretty Things inspired wild R&B set, and they kept active until Stisi left in 1967. At that point they changed their name to Expression, and with a more experimental approach they took their newly find free rock sound a la Soft Machine to night clubs …
Hermann Nitsch outstanding performance on the organ, his favorite instrument, in Pauluskerk, Tilburg... 4 heavy organ drones recorded in a church during the Incubate Festival where Nitsch also did a performance. Comes in a gatefold sleeve with pictures of the performance. Limited to 300 copies
Lovely artist edition focused on a Renato Rinaldi sound installation, consisting of 34 audio postcards that saturate the area with unstable frequencies and phase shifted pulses. Some circuits are sensitive to the proximity of the human body, and are powered by small batteries, so the sound constantly change. Some of these frequently collapse but they reboot after a few seconds with a sound that suddenly blossoms on a carpet of pulsating high frequencies. This is the recording of a walk in t…
restocked, sold out at source....Astonishing debut LP by percussionist Ben Hall (Graveyards/Broken Research) and violinist Mike Khoury (Graveyards, Faruq Z. Bey Northwood Improvisers). 'It's not a fear of falling, it's a fear of landing' is simply one of the wildest works of free music we got the chance to experience in recent times.Khoury emits ribbons of lyrical, stream of-consciousness violin playing, alternately letting his notes really hang, or focusing on small, scratchy sounds or di…
RESTOCKED! An incredible artefact from ReR, this double-disc release comes housed in a beautifully detailed book, all dedicated to the pioneers of the Russian avant-garde in the early twentieth century. The first disc captures a modern-day reconstruction of Arseni Avraamov's Symphony Of Sirens, a public sound event originally conceived in 1922, made up from factory sirens, military regiments, steam locomotives and choirs, all representing the lively sonic signature of the port city of Baku. In a…
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
LP version. A remarkable collection of hillbilly minimalism, by one of the forgotten heroes. These are blocks of generic material subtly changed by reiteration and lack of development. Like Beefheart, Henry Flynt is one of the rare examples of musicians who fearlessly experimented with the blues and folk forms in the face of all contemporary and experimental music orthodoxies. An important recording and a great listen.
a four song 12 inch 45 on 180 gram vinyl, garden fete presents alternative mixes of two original songs from rodney graham's cd release never tell a pal a hard luck story (you'll only get a hard luck story in return) 'she failed to see the point', and 'sinkin' in the west' and two covers: the everley brothers' 'take a message to mary' and the kinks ' i'm on an island'. the latter is an uptempo version of the song which forms the soundtrack of graham's sculptural installation in the petuel park, m…