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Last American Hero
Long awaited vinyl pressing of this amazing album from one half of The Skaters, and all-round Hypnagogic Pop hero James Ferraro - 450 copies for the world!* James Ferraro has fast become one of those artists whose records we can't wait to devour in the office. 'Last American Hero' is by far one of his most acutely affective dreams, originally released (like most of his stuff) on tape via the Belgian label Dreamtime Taped Sounds in late 2008, but reaching us on a super limited run of 450 vi…
Spoils
For this latest album Caledonian folk impresario Alasdair Roberts teams up with expected collaborators like Alex Neilson (whose drumming and percussion work has illuminated many a free-folk record over recent years, a few of which Roberts has been involved with) and more unusual contributors such as Niko-Matti Ahti of Fonal's Kiila. Perhaps more than ever, Roberts' music invites comparisons to Bonnie 'Prince' Billy, traveling sufficiently far from the trad songwriting fold to be thought of as 'a…
St. Francis Duo
“Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O’Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo’Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London’s improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years …
Microcosmos 1981-1986
Suberb Synth- and Wave-tunes of Fockewulf 190 incl. the two Italo-Disco-Classic 12“ Body Heat and Gitano plus more demos and so far unreleased treasures like Orient „Express“ collected from the archive of Victor Life
Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogyc electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of thr 80s.We translated thos…
Manitutshu
In January 2011 Mark was invited by Erik Wiegand (aka Errorsmith) to make some presets for his new software synthesizer which he was building for Native Instruments. After developing about 40 sounds*, Mark decided to rework his UL8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in Erik's synthesizer. The result is this double 12" single, featuring 9 tracks and a remix from Mark's friend and colleague Mat Steel. …
Sentimental Favourites
Vinyl Lp, edition of 300 copies. The work of the Berlin-based composer Andrew Pekler has been been documented in various releases for labels such as ~scape, Staubgold and Kranky. When asked by Giuseppe Ielasi for some material to be released on Schoolmap Records, Pekler immediately considered the possibility of taking the many unused music fragments that had been collecting cyber-dust on various hard drives and bringing them into some kind of order. Raw sketches, orphaned sounds, finished pieces…
Bari Workshop
restocked: BW hosted a group of medieval miniature manuscript painters who were amongst the experts in the recording of the history of science and who circulated knowledge around the world and across cultures. Greek texts on Euclidean geometry were translated into Arabic, and medieval Arabic manuscripts on optics and geometry migrated to Western Europe, where, translated into Latin, they contributed to the development of perspective in Renaissance Italy.Hand in hand with scholarly interests were…
Seizing fate by the throat
Finally Restocked: Byce Beverlin II is a prolific, multidisciplinary artist based in Minneapolis. His primary discipline is music - specifically, freely improvised vocals and percussion. Seizing Fate by the Throat is a distillation, the spirit of 15 years of spittle and brass vapors collected in this studio recording from March 14, 2010. Quietly tinkering with an array of metal, plastic and wooden objects, Beverlin draws the listener in only to reveal that he is unlocking the cage of a l…
Noise As a Language
Abstemious Austrian composer who committed suicide in 2007. Two long pieces, one that builds up from violins all making a slightly different type of scratching. The second piece uses computer processing, and does a great job of establishing a droning floor and then dropping through to a lower frequency beneath, or suddenly revealing a pulse without simply fading things in & out. Comes with a book that contains an interview with Zibigiew Karkowski (Weirdo Records)“So the point is that so mu…
A Dragonfly For Each Corpse
A Dragonfly For Each Corpse is a record that stands no daylight. A feverish nightmare of an album, dragging us into a brown paper bag —ferocious cannibal jungle ambience seeping through— till we're cast down some stairs into a cellar made out of spit. A twirling folkballad sung by a ghost made out of chewing gum turns into a symphony of typing fingers, ticking clocks and slamming car doors, like a noirish soundtrack to the kidnapping of the Lindbergh baby, accompanied by squeaking …
La memoire des Sons
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
Poisson
Work of this quality tends to be the product of a self-contained and selfconcsious tradition, even if a hermetic one. And in this case I fancy I can hear the flowering of a Northern/Midlands sensibilty that setms orignally from the A Band, Youngs and Wickham-Smith, and Ashtray Navigations. It is informed by ecstatic jazz but its roots are in pragmatic sonic experimentalism of a determindedly autochthonous kind. You can almost smell the witch trials in this, and I urge you all to catch a h…
Night within
Last copies, sold out at source: guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the…
Mig
Mats Lindstrom works as a composer and a musician, often with strains of live-electronics. He often works with intermedia, scenic elements and visual arts as a complement to the music, and has worked both with music for concerts, theatre and dance as well as radio-art and sound installations. Formerly an engineer in the electronics industry Lindstrom has designed and constructed a number of unique electronic musical instruments and apparatuses. "Mig" produced by Pro Arte Foundation for JSC Klimo…
Old News #5
First instalment in this new o series providing a long overdue and much needed vinyl-only glimpse into Jim O'rourke's electronic/synth music archive* 'Old News No.5' introduces a "nearly regular series of vinyl albums documenting analog synth and tape works (both studio and live) from the depths of Jim O'Rourke's archive, spanning a near quarter of a century in the field." Side A 'Pedal & Pedal' features 15 minutes recorded at Super Deluxe, Tokyo, 2010. It unfurls a series of tender pasto…
Danza Meccanica - Italian Synth Wave Vol. 2 1981 - 1987
"Mannequin is sincerly proud to announce the second volume of the much acclaimed italian New Wave Italian compilation. "Danza Meccanica" is the latest, unmissable chapter in the story of Italian post punk - the less traditionally rock branch. It outlines the approach taken by ten more or less unknown groups who all deserve rediscovery and to be remembered alongside luckier outfits. Ten tracks that spell out the manifesto of a scene fascinated by electronic innovation, a scene that used the sound…
No Tears
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
Swimming in it
Another absolutely essential vinyl only album this time from New Zealander Greg Malcolm. Working as a perfect companion piece to the wonderful Es album, 'Swimming In It' sounds like an on-form John Fahey jamming with Morton Subotnick - it's really that good. As unusual synthesized bleeps and drones cut through Malcolm's lovingly finger picked guitar playing it is easy to realise how so many people have been touting this as a potential album of 2005. I was actually quite taken aback when I first …
Phantom Payn Daze
While in the widely neglected 39 Clocks, he made records that never sold and played gigs that few ever saw, Juergen Gleue has arguably been the most important exponent of electrified German sound since the late 1970s. Phantom Payn Daze was made in the mid to late 90s and has never been released. It's his final LP and is overflowing with all the elements that romanticized, loner / stoner music claims, an encoded expression of highly private feelings, an ambiguous, emotional quotient, and a dark…
Fluxorum Organum
in 1967 henning christiansen proposed to joseph beuys that he composes a major work for organ titled "fluxorum organum" for beuys's planned aktion "eurasienstab". henning christiansen composed a piece with five movements. the organist franz meiswinkel played the composition on the organ in düsseldorf's liebfrauenkirche. the first "eurasienstab" aktion took place in 1967 in vienna at the galerie nächst st. stephan. in 1968 there was a repeat performance at the wide white space gallery in antwerp.…