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Latest from Albany guitar duo whose six string damaging has often shred the guitar beyond recognition. For this outing, however, Century Plants plug in, and allow their guitars to be guitars. Psych raga, melting icebergs of roaring drone, metallic strum and clang, oceanic melody and even a helping of pastoral song melody separate this from previous smash ups. Hardiman and Hare create these hypnotic states from the ground up, building their sound out of pure improvisation. Oh yeah, the guitars do…
Includes documentary DVD by Steve Shaw featuring perceptive commentary from Steel an'Skin's founder Peter Blackman, killer live and rehearsal footage of the band** A comprehensive reissue of Steel An' Skin's output from the late seventies and early eighties, combining the band's debut 12" release Reggae Is Here Once Again, a couple of tracks from their 1984 LP Acid Rain, and one previously unissued piece. Significantly, this edition come as a double disc release, including a DVD featuring Steve …
This Three-CD box set celebrated the twenty-fifth anniversary of the world’s most renowned studio for electronic music. Who didn’t experiment there and “make the seemingly solid boundaries of the doable tremble”? Stockhausen, Nono, Ferneyhough, Minciacchi, Andre Richard, and Nunes did – to name only a very few. The reissue of this box set is dedicated in gratitude to Andre Richard: he will be leaving the institute after this year.
Back in stock. 'Various Amusements is the fourth release by Japanese duo Nerve Net Noise. Though the definition of noise explored across the 7 tracks seems to differ from the traditional expectations of japanoise music - rather slow motion noise is perhaps a better description. The album has a certain theme to it, suggesting a girlishness with the packaging and various amusements of the track titles. The CD comes in a pink anti-static bag with a pink card inlay, while track titles include cookin…
Boston's best cdr-label is run by a fine gentleman named K., and it's dedicated to reissuing obscure 20th century avant garde electronic music in shrunk down replica sleeves, complete with inserts, etc. Follow up to the brainwave recordings made our fave man in the ivory tower, Pierre. It's also on Creel Pone. This one's a performance of the piece given for French brain doctors, who presumably used similar equipment to track the neurological problems of their patients. In addition, the brain whi…
One composition from 1967 (the first), the rest from the late 70s. Here we have patiently forming compositions of a variety of means, although to be fair, the order in the title is clearly in order of importance. The voice is the most important element in three of the four compositions (the second is mostly ambient and dominated by piano and atmospherics), while the last is most likely where Jocy draws the electronics (although their appearance is fleeting and only used as window dressing). Thro…
restocked: For the ninth volume of FRKWYS, a music and film series pairing contemporary artists with those that may have preceded them in style and/or approach, Sun Araw and M. Geddes Gengras meet The Congos in Jamaica.
Canadian cartoonist and Bananafish #17 cover artist talks with Robert Dayton about his hallucinatory style and techniques, and the effect on his work of education, interior decoration, comics, Fluxus and other abstruse art movements, and mental illness. On the CD: All-Star Schnauzer Band "No Onkyo"
I've known Joe for close to 15 years - his audio output for a few more. His composition techniques, recording and editing methods, and persistent refinement and redefining of his aural goals has helped to define a body of work that I firmly believe only few artists could hope to match. After a handful of releases on C.I.P., ranging from full-length CD to one-sided 7, my resolve solidified that Joe was a contemporary artist whose work deserved the focus, breadth, and depth of a multiple LP…
Merce Cunningham's Split Sides (2003) captures the iconic modernist choreographer's most radical use of chance procedures. As the title implies, the piece is divided into two parts. Each 20-minute part features one of two options for the different creative elements of the piece: set design, costumes, lighting, music, and choreography. The order in which each element appears during a given performance is determined by an onstage dice roll before the performance, captured on full screen for the li…
2005. 2nd volume of improvisational duos recorded by Jean Claude Jones with his friends in 2004 (with a few earlier pieces). As usual this music is highly intellectual, with very personal approach to inprovised free jazz. Friends include Ned Rothenberg (bass clarinet and alto sax), Victoria Hanna (vocals), Harold Rubin (clarinet, original text), Joseph Sprinzak (voice), Hagai Fresthman (drums), Daniel Hoffman (violin), Gan Lev (reeds, home made didg), Nori Jacoby (viola, flutes).
**very last copies** A certified masterpiece! One monumental box set containing 10 (ten!) unreleased before LPs: an adventurous, spacious and varied oxet blossoming into the label you have known and loved ever since, always on the move; forward, sideways, upwards, backwards. Spread over the 10 LPs, you get the finest selection of rarities and previously-unreleased tracks. Not only that, the package itself is nothing short of excellent, with its newly-designed handmade box, and indiv…
On the CD: Rare & unreleased tracks from: the Clean/the Great Unwashed (plus covers of Clean/ G.U. songs by Times New Viking & Crystal Stilts) * Megapuss (debut of Devendra Banhart's new band) * Sun City Girls * Frankie Rose's awesome noisy demo of the Vivian Girls' "Where Do You Run To") * Mingering Mike * Cause Co-Motion! * Eat Skull * Brothers Unconnected (Richard + Alan Bishop) * Collections of Colonies of Bees * Blank Dogs * Sad Horse * Dixon Brothers * Ilyas Ahmed * E*Rock & Mat Brinkman *…
Picture disk, with artwork by Chris Pottinger & Jamie Easter. Recorded between 2004-2007 in Detroit, Ferndale, and Hamtramck, Michigan. Performers: Chris Pottinger, Jamie Easter, Heath Moerland, Glen Morren, Chris Sprague, Matt Smith, Noah Eikhoff & Free Wade. Their 1st LP that came out a couple of years ago, was among the best things I had heard and seen in the last few years. So I didn't hesitate to get in touch with them. They kindly brought some odd clouds at the Qbico U-nite I did in 2007, …
Without question this is Roy Harper's best studio effort. Sure I can think of some excellent compilations and collaborative output from this legendary folk/prog/rock artist to be reviewed at another time but even the general critics have to agree in Stormcock being right up there in the vintage category. Four lengthy quality tracks make up Stormcock. Released in 1971 at the same time as Led Zeppelin IV and Pink Floyd Meddle, the quality of material compares favourably and comes very close in man…
This is Robert Hampson’s 2nd solo album under his own name. Released as a special Stereo CD and 5.1 Surround DVD. Répercussions : An Acousmatic multi channel piece commissioned by the Groupe de Recherches Musicales (GRM) in Paris for a performance the Akousma festival, diffused on the Acousmonium speaker system in 2011. Recordings of percussive intruments of all kinds - Piano, Drum skins, Gamelan, Metal grates etc are treated and manipulated to form a dense nonlinear or non rhythmical narr…
Hypnotic new electronic ambient recording using another recently discovered loop from the archive. Premiered at Bleeding Edge Festival, Montalvo Arts Center, August 2006.
A sequel to the Other Materials compilation (released via Richard Chartier’s own 3Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they’re both shorter and more condensed than Chartier’s conventional output, the most succinct of these being the two-minute sound sculpture ‘Tracing (Sketch For)’ lifted from Raster Noton’s Frequencies [Hz]. You’ll…
Brand new solo release for guitarist Nicola Ratti with his languid, disarming sound of small and gentle gestures and loping rhythms, often repeated and subtly shifting in an impressionistic vision founded on traditional elements. Merging guitar, piano and double bass with percussion, environmental sounds and occasional voice, Nicola constructs songs that by turns float, swell and envelop in magnetic fashion. A piercing tenderness remains at the core of his work, though on Ode there is a more exp…