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Negarville
Nothing is slow, deep and distressing like the music of Madrigali Magri and the voice of Mr. Succi of Bachi Da Pietra fame: Madrigali Magri have been cut their enviable space in italian rock underground scene, such to become an infuence for various italian bands. After "Negarville", "Malacarne" is their 2nd album on wallace records. They Split in 2005
Gestation Sonore
Long deleted, few copies available: "Gestation Sonore" is the only album to be released by the French improvisational quartet "Horde Catalytique Pour La Fin"; which rightfully found its way onto the infamous Nurse With Wound list. The four piece line-up consisted of Richard Accart (Saxophone tenor, flutes), Francky Bourlier (Harpe de verrer, flute, vibraphone, percussions), Jacques Fassola (Contrebasse, guitar, banjo, Orgue a bouche) and Gil Sterg (Drums and percussion).Released in 1971 on the l…
Mise en Scène
"I wrote Mise en Scène between July 1992 and May 1994. Apart from the four additional clarinets involved besides the soloist (two of them as 'doppelgangers' of the soloist) having to move around in the hall during the five movements of the composition, the choice of title is also justified by a number of scenographic instructions that constituted an, albeit vague, starting point for the whole composition." For his concerto José Ramón Encinar also falls back on his own compositions for clarinet, …
Dead City Radio
In 1988, genius producer Hal Willner (best known, perhaps ironically, for his Disney tribute album STAY AWAKE) traveled to Lawrence, Kansas and taped NAKED LUNCH author and Beat Generation legend William Burroughs performing excerpts from his ... Full Descriptionwork. He then enlisted the likes of Donald Fagen and Sonic Youth to create accompanying musical collages. To this end he also unearthed Aaron Copland-esque music recorded in the late '40s and '50s for various radio shows by Toscanini'…
Pollen
Recorded on 20/21 December 2006 and 2 January 2007 at Studio Z, Berlin
Chamber Music
Against spontaneity and con-sistency: Poppe manages the feat of being both a systematic and a revolutionary composer, one who plays by the rules and beats them at the same time.
Untitled (3rd Album)
Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct approach to playi…
Hussein Mahmood Jeeb Tehar
Released just days after his death on January 14, 1999, this CD ranks as one of his best and most memorable, with groovy non-stop percussion sharing space with smooth backgrounds.
Fever
Each composition of this CD is dedicated to a person, or to the work of a person: Malcolm Goldstein, Amadeu Antonio Kiowa, Ingeborg Bachmann, Elvis Presley and Yoko Tawada. Throughout these five sound portraits, Kaul displays a fertile imagination and a penchant für exotic instrumentation, which includes a hurdy-gurdy, Korean gongs Japanese and Tibetan temple bells, kalimba, Tanzanian lute, bowed gopichand from India, glass harp, kanjira, tabla and frame drum, and Western percussion instruments.…
Gene packs
Hirotomo Hasegawa : ichiriki, voice, loops. Shizuo Uchida : bass, ichigen, loops. Debut album by a new improvisation group consisting of Hirotomo Hasegawa and Shizuo Uchida. Both have a leather-bound folder full of underground back-story. Hasegawa was the lead singer of seminal early eighties Japanese punk hardcore group Aburadako (Greasy Octopus), while Uchida was a long-term member of Haino's Nijiumu medieval dream-drone unit. The group's instrumentation is highly unorthodox, placing Uchida's …
Fanfare For The Warriors
Fans of the A.E.C. and cutting-edge-music rejoice! Long unavailable in this country, the Art Ensemble of Chicago's landmark album recorded in 1974 for the Atlantic label is back in print. Though not "easy listening" to be sure, the A.E.C. present challenging music that's worth the effort. Witness the relentless, Louis Jordan/Louis Prima-rooted swing of "Barnyard Scuffel Shuffel" and the sublime African/Japanese/Javanese-influenced rhythmic soundscape of "What's To Say." The eerie, pensive, breat…
Milano New Wave 1980-83
a representative and intense snapshot of the Milanese sinthy wave scene of the early eighties, 20 tracks that recount the salient steps of the brief but intense career of four Milanese bands — from the post-punk of Other Side, to the oblique funk of State Of Art, to the evident Kraftwerk infl uences of La Maison, to the electro of Jeunesse d’Ivoire — four bands that illustrate the mood of an underground scene tha…
Red Rainbows
Last copies, nice price....Debut CD from Brooklyn musician and film maker Sarah Lipstate. Red Rainbows is full of growing tonal drones that evoke visions of menacing multicoloRed skies alongside tracks full of beautiful minimalistic structures that shoot straight for the heart. Sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. These tracks are either really beautiful or really dirty when …
Das tapfere Schneiderlein
Drop the usual children's opera platitudes, add a liberal measure of cheek – result: a smart musical comedy, young and saucy, just like the brave little people that go about their business here. Do the children today know at all what this fairytale is about? Well, if they don't, Wolfgang Mitterer will bring it home to them, with just a few characteristic instruments: double bass, samples, synthetic sounds. Elisabeth Rombach as the little tailor takes to the road boldly and merrily, parading the …
Kaikkeuden Kauneus Ja Käsittämättömyys
A different beast from the spiritual and improvised stylings of the recent (vinyl-only) Sateenkaarisuudelma, this record is much more composed and more succinct – with ten gorgeous slices of hissing, crackling vinyl samples, small instruments, decrepit synthesizers, broken toys and vocals making up an album which flows perfectly. The effortless melodies (probably the most uplifting of the entire Fonal catalogue) and haunting vocals take you into an ethereal world of spirits and thick mist lullin…
For Bunita Marcus
For Bunita Marcus was written in 1985. "This work, which I have dedicated to Bunita Marcus, [...] deals with the death of my mother, and with the notion of a slow death. I simply didn't want the piece to die. So I used this unwillingness compositionally in order to keep the piece alive, like a patient suffering from an terminal disease, for as long as possible." (Feldman) It is not the loud raging, the last furious revolt of a dying human being that Feldman depicts here, but a slow nodding off a…
M’Uoaz
1997 release ** "Japanese bassist Tetsu Saitoh stands out as a new hope from across the ocean. He's the new ray in the sea of bodies that play the same standard fare. These two recordings, released on his own Scissors label, outline the here and now in his present body of work. On "M'uoaz", Tetsu is surrounded by an all-star cast, which includes saxophonist Michel Doneda and percussionist Alain Joule. [Vocalist Antonella Talamonti joins the trio on one track.] The music is rather sparse. Joule i…
Arbete Och Fritid
Much needed reissue of this long-lived Swedish band's fourth album, from 1973, with an excellent 20' bonus track from 1974 tagged on. Terry Riley's 1967 visit to Sweden and his work with these musicians when they were still just young ones in High School resonates here, and you get a weird and vibrant mixture of Riley, the Third Ear Band, bits of free improvisation and ancient Swedish folk music all blended into an excellent, droney whole.
The Hilversum Session
Originally recorded in 1964. Featured artists: Albert Ayler (tenor saxophone); Sunny Murray (percussion); Gary Peacock (bass); Don Cherry (cornet). The legendary recording, digitally remastered with new artwork, and liners by Russ Musto. Includes free 9.5 x 9.5 pullout poster!
Neither
An opera? An anti-opera? A monodrama? Whatever it may be: Neither (1977) marks the meeting of the kindred artistic souls of Samuel Beckett and Morton Feldman.