We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
Finally restocked, very last copies around...Just say the Hystory of the industrial avantgarde in Italy, since 1981 - Originally recorded in 1984, tasaday's aprirsi nel silenzio (do bloom in the silence) was reissued by wallace records in 2000. The genre of this album: underground classical. Technically, it seems like tasaday wrote this album as a soundtrack to a really bad nightmare, so anguished that the album would probably fit well with a viewing of eraserhead. To create this, they play a mi…
Shortly after ordering this 14 CD set; I read a newspaper article about the plight of the Eurasian cuckoo whose habitat is being gradually destroyed both in Britain and abroad. It is this type of threat to birdlife that inspired Japanese ‘noise music’ meister and long-time animal activist Masami Akita’s (aka Merzbow) 2009 album series, “13 Japanese Birds”. Now the entire set, plus a new CDR and piece of screen print art-work have been reissued as “13 Birds In A Bag”, with a navy blue eco-f…
**last copies** Kassel Jaeger lives and works in Paris. He’s a member of the GRM (Groupe de Recherches Musicales) and his album is a weave of improvisations executed on various instruments (koto, rebab, positive organ, Coupigny modular synthesizer), captured and then treated as if they were field recordings. It’s about reducing the instrumental gesture to simple expressive material, shaping it while loosing control over it, letting it grow until there is no more readability in terms of ways of p…
Armed with four 8011 DPA hydrophones, DPA 4060 omni mics, a Telinga parabolic reflector mic and and a Sound Devices 744T digital hard disk recorder, Jana Winderen studies and records wild places which have a particular importance in our understanding of the complexity and fragility of marine ecosystems. The recordings were made on field trips to the Barents Sea (north of Norway and Russia), Greenland and Norway, deep in crevasses of glaciers, in fjords and in the open ocean. These elements are t…
"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…
Beautiful debut full-length album for Jennifer Veillerobe, a french-german musician, co-curator of senufo editions and one half of ‘eselsohr ’. The CD is centered around a minimal sequence of sonic events, alternating between modular synthesizer patterns / textures and simple acoustic gestures captured with a portable digital recorder. realised without any processing or overdubbing; the cd is an attempt to define a narrative using nothing but sharp edits and careful sequencing of non-homogeneous…
First time-ever release of 1950s-60s recordings featuring Raymond Scott's performances on his pioneering electronic music inventions (the 'Circle Machine,' the 'Rhythm Modulator,' the 'Bass-Line Generator,' the 'Electronium,' the 'Clavivox,' & other equipment designed & built by Raymond Scott). Identical tracks to the cd-compilation, but now on 3 vinyls, packed in doublefold sleeves. A beautiful collectors item and finally a chance for dj`s to play tracks from vinyl!
Brand new solo release for guitarist Nicola Ratti with his languid, disarming sound of small and gentle gestures and loping rhythms, often repeated and subtly shifting in an impressionistic vision founded on traditional elements. Merging guitar, piano and double bass with percussion, environmental sounds and occasional voice, Nicola constructs songs that by turns float, swell and envelop in magnetic fashion. A piercing tenderness remains at the core of his work, though on Ode there is a more exp…
Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …
restocked...AWESOME REISSUE! Elektrofoni is a 3CD / 1DVD box-set which for the first time presents the ground-breaking works by Norwegian experimental composer, guitarist and micro-tonal music pioneer Bjørn Fongaard (1919-1980). The box-set is produced by Lars Mørch Finborud og Lasse Marhaug of Prisma Records. The seeds to the Elektrofoni box-set began when Lasse Marhaug a few years ago found a copy of the old Electronic Music From Norway LP compilation at a second-hand record store in St…
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…
A sequel to the Other Materials compilation (released via Richard Chartier’s own 3Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they’re both shorter and more condensed than Chartier’s conventional output, the most succinct of these being the two-minute sound sculpture ‘Tracing (Sketch For)’ lifted from Raster Noton’s Frequencies [Hz]. You’ll…
estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…
Stage is Steinbrüchel’s second full-length solo release on LINE. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in several scenes are…