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Federico Ughi Together with Leo Genovese and Brandon Lopez Explores the Spaceways in the New Multidimensional LP ‘Infinite Cosmos Calling You You You, Vol. 1’
*2025 repress* Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra. The album was an early example of synth-pop,a genre that the band helped pioneer. It contributed to the development of electro, hip hop and even techno. The album's innovations in electronic music included its use of the microprocessor-based Roland MC-8 Microcomposer music sequencer which allowed the creation of new electronic sounds,and its sampling of video game so…
This tracks on this album were recorded between 1967 and 1969 and include all the tracks on the five sessions Ray Russell’s Quartet recorded ‘live’ for Jazz Club in that period. Those sessions included compositions from Ray’s first two albums he made as leader for CBS – Turn Circle and Dragon Hill. Just six tracks from these sessions were previously released on very limited edition vinyl as Spontaneous Event by Jazz In Britain in 2000. That album attracted particular interest on its release, it …
Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling, constantly changing musical menu. Baron heads a trio with saxophone and trombone; the absence of bass, keyboards, or guitar results in intriguing voicings and the pieces are solely dependent on the interaction of his drumming with Ellery Eskelin’s s…
The music on this recording is drawn from a range of solo, chamber, and orchestral works composed by Brian Fennelly (b 1937) over a period of two decades. In his thirty-year career, Fennelly has contributed more than sixty works to the repertoire of twentieth-century music. His most significant teachers were Mel Powell, Donald Martino, Gunther Schuller, George Perle, and Allen Forte.
The works presented here make use of a variety of harmonic systems: the complex and sophisticated serialism of In…
Gary Graffman and I have been staunch friends since we met as students at the Curtis Institute in 1943. The notion of pooling our talents, however, arose only when we returned to that Institute nearly five decades later, Gary as director, I on the faculty. Now Gary, who has not made professional use of his right hand since 1980, felt an urge to expand the admirable but restricted literature of left-hand works (most of them composed long ago for the elder brother of philosopher Ludwig Wittgenstei…
** 300 copies, red vinyl, 180g ** Nearly five decades after its original release, Pepe Maina’s enchanting debut album, Il Canto dell’Arpa e del Flauto, emerges from the archives as a limited-edition transparent red vinyl (180g), strictly limited to 300 hand-numbered copies, each signed by the artist himself. Originally released in 1977 on the Ascolto label—the only non-self-produced work in Maina’s discography—this album remains a singular blend of ambient, world music, folk, and psychedelia, we…
Andrew Imbrie (b 1921) is a composer whose independence and singularity of purpose have endowed a prodigious output that awaits wider discovery. His method of composing is not in and of itself remarkable. He is, rather, of a tradition wherein achievement is measured in terms of individuality, depth of expression, and craft.
His music reveals a preoccupation with line, which in turn generates form, harmony and color. Line also motivates the forward motion and energy that characterizes so much of…
Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.
Exact LP repro edition. Grey-area reissue of this legendary album, with top audio quality. When in 1974 the Brazilian soul singer Tim Maia discovered a book called Universo em Desencanto (Universe in Disenchantment) no-one around him would have predicted what would happen next. At that time Maia was one of Brazil's biggest pop stars, and undoubtedly its biggest soul singer. Singles like "Chocolate" and "Não Quero Dinheiro (Só Quero Amar)" had propelled him to the top of the charts. With his grou…
2023 Reissue. Exact LP repro edition. Grey-area reissue of these legendary albums, with top audio quality privately released by Tim Maia on his own Seroma imprint (the name Seroma is the sum of the first syllables of Tim Maia (Sebastião Rodrigues Maia) names. SE from Sebastião, RO from Rodrigues and MA from Maia). It’s difficult to overstate the importance of Brazil’s Tim Maia. A wildly restless creative mind Tim Maia was also a huge personality. The larger than life man made a huge contribution…
Warehouse fund ! An unusual detour in the Robert Wyatt catalogue, Radio Experiment Rome was recorded in February 1981, when the ex-Soft Machine drummer had been invited to record some material in-progress for a radio broadcast. The tone of these sessions is characterised by a free-roaming experimentation, laying down eight-track recordings of vocals, piano, hi-hat, jaw harp and a variety of analogue tape effects. This is Wyatt unhinged and completely let loose from the agenda of proper album rec…
Eric Chasalow (b 1955), who grew to aesthetic maturity as Postmodernism was evolving, points (not at all surprisingly) to jazz as part of the family tree. In 1983, Chasalow created a set of three works for soloist and electronic sounds. The composer fashioned each, for cello, for soprano, and for flute, with particular accomplished performers in mind, taking his inspiration, he says, "from their personal styles and energy."
Chasalow composed Hanging in the Balance (1983) for the redoubtable cell…
In a robustly maximalist age that gladly permits the fusion of unrelated styles and the flaunting of eclecticism, Wes York's (b 1949) music stands out as reductive, elliptical, elusive, implying diversity rather than spelling it out. It is a music that is unusual in its reconciliation of what had previously seemed two incompatible forms of Minimalism: the propulsive, harmony-and-rhythm driven sort pioneered by Philip Glass and Steve Reich, and the more mysterious and intangible ways of Morton F…
This is not a recording for the fainthearted, the straitlaced, or the stylistically correct. Bass trombonist David Taylor has assembled a multi-faceted self-portrait out of pieces he selected, inspired, and composed. His eclecticism demonstrates how meaningless the old stylistic boundaries are for a contemporary artist. Taylor is known for his work with such artists as Duke Ellington, Barbra Streisand, Frank Sinatra, Aretha Franklin, The Rolling Stones, and Quincy Jones. He also premiered compos…
This album bridges past and present through the voice and instruments of Maria Violenza and Luciano Turella, with the Irtumbranda project (formerly performing as the duo BrandaMaria), offering an intimate and visceral reinterpretation of Sicilian musical tradition. On Side A, the island’s ancient melodies come to life through an interpretation that enhances their raw and profoundly visceral character. Maria Violenza, who grew up listening to these songs in family gatherings and popular festivals…
Joona Toivanen Trio returns to We Jazz Records with their new album "Gravity", out 31 January 2025. A landmark work for the long standing group, the album showcases the forward-looking sound of the band, moving way beyond the basic scope of the "piano trio". There’s a startling sense of telepathy and intimacy at work in the music of the Joona Toivanen Trio, something you can glean from the opening moments of their latest album, Gravity. It’s that rare synergy that can only come with years of tim…
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …
Timo Lassy, one of the leading lights in the current generation of Finnish Jazz, releases a new live album with his hard-cooking trio on We Jazz Records. That's Lassy on tenor sax, Ville Herrala on double bass and Jaska Lukkarinen on drums – each member a We Jazz recording solo artist on their own right. Recorded at G Livelab, Helsinki's premiere live music spot, in 2023 and including new versions of tracks all accross the sax man's celebrated catalog, Live in Helsinki proves why Lassy usually p…
Finnish saxophonist Pauli Lyytinen makes his We Jazz solo debut with Lehto / Korpi, a widescreen environmental jazz ambient album effortlessly bringing together Lyytinen's saxophone, field recordings and extended instrumentation. Lyytinen's solo music is built on textural compositions, extended saxophone techniques and electro-acoustic soundscapes and layers. Think albums like Evan Parker's "With Birds" and "Schwarzwaldfahrt" by Brötzmann/Bennink but with a whole other world of sounds to work wi…