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300 copies. Etron Fou Leloublan were best known as one of the five original Rock in Opposition bands that performed at the first RIO festival in London in March 1978. Their music—a blend of punk rock, jazz, French music hall, comedy satire and "avant-garde mayhem"—established them as one of the most singular voices in European experimental rock. At the center of this controlled chaos sat Guigou Chenevier, whose drumming cut through conventional rhythmic logic with driven, metronomic precision. I…

** 250 copies ** "In 2017 we released the "Possession Sessions" LP (FTR 325LP) by this extraordinary Columbus, Ohio outfit. And while we wait for them to conjure up new fields of beautiful spew, we thought it might be a public service to make their first two EPs available as a single LP. "Flash Fuck" was released in 2013 by Tony Proccacino's visionary grunt-punk concern, A Wicked Company. "Vernacular Splatter" came out two years later on the great Columbus label, Superdreamer. Both of these reco…

**250 copies** The world has been sleeping on William Austin Clay for far too long! For those unfamiliar with him, WAC is an elementary school music teacher from Denton TX who doubles as a prolific DIYer creating a heartfelt yet humorous music that is all his own thing. On this latest album …Oops! Mr. Clay has really out done himself. The production is legit and the lyrics are profound. Topics of device addiction, internet trends, and social injustice backed by an experimental and progressive ra…

2023 repress. LP version. 180 gram virgin vinyl, with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, le…

2025 stock Space Elements Vol. II is the fourth release in Rafael Toral's ongoing project, the Space Program. Following the first Elements release, this volume features a new set of collaborators: Evan Parker (soprano sax), Manuel Mota (guitar), Afonso Simões (drums), Stefano Tedesco (vibraphone), João Paulo Feliciano (Rhodes piano), and Ruben Costa (digital synthesizer), as well as returning guests Sei Miguel (trumpet), César Burago (percussion), Fala Mariam (trombone), and Rute Praça (cello). …

Terry Riley’s Shri Camel is a meditative masterwork blending the feeling of eastern music with repetitive electronic patterns, obtained using a modified Yamaha YC-45D combo organ tuned in just intonation and augmented with digital delay. In C and Rainbow in Curved Air get all the ink (inc?), but its own somewhat subtle way, 1980’s Shri Camel, the last of the three brilliant albums Terry Riley recorded for CBS, is every bit as groundbreaking as its hallowed predecessors. Not content to rest on hi…

2025 stock Originally released on CD by Staubgold side-label Quecksilber in 2007, Space Solo 1 is Rafael Toral's second release in his ongoing Space Program, a venturesomely bold series of recordings. Internationally-acclaimed for his experimental drone and ambient guitar work, the Space Program is completely divergent from his past output. Equipped with handmade instruments, Toral's project is a performance-based discipline, which he calls "post-free jazz electronic music." Following the Space …

Milestone! This LP of early compositions by Jacques Lejeune features three seminal works: D'une Multitude En Fête and Petite Suite, originally released on the Perspective Musicales series in 1970, and a previously unpublished composition, Géodes, from the same period. These three pieces (not included in the recent Parages and other electroacoustic works 3CD set) are some of Lejeune's earliest music for tape and may be considered a "prequel" to his later, more thematic works. Still, his concise m…

2025 stock According to Rafael Toral, the Space Program is all about a simple idea: to perform abstract electronic music under jazz values. The result is full of fascinating paradoxes: "melodic without notes, rhythmic without a beat, familiar but strange, meticulous but radically free." Taiga now releases its most eloquent example so far: "Space Elements Vol. III is the strongest and musically most diverse statement within Rafael Toral's Space Program to date. You will experience "jazz on electr…

Here is the second volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. Like the first volume, it was committed to tape and pressed to vinyl in 1979. Never having seen a copy of this record, and having pressed it before we discovered a master cassette exists, this is as good a transfer as can be had for the nonce. Loren's chair creaks like rusty crow and the amount of random tapping and thumping during the original session just about d…

**Original 1982 copies, still sealed and log time stored (copies may have minimal wear on covers)**  Intriguingly sets the apocalyptic Robert Frost poem, with trumpeter Yousef Yancy as the ice and Garrett List as the fire. Haunting settings of vital dada poet Blaise Cendrars' incandescent lines and Sweetness, an ineffably lovely poem by Bayard Lancaster, whose alto parallels soaring synthesizer parabolas, and the riveting voice of Genie Sherman, whose sinuous, sibilant messages are those of pure…

**300 copies** "Three:four Records (Switzerland) and Feeding Tube Records (USA) are pleased to announce the release of Early Abstractions, Vol. 1 by Danny Oxenberg (Supreme Dicks), Bear Galvin, and Friends (Pillow Mt. Conspiracy). Early Abstractions, Vol. 1 is the follow-up their 2016 release Late Superimpositions (three:four records), and contains recordings made in New York, Western Massachusetts, and Los Angeles -- some old, some older, some relatively new, some borrowed, some blue... Around …

Tip! Edition of 250. It is absolutely appropriate the second volume of Wednesday Knudsen’s Soft Focus suite appears as spring finally begins to take hold. Like the brilliant first section of this work (the whole of which was initially released on CD), the music here is a celebration of shimmering sunlight and the awakening of nature’s tonal brilliance. But where the first LP focused on more bite-sized pieces of work, this one envisions and documents instrumental horizons that are ever expanding.…

*2023 stock* Limted 2022 restock, last copies. Originally released in 2006. Tetuzi Akiyama has been a major player on the free music/improv scene in Tokyo for over 20 years. Pre-Existence first came out on CD as a part of the great Wooden Guitar series from Locust. Akiyama's playing here is one of a minimalist approach, discovering and investigating the empty spaces between each note. He does not follow the Takoma guitar school style of finger-picking, but instead invokes a far more warped primi…

Moondog singing Moondog? Really! even goodness knows, Moondog doesn't sing a song; he shows you how it goes."

Tip! Various artists musically interpret poems from "The Fall of America: Poems of these States 1965-1971" on this 50th Anniversary Tribute to Allen Ginsberg's The Fall of America. Featuring Yo La Tengo, Ed Sanders, Shintaro Sakamoto, Angelique Kidjo, Thurston Moore, Lee Ranaldo, Devendra Banhart, Bill Frisell, Andrew Bird and more. "In 1965, Bob Dylan gifted Allen Ginsberg with a Uher, reel-to-reel tape recorder, which Ginsberg was to use to record his thoughts and observations as he traveled t…

This seminal, eponymous post-punk album by Japanese group Aunt Sally, fronted by experimental singer Phew, was first released by the iconic Vanity Records label in 1979. Over the past forty-plus years, Phew has forged a singular path through a wide range of styles - from free improvisation to pop - and has collaborated with the likes of Ryuichi Sakamoto, members of Can, DAF, Einstürzende Neubauten, The Raincoats and more. But Aunt Sally is where she got her start and, despite the members’ young…

50 years ago, Hokkaido-born singer-songwriter Morio Agata released his debut single, Sekishoku Ereji (Red Elegy), an emotive, shuffling piano ballad that (shockingly) sold half a million copies in Japan. While he would never have another Top-40 hit, Agata would spend the next half century issuing a series of idiosyncratic, experimental pop albums. Today, he’s a beloved cult figure, still actively touring and recording in his seventies. In his first decade as a recording artist, Agata released a …

Big tip! Deluxe LP housed in tip-on jacket with gloss film laminated cover and printed inner sleeve featuring photograph and painting by Michael Morley. Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980’s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley’s love of song form has never been far fr…

Biggest Tip!  Limited edition 2-CD Digipak. Includes a 12-page booklet with rare photos from the actual performance by Christian Rose, and an exclusive essay by longtime Down Beat contributorKevin Whitehead. Transcendence Sounds - the groundbreaking new archival imprint from Elemental Music - makes its stunning debut with the complete, previously unreleased concert recording of spiritual jazz titan Pharoah Sanders captured live at Paris's legendary Studio 104 on November 17th, 1975. This extraor…

In Dream finds Courtney Bailey navigating the blurred edge between introspection and liberation. Layering spectral synths over tactile percussion, her voice threads through emotional chiaroscuro - a sonic diary where desire, loss, and rebirth meet in hypnotic balance.

Huge Tip! An emotionally charged and bizarrely evocative look at radical environmental advocacy groups, mainly Earth First! and Earth Liberation Front, channeled through the memories of the Swedish Plogbill-movement and their actions throughout the early 90's. Monologue, snippets of interview segments, protest songs and site recordings are mixed up with the rather raw kosmische synth music Arv & Miljö has explored during the last couple of years. The result is a mesmerizing and multi-faceted aud…

2025 stock   Bringing together three of the most voracious and energetic musical minds in new music, Painkiller was one of the most intense live bands ever. Here they are captured at their absolute peak. Culminating their legendary 1994 tour of Japan in a masterful set featuring one of their longest and most inspired improvisations, the thirty-five minute Batrachophrenoboocosmomachia. Beautifully recorded by the unsung fourth member of the group sound engineer Oz Frith and packaged in deliriousl…

Cruelty Bacchanal, the second release from guitarist Matt Hollenberg’s group Shardik, is a ferocious statement of intent. Years in the making and issued on John Zorn’s Tzadik label, the album presents a volatile and politically charged fusion of modern classical structure, metal intensity, and free jazz unpredictability. Hollenberg’s compositions are marked by intricate rhythmic architecture and an uncompromising sonic vision, alternating between explosive virtuosity and dark, layered atmosphere…

With “Suite for Piano” in 2022, Zorn began exploring classical forms in the context of the jazz piano trio. The second CD in the series was a beautiful collection of “Ballades,” released in July 2024. This third project presents nine Impromptus—freewheeling forms that unfold like brilliantly imaginative short stories. Brian, Jorge, and Ches outdo themselves here with telepathic interplay, endless creativity, and a courageous ability to go places that have never been discovered before. With each …

Created for a modern Polish stage production of Bram Stoker’s classic vampire tale, John Zorn has created a music filled with nostalgia, tenderness, violent power and a great sense of mystery. Featuring the dark ambient bass tones of Bill Laswell, the sensitive keyboards of Rob Burger, Kevin Norton on drums, vibes and percussion and Zorn on sax, this is a moody and menacing program of music for late night listening. Romantic ballads, ambient soundscapes and hardcore intensity!

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. Volume four features the scintillating soundscapes of electronic music wizard Ikue Mori, and she has arranged these pieces with grace, elegance, and a …

A limited edition book of Michael Gregory Jackson's poetry. Limited to 200 copies

Bilingual Edition French/English This book is a visual and geographical journey through the artist's work and exhibitions, enriched by five original samples—olive leaves, charcoal, street paper, earth and seaweed—inserted and activated by hand according to the artist's recommendations. In 2024 and 2025, the Espace de l'Art Concret, the Dourven Gallery, the Aline Vidal Gallery, and the Gassendi Museum presented the work of Herman de Vries, reflecting their long-standing relationships with the art…

BIlingual Edition English/French Timeless Edition is thrilled to present ‘In Steel Grey Armour’ consisting of the complete reproduction of an infamous and mysterious collage book created by Genesis P-Orridge in 1979 and entrusted to his friend Yves Adrien, a regular columnist of French music magazine ‘Rock’n’Folk’. It also explores the friendship between the 2 individuals with reproductions of some letters, photos and other artworks that Gen and Yves used to exchange. The book closes with a few …

"I had become close friends with Thomas Ligotti, the pre-eminent writer of Nights and DeadEnds and Doubled Darknesses. I had written him many fan-letters, and we both wanted to work with each other. I Have A Special Plan For This World was our second work together, after our In A Foreign Town, In A Foreign Land. This album Channels an enormous emotional response from me. Ligotti was, is, and will be a huge influence on my work. No-one has seen the bells tolling, tolling, tolling for us all like …

2015 release (VERY RARE!) ** Talibam!'s unique handmade / limited-edition packaging for their QR code LP "Translition 2 Siriusness". Unplayable hand-painted record in hand-painted sleeve.

*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…

*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…

Jebel Tariq has strong hand drum beats throughout but still maintains a very moody feel. It was undoubtedly these very elements that lead Jeremy Keens to state it was"balanced between the ambient and beat sides" of Bryn's work. It goes beyond just these elements though. There are whispered voices changing to strong ululations, frequent flute"samples" and then the bass. There are parts where the deep throb of the electric bass element gives a very dub feel and then there is the use of acoustic ba…

If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…

*2025 Stock* 'Speaking With Hamas' was compiled by Bryn Jones himself early 1997 and he thought it would be nice to include a new, previously unreleased track. In his words:"It's for people who don't deserve it". "A tourist asked Ali muhamad, a second-hand camel salesman, why camels look so dam supercilious. He replied the Arabs know 99 names for god. But only the camel knows the 100th."

*2025 Stock* Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions. The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much m…

*2025 Stock* "Unsurprisingly for an artist as prolific and strident as Bryn Jones was, the flood of material he sent to labels and compatriots was not always carefully categorized. Also, sometimes he would be so eager to release material that if things didn’t happen fast enough he’d just send in another tape. And that circumstance is how you wind up with a fascinating oddity like Mohammad Ali Jinnah.Staalplaat has previously released, in 2002, the Muslimgauze album Sarin Israel Nes Ziona. While …

*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001.  Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…