Back in stock
The Vanity Box Vol. 1
The Vanity Box Vol. 1 presents an anthology of releases by legendary Japanese DIY label Vanity, active in the late '70s and early '80s. The box includes 5 LPs which offer the following contents:LP-1 R.N.A. Organism - R.N.A. Organism Meets P.O.P.O.(Vanity 0006, originally released in 1980)This is the only album by the anonymous unit, R.N.A. Organism. The album is based on a cassette tape which was airmailed from London. It also happens to be the first group produced by Kaoru Sato of EP-4. R.N.A. …
The Trumpett Years 1981-1983
Formed in Heiloo, The Netherlands, in June 1981. Initially a three piece band called King Ende Shneafliet, featuring a guest drummer - who was early on swapped for a drum machine - the group soon expanded to a five man studio collective that composed and recorded more than 70 tracks in little more than 2 years time, in always changing combinations of 2 or 3 members. Ende Shneafliet released 3 cassette albums on the Trumpett label (also home of The Actor and Doxa Sinistra): "Animals From Outer Sp…
It's All History Now - Tape Works 1979-85
Alien Brains was an abstract non-collective initiated in 1979 by Nigel Jacklin. Over the years Nigel co-operated with the likes of Mark Lancaster (Instant Automatons, 391), Allen Adams (Methods Of Execution, The Blanks, The Destructors), Philip and Richard Rupenus (Funeral Danceparty / The New Blockaders), Philip Sanderson (Storm Bugs / Snatch Tapes), Metgumbnerbone, Harold Schellinx (The Young Lions), David Jackman (Organum) and various random acquaintances (with limited musical skills). Ther…
Tape-Works 1981-1982
Members of Melbourne-based seminal improvising experimental group Laughing Hands and its alter ego Invisible College have been Paul Schütze, Gordon Harvey, Ian Russell and Paul Widdicombe.Their spectrally shaded instrumental post-punk-by-way-of-post-industrial constructs were effectively post rock before the genre existed.The group continued in several permutations until disbanding in 1982. They have released two vinyl albums on their own Adhesive Label (Ledge (1980) and Dog Photos (1981) pl…
Works 1977-79 (Friends Edition)
**Friends edition limited to 99 copies. Comes in black box with silver imprint and includes an additional numbered single-sided
bonus LP housed in stickered plain black sleeve** French artist and autodidact Ghédalia Tazartès who is born in Paris in 1947 is a true nomad spending more than 30 years within musical practice and experimentation. Ghedalia is the orchestra and a pop group all in one person: the self is multitude and others, freely connecting the sounds, the rhythms, his voice, his voic…
The Band of Holy Joy
Band Of Holy Joy were formed in the summer of 1983 when Johny and Max found a synthesiser in the cellar of the squatted house in New Cross Gate they were living in. They started messing about on this synth and started writing songs on it. The songs however were very messy and the discovery of an old plastic harmonium in a local junk shop only added to the chaos. They brought in Brett Turnbull to bring a sense of order to the noise they were creating. Brett brought along Martine Thoquenne with hi…
Etant Donnes Tapes 1977-1983
The Box provides all of Etant Donnes avantgarde-tapes released between 1977 and 1983 on the famous french BainTotal-Label Recordings. The release also contains a DVD with Live-Peformances of Etant Donnes of the last 3 decades. The music of this Etant Donnés’s first period (1977/1983) boxset describes a rite of passage from mortality to divinity, a powerful but hidden passion craving beauty and burning love that can be conquered only by another form of secret pain ,that of losing yourself in …
No Human Rights For Arabs In Israel
In the uncompromising world of Muslimgauze, few releases capture the raw urgency and political fire of Bryn Jones's vision as powerfully as No Human Rights for Arabs in Israel. Now returning via MG Archive Vol. 033 as a double CD in a limited edition of 200 manually screen-printed copies, this confrontational masterpiece stands as one of the most rhythmically relentless and politically potent works in the entire Muslimgauze catalog. The album's genesis reflects the chaotic creative process that …
Kantrimiusik
*2025 stock* “There is freshness, there is (self) irony, there is a desire - and for once let's say it without shame - to have fun with music. [...] Nature triumphs in all its aspects: noises and sounds of birds, pouring rain, thunder, animal cries, alternating on the lines of a fiddle violin.” - Corriere di Bologna
Chorbuch, Les Inventions d'Adolphe Sax
*2025 stock* This Winter & Winter cd of 'Chorbuch' and 'Les Inventions d' Adolphe Sax', recorded in December 2007, was Mauricio Kagel’s last recording, delayed due to unexpected death in the year 2008. The centrepiece of the album, 'Les Inventions d' Adolphe Sax' was commissioned by the Nederlands Kamerkoor, who invited the acclaimed Raschèr Quartet to participate. As a premiere recording and with Kagel’s artistic participation a masterpiece was created. The Nederlands Kamerkoor and Mauricio Kag…
Hamas Arc
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…
Paris: Public Spaces
*2025 stock* Seijiro Murayama is a drummer/percussionist/voice performer currently working in Japan again after living for a number of years in France. Éric La Casa is a French sound artist well known for site-specific field recordings with a strong improvisational element. The two have been working together on numerous projects for nearly a decade. For six months starting in January 2012, La Casa and Murayama took portable tape recorders out to parks, subway stations, streets and other public s…
Kashmiri Queens
»Kashmiri Queens« – previously released as a limited CD – presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. This 12inch stands out for its authenticity, allowing the sounds of tablas, sitars, and various ethnic wind instruments to flourish openly without being interrupted. There's a notable departure from the usual …
Musiques Tourbes
*200 copies limited edition* Sound artist, instrument builder and field recordist, Diane Barbé makes their return on forms of minutiae with “musiques tourbes”, a weaving of wetland soundscapes and biomimicking synthesis. Concerned with interspecies conjunctions while nurturing the planet as a finite verdant space, Diane Barbé plays with experimental music, listening practices and activism to bring attention to delicate environmental phenomena, that, despite their minute size, translate profoundl…
Zones Portuaires 2
Between 2017 and 2023, while assisting Tarek Atoui with his Waters’ Witness project, I accumulated a series of recordings in maritime ports, which I have used to create this thematic suite. Rooted in documentary reflection, it presents the unembellished sounds of commercial ports and their coastlines.
Recordings 2017 - 2023Editings + Mixings June – December 2024
These ports were constructed across diverse biotopes and climates: in the Gulf of Oman in Abu Dhabi, the harbour of Singapore, the Medi…
Feel the Hiss
Some of the tracks on Feel the Hiss, a release Bryn Jonesrecorded LIVE to cassette in early 1995 but never had the chance to remix and polish before he DIED, use the same kinds of devotional voices found on much of Minaret Speaker(ARCHIVE 029CD), but here other voices are present too. Conversational or angry, male or female, English or French or Arabic, almost inaudible or forcing their way to the front of the MUSIC, these "Zilver Tracks" (the name based on a note Jones wrote on the tape) engage…
Monochrome Electronic Music (Two pieces for Coupigny Synthesizer)
*100 copies limited edition* A « monochrome » approach to composition implies working within a restricted aural palette and, in this particular case, using fixed pitches. It focuses on developing interactions between these parallel elements in a time dominion. Establishing a dialogue devoid of structural repetitions and, most importantly, free from any hierarchy of notes. Such coexistence gives way to a particular environment of musical democracy where unevolving sounds lose their individual imp…
Minaret Speaker
While the human voice has often been an element in Bryn Jones\' WORK as Muslimgauze, rarely did he highlight it as much as in Minaret Speaker, the latest in the Muslimgauze Archive SERIES, and its concurrent release, Feel the Hiss(ARCHIVE 030CD). While elements of Minaret Speakerappeared on the 7\" of the same name released by Staalplaat in 1996, much of the strongest material here is previously unheard. Jones\' normal practice was to send in tapes to the label with only a title for each tape as…
Deceiver vol. 3 & 4
The original 2CD Deceiver from 1996 is a seminal release in Bryn Jones' sprawling discography, one of the first major ones to really pivot into the noisier/more abrasive side of Jones' sound as Muslimgauze. From its epic, vinyl-side-long title-track down to terse, rhythmic snippets like "A Parsee View," Deceiver set out many of the avenues that Muslimgauze would continue to explore before Jones' death in 1999. Since then, Staalplaat has continued to release the massive back-log of Jones' work,…
Un-used Re-mix's 1994-1995
"We do not work on a release, a piece is done at a time. A CD is drawn from various tracks which can span a few days, weeks or a month, or a day, each release is different." --Bryn Jones, Grinding Into Emptiness interview, 1998Not only has Muslimgauze's work survived the death of Bryn Jones, so have his working methods; with so much worthwhile material still in the vaults and much of it having little in the way of information or context left by the artist upon his untimely passing, recent reissu…