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We Release Jazz (WRWTFWW Records' new sister-label) presents its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery, originally released in 1976. Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous, and game-changing take on classic standards made famous by Bing Crosby and John Coltran…
We Release Jazz (WRWTFWW Records' new sister-label) present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream by Hokkaido pianist wunderkind Ryo Fukui, originally released in 1977. Released in conjunction with the its legendary predecessor 1976's Scenery (WRJ 001CD/LP/LTD-LP). Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop, and cool jazz sounds with meticulous grace and absolute mastery. As its title sugge…
CD version. We Release Jazz announce the official reissue of Ryo Fukui's final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters. Known for his miraculous albums 1976's Scenery (WRJ 001CD/LP) and 1977's Mellow Dream (WRJ 002CD/LP), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again …
We Release Jazz presents its fifth release, the first ever live performance and recording by Marc Moulin's sought-after jazz-funk band Placebo, captured at Casino Kursaal during the Montreux Jazz Festival in 1971 and never released before. June 17th, 1971, the Montreux Riviera, its delightful microclimate and postcard scenery, its fabled music history and the luscious wines of the region. A dream setting for Marc Moulin to lead his ensemble on a 26-minutes+ jazz adventure -- Nick Kletchkovsky on…
First-ever release of cult Freddie Hubbard live performance recorded in 1973 at Maison De La Radio (ORTF) in Paris. Released in collaboration with Duane Hubbard and French Institut National De L'audiovisuel (INA), the double-LP set has been remastered for vinyl from the original tapes and comes in a gatefold sleeve including liner notes by Kevin Le Gendre.
A mesmerizing live performance by Freddie Hubbard and his quintet recorded in Paris at Maison de la Radio (ORTF) on March 25, 1973. Featurin…
The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitones between the…
For countertenor (Miguel Quiñones), parrots (Charro Cadena, Pistaccio Lopez), different voices & dead electronics (Kurzweil, Moog and smartphone apps performed by Frédéric Acquaviva).
2010 release. With Vandalia Walter Marchetti focuses his concrete and radical themes. Also including is an homage to John Cage. Action Music! Vandalia includes "Perpetuum mobile" (1981), "Song for John Cage" (1985) and "Le secche del delirio" (1989). The 8-page booklet presents the photo of the "Perpetuum mobile" performance at Musicalia in 1981, the score of "Song for John Cage," the photos of two "Musica Da Camera" installations, as well as the reproduction of the original Vandalia CD layo…
2010 release. Walter Marchetti is one of the most original and controversial pre-Fluxus authors. In this work he frees all of his sophisticated poeticism. In Terram Utopican includes "J'aimerais jouer avec un piano qui aurait une grosse queue" (1974/75) and "Per la sete dell'orecchio" (1981). The 16-page booklet presents the original score of "J'aimerais jouer," photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original In Terram Utopicam LP layout.…
2001 release. As Walter Marchetti told to the producers of De Musicorum infelicitate, i.e., The Unhappiness of Music, this will probably be his last music work, but this is not the only point making this edition a very special one. After two CDs previously issued for Alga Marghen (Antibarbarus in 1998 and Nei Mari del Sud in 1999) these "Ten Pieces in the Form of Painful Variations" dispose in their unceasing and implacable sequence the landing at an anaphorical finis terrae, the extreme and imp…
The Concerto For The Left Hand In One Movement, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. This performance by Reinier van Houdt was recorded on April 29, 2015, at Onder De Linden in Valthermond, Netherlands, and is presented with liner notes by Gabriele Bonomo, translated from the Italian by Philip Corner. Composed in 1994, the Concerto For The Left Hand belongs to an ongoing series of works writte…
Live recording at the Rotonda del Pellegrini, Milan, January 21st, 1959 featuring John Cage, Morton Feldman, Juan Hidalgo, Leopoldo La Rosa, and Walter Marchetti. Among all the events involving John Cage during the long stay in Europe that followed his controversial appearance at Darmstadt Ferienkurse in September 1958, the concert he held in Milan on January 21st perhaps represents a less well known episode.
Featuring Cage's intervention both as composer and performer of one's own work as well …
2006 release. Music: the foundation of that presence in which we find ourselves shows itself as pure negative. Everything is founded on a demonstration of its own negativity: as awareness of its being negative, and does not look for an escape into a future presence that is an objective future, but, accepting its negativity, makes of this self-negation the real act, the true reality -- the true foundation, the real and actual continuity: this is music's sense. Utopia Andata e Ritorno is the…
*50 copies limited edition* Quiet armonic ambient from the Italian master. The cdr is contained in a cover measuring 14.50x14.50 cm. approximately, printed in color on high quality 300 gram thick embossed ribbed paper. The cover is closed by a 300 gram polyester tag printed in color, which bears the name of the M.B. project. Four colored satin ribbons pass through the tag, then knotted on the back of the cover. The ribbons are four different colors, and are chosen from the colors white, black, g…
*2024 stock. 36 copies limited edition* Industrial power electronics from the Italian master… a long sonic autopsy!
The series of Tavole Anatomiche (anatomic tables) is mainly based on the engravings of Giulio Casseri and Andrea Vesalio. Each Tavola Anatomica (anatomica table) is entrusted to a different artist, which provides his particular vision of the theme. Each Tavola, belonging to a series, has a common part (the cover face and the back -this one different for the notes only-) and a diffe…
In an incredible stroke of luck, the Silentes sub-imprint, 13, returns with a long-awaited, expanded reissue of one of their most beloved and sought-after releases, Gigi Masin's incredible "Plays Venezia". An homage to the city that he calls home, issued in three beautiful editions - vinyl, CD and Cassette - these rippling sheets of piano and ambience, threaded by diverse sonorous sources, encounter the legendary Italian minimalist at his absolute, setting the stage for what is easily one of the…
** Edition of 300 ** "Patterns and Mechanisms", Eraldo Bernocchi and Merzbow's first album together, was written and recorded during the lockdown. Both artists exchanged audio files and ideas fascinated by the phenomenon of urban wildlife where wild animals decide to relocate, or establish home in our cities, the album is just two long pieces. Despite being dense and noisy, "Patterns and Mechanisms" has a 'melodic' approach to composition, with Merzbow's noise assault conjugating with Bernocchi'…
*Limited edition of 200 copies.* Bi Nostalgia, aka Luca Rigato, along with David E.H. formed the nucleus of Endless Nostalgia, a cult band of the Italian electronic post-punk scene, active between 1982 and 1992.Since 1985, Bi Nostalgia also began tracing a solo path, alternating various projects with songs and pure instrumental works, exclusively released on cassette.Between 2016 and 2018, the cassette recordings were reissued by Silentes/re-TLOTG, accompanied by the original graphics and bonus …
*200 copies limited edition* After a good six years from Nimh's last solo CD of previously unreleased material (Circles of the Vain Prayers), and two years after his previous collaborative CD (Post-Folk Lore Vol.1), Giuseppe Verticchio is back, walking again on those same electronic paths strongly imbued with ethnic ritual suggestions and sonorities. The sound of string and wind instruments, metals and percussion instruments coming mainly from South-East Asian countries, combined with refined el…
2025 stock ** Limited edition of 200 copies. "Simon Balestrazzi is one of the leading names in the European post-industrial scene. Starting from the unforgettable T.A.C. to the most recent projects, such as Dream Weapon Ritual and A Sphere Of Simple Green, he has built a personal and recognizable sound paradigm over time. In recent years he has also explored more purely electroacoustic dynamics, producing the excellent Redshift and the equally interesting Licheni, a collaboration shared with Nic…