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2012 release ** "Combining the deep voice of Hildegard von Bingen and the inner song of John Cage (or vice versa)—what a wonderful idea, isn't it? And it's Irene Kurka herself who seems to have come up with it. She performs Hildegard nine times and gives her version of Sonnekus² (in nine parts, which Satie's Je te veux inspired Cage to use). She blends, finally, the eighteen pieces already sung. She merges attachment to faith and detachment from all things, Latin and the elevation it encourages …

2006 release ** this cd is not conceived just to be listened to.supplemented with a simple "score", it may induce a "performance at home".you are invited to experience with your ears, eyes, body and mind, the space of your everyday life, your home, "colored" a little bit differently, alone or in the presence of one or more close persons.the cd consists of a one hour sequence of sounds, three times interrupted by substantial silences. the "score" contains 7 suggestions for simple activities.adjus…

2005 release ** music that allows sounds to sound:to die away, completely, into silence sounds thought from their end:not moving forward, but drawing back. this creates space, expanse, a delicate serenity:silence - and what it shelters - becomes audible. this is singing with the ears:barely more than silence. a singing which not only makes,but becomes space: a space for worlds. phrases are also sounds:unfolded, laid out as a path. sound paths that come into being first when followed,invariably t…

2005 release ** “select a sound of one or three tones within the range of an octavedistribute the pitches between the keyboards (use each pitch only once)select 3 – 31 stops from principals, flutes and reeds and distribute them evenly between the keyboards (do not use mixtures)play the pitches and hold the keys down (e.g. with lead weights)push the stop very slowly until you hear a change – then stop the movement, listen for a while and pull  another register in the same way  for a long time, on…

2010 release ** "Arrayed neatly, but in dislocated sequence, across clean white pages using a standard music notation software, the material of Tim Parkinson's piano pieces suggests anonymity. Traces of other musics may be suggested by some of the material, though the focus for the performer is on projecting the sounds without the clutter of imposed interpretative rhetoric. In so doing both composer and performer declare themselves and this beautiful music is revealed."

2009 release ** "Two sets of pieces written for the duo Contour (Stephen Altoff-trumpet, Lee Forrest Ferguson-percussion), a potentially unwieldy combination. Frey's "22 sächelchen" (small things) is rather just that, 22 miniatures lasting 32 1/2 minutes that vary from quiet reductionism to outright fanfares. I guess some of the latter sort are a bit...shocking, at least in a Wandelweiser context. But there are also oblique references to jazz (the mute in #11), processional music (the tympani in…

2007 release ** Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…

2009 release ** The score of "Stones" consists of just a few lines of text:Make sounds with stones, draw sounds out of stones, using a number of sizes and kinds (and colours); for the most part discretely; sometimes in rapid sequences. For the most part striking stones wfth stones, but also stones on other surfaces (inside the open head of a drum, for instance) or other than struck (bowed, for instance, or amplified). Do not break anything.  Christian Wolff, STONES, (from: Prose Collection, 1968…

2009 release ** "The first Stockhausen I ever heard, back in college, was Microphonie and I've always remained partial to the general family of sounds elicited therein. So it's not surprising, all else aside, that I'm drawn to the music here, derived from the excitation, via bows and strokes of a 60" tam-tam much like that used by Stockhausen, sensitively played by Greg Stuart. The added flavor, as is Pisaro's wont, is the integration of sine tones pitched very close to the range of the tam-tam …

2013 release ** "what do you do, if you work with just intonation and wish to write a piece for organ? you have to deal with the relation between equally tempered and over- or undertonal (just) intonation. 2001 i had several opportunities to make a study of some wonderful instruments. this eventually put me on the path towards this composition.in this piece only those frequencies of the organ sound that have close to whole-numbered ratios (+/- 6 cents) to a fundamental (in this case C’ at about …

*2023 stock* "Probably there is only one group that started as a cassette only band, who will successfully release their entire back-catalogue on real CDs (not CDRs) and that is Maeror Tri. They started out in the late eighties as a three piece ambient industrial group, and released a whole bunch of cassettes and subsequently also 7"s and CDs. In the late nineties one of the three band-members left and the name was changed to Troum. Their 7"s are now collected on this CD, for the first time and …

2009 release ** Limited to 432 hand-numbered copies, each copy has unique multi-colored manual printing, a banderole & a metallic paper clip. "From 1988 to 1996, Maeror Tri were a German trio that used only electric guitars and tons of processing devices to create their floating and static droning soundscapes. This is mainly a collection of long deleted compilation tracks by M.T. that appeared on various MC- & CD-compilations, along with some previously unreleased material, sorted chronologicall…

2007 release ** Packed in round metalbox and limited to 333 copies. "By the look on compilation someone will maybe say that here is again senseless, thrown group of artists, that has by chance find themselves and they are presenting their multiple sounds and noises. The truth is totally opposite. After successful reviews and reactions of project SIGNS /what contributes that this project has been sold out/ Aliens production has followed development of the projects, that generates in positive dire…

1993 release ** "In October 1987, keyboardist/computer wiz Richard Teitelbaum and violinist Carlos Zingaro performed at the Festival International de Musique Actuelle de Victoriaville. The next year the label Disques Victo released The Sea Between, comprised of three improvisations from that show. For the CD reissue in 1993, the label added 18 minutes of material in the form of three excerpts from a performance in Lisbon during November 1992. Playing with electronics -- especially with computers…

2016 release ** Limited edition of 50 copies in folded card sleeve. Featuring: Å, Low-F, Giovanni Venosta, Al Doum & Fhe Faryds, Fracture, Luciano Margorani, Antonio Siniscalchi, Enten Hitti, Eternal Zio, Eugenio Sanna, Silvia Bolognesi, Roberto Del Piano.

Documentation '20 Years Inventionen', CD III. The string quartet 'sei-jaku' by German composer Klaus Lang, documented on this CD, was performed on 6/30/2002 in the Großer Sendesaal of the SFB Berlin by the Arditti String Quartet during the festival Inventionen 2002.

Sound installations and audiovisual material: This CD-Rom provides the programme notes accompanied by audiovisual material in the form of short QuickTime movies, photographs and mp3-files. It may be viewed with any current web browser on a variety of platforms.David Behrman: Pen LightDavid Behrman: View FinderGordon Monahan: When It RainsGordon Monahan: Etheric Theremin HarmonicTerry Fox: Litanies of InterferenceTerry Fox: bad installationRobin Minard: SoundBits 01Hannah Leonie Prinzler: _['dΛzn…

A vital artefact in the recorded history of the Blue Notes, being a live recording (Durban, 1964) of one the the group's last performances in their homeland prior to flying to France to appear by invitation at the Juan-Les-Pins Jazz Festival and then on to expatriation in England. The album was first released by Ogun in 1995 and then featured as part of the "Blue Notes - The Ogun Collection" box set in 2008, itself now long out of print. At long last this exceptional document is available again

Recorded live at the 100 Club, London, on 16 April 1977, by Ron Barron. Some of this music was originally available on LP as OG 220 (Ogun, 1978). This expanded CD edition - previously only available as part of the long out of print "Blue Notes - The Ogun Collection" box set - now receives a first release as a stand alone title.

A duo recording from October 2004, produced by Evan Parker, which marked the first time that Louis Moholo-Moholo and Stan Tracey had worked together for thirty years and the first time ever as a duo. The pair entered Gateway Studios in Kingston, London with no prior discussion on what form the music should take, choosing instead to let the music take them. This glorious album is the result.

"During 2019 Keith, Julie and myself had discussed the idea of a new Couple In Spirit album for Discus Music.  Rather than choosing one of the many possible live recordings of the duo, Keith and Julie were keen to make a new multi tracked studio recording, something they had not done for 30 years since their EG release.  The studio was booked for spring 2020, and the project was opened for advance subscriptions.  The New Year arrived, lockdown kicked in, Keith’s already fragile health deteriorat…

Fred Van Hove's 52 minute solo piano performance at the Jazz à Mulhouse summer festival 2007 reveals one of the giants of improvised music at the height of his creative powers.

2002 release ** Cardboard sleeve. "Race Against Time is a very deep album, immersed in warm sounds. A captivating journey, on the one hand into the underwater, blurry landscapes, and on the other, definitely bordering on physical contact with nature. It puts you in a trance and puts you in a trance. It's a truly unique atmosphere, melancholy, and a sense of taste. You can hear the classics (Rapoon, Brian Eno, Biosphere, Lustmord) here, in Poland. A true feast for fans of the genre. This journey …

2002 release ** Laser-cut card-sleeve. "Whatever this final question is that Paul Bradley and Colin Potter are asking, it is fucking deep. The stalwart British drone artists Bradley & Potter (the latter of whom is also known as being a long-standing member of Nurse With Wound) have collaborated a number of times in the past; and here they present their latest work under the new moniker Un:. Not to be confused with the pre-Double Leopards / pre-Fursaxa audio narcotic, this Un: brings Potter almos…

2009 release ** Limited edition of 50 copies. "This Aspec(t) album is very noisy and rather edgy, Gabola's sax often sounds very saturated, there are no concessions to melody even by mistake, SEC_ on the synth and electronics moves in a very fragmented, almost rhythmic way, no soft keyboard-like carpet as one would expect and finally Agenziano plays the guitar less and less as we have always understood it, to give it back to us so filtered that sometimes it is even difficult to understand who do…

2002 release ** Cardboard sleeve. In Meditarivm is a dark/ritual ambient project from Zhytomyr, Ukraine.

1994 release ** Cardboard sleeve. The album features fragments of concerts organised in 1999-2004 as part of the Ujazdowski Castle Centre for Contemporary Art's "Strefa" Program. The recordings come from collections of Dominik "Wolfram" Kowalczyk, Jarosław Żwirblis, Jarek Guła, Marcin Witkowski, and from the artists' archives - thanks to them for making them available. Featuring: Andrzej Załęski, Pavel Fajt, Anna Zaradny, Polwechsel, Bartek Qźniak, Robert Piotrowicz, Burkhard Stangl, Ruins, Ceza…

CD Edition. Venerable composer and pianist Charlemagne Palestine revisits his seminal 1976 work ‘The Golden Mean’ in duo with enigmatic artist Rrose, reprising a dialogue started 10 years ago when Rrose was studying at Mills College and looking for a score to Charlemagne’s amazing ‘Strumming Music’…“In 2018 the Festival Variations in Nantes commissions Palestine to perform The Golden Mean, reworking the piece for two pianists. Palestine chose Rrose to join him in this new rendition of the work. …

2002 release ** Cardboard sleeve.

2015 release ** "Since 1999 electronic duo Klangwart occupy self-confidently their very own niche between Avantgarde and Pop. Markus Detmer and Timo Reuber, the two 'elder statesmen' of neo-Krautrock, are since regarded as the most authentic heirs to the psychedelic sound gurus of the '70s. Titled 'Transit' their new album after 'Sommer' (2010) is a real masterpiece: Nine tracks of otherworldly beauty – energetic, organic, unpredictable. Thousands of sound snippets are assembled to a kind of veg…

2000 release ** Folded cardboard sleeve. Featuring: Mikhail Atom, :Of The Wand & The Moon:, C.H. District, Mantichora, Coitus Excelsi, Empyrium, Hybris, Deadlight, Prisoner Of Flesh, Arcane Art–, Ethereal Void, This Morn' Omina, Atak 1200, Geiger Box.

2009 release ** ""Richard Dawson's project that debuted on Blackest Rainbow earlier this year, which was followed by CDRs on Bells Hill, Low Point and Dead Pilot, and another release on Blackest Rainbow, a split cassette with fellow UK droner Gareth Hardwick. The Invisible Castle is far more intense, and in some ways heavier than the previous releases on BR, but retains Dawson's own dark take on the world of psychedelic drone music, and this is a proper drone release, clocking in an hour for the…

2004 release ** Cardboard sleeve. "A co-release between the tiny Hollywood-based noise imprint Pacrec and David Reed's cottage label Snip-Snip, Consumed Within the Years of Lead benefited from relatively larger exposure in the noise underground than Luasa Raelon's numerous previous offerings. Luasa Raelon, David Reed's beast, delivers here a tempered set of industrial noise. The sound palette is much closer to the spirit of the industrial scene than to digicore or harsh noise. Reed's sound brick…

1994 release ** Cardboard sleeve.

2017 release ** Limited edition of 50/100 copies with hand-written cardboard sleeve. "The title Musica Reservata Viva refers to both Musica Elettronica Viva and the term Musica Reservata which was used to describe Roland Kayn’s work. The CDr consists of 6 tracks that I created on analog synthesizers. It was meant to be a relase for the happy few, and mostly given away to friends."

2005 release ** "Here we are, grappling with the twin-needle turntable, the forced-groove vinyl, the ambient feedback, and everything else. The tracks reproduced and mistreated in the eleven excruciating episodes of the mini are this time by AMK. It's only right to recommend the album to fans of the most stripped-down and minimal dark ambient music."

2005 release ** Improvised music sessions, made using 4 custom turntables, edit scratched vinyls played in forced locked grooves, hand made phonograph, microphone, delay pedal, environmental feedback, mixer. Recording and mastering on PC. All Tracks sounds exactly as it was recorded.

Reissue of an extremely limited 2010 release (x50 private copies). This multi-dimensional collaborative opera (audio installation and concept album) is a bridge between the conception of sound within the contemporary art scene, post-industrial culture and the avantgarde black metal music scene. It focuses on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recording practices of acoustic phenomena. The following artists …

2004 release ** "The cast of players includes cellist Fred Lonberg-Holm, the newest member of Vandermark 5 (plus Wilco, Terminal 4, The Boxhead Ensemble, Pillow, and the Peter Brotzmann Chicago Tentet, to name just a few); Lou Mallozzi, a sound artist from Chicago who lists Mats Gustafsson, Jaap Blonk, Sebi Tramontana, Michael Zerang, and Guillermo Gregorio as collaborators; and Portuguese violinist Carlos Zingaro, who has partnered with the likes of Anthony Braxton, Roscoe Mitchell, George Lewi…

'Dog FM is the debut release by the London-based duo of field recordist Oliver Chapman and poet Phoebe Eccles. Combining Chapman’s seemingly banal snapshots of a family car journey with Eccles’ fantastic, reflective spoken verse, Dog FM deftly transports the listener through a series of uncanny and oft-times bizarre audio travelogs where tension and expanse alternate to disorientating effect. By exploring the dynamics of a typical close-quarters family exchange, and with repeated use of ‘canine’…