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2014 release ** "Beethoven’s fifth symphony begins with that now-iconic but aphoristic “short-short-short-long” musical motive about which so much has beenwritten and said, a radical statement for string melody without harmonic accompaniment.  On his 2008 composition “Song 2,” for bass flute, Wandelweiser composer Anastassis Philippakopoulos essentializes the very concept of a similarly constructed four-note phrase, presenting each gesture in isolation, long silences allowing for listener recont…

** Numbered + handmade in an edition of 300 copies only; 180gr 2xLP vinyl in custom-made screen-printed outer ** Frans Zwartjes’ studio remains untouched since his passing in 2017. In early 2023, we returned to the studio and discovered a trunk of unlabelled 3/4 inch tapes, containing completely unheard music by Zwartjes. These works, largely synthesiser-based improvisations for films either unmade or unfinished, were played and recorded by Frans Zwartjes between the late 1960s, through his most…

* Numbered + handmade in an edition of 200 copies only; 180gr vinyl in custom-made outer (sealed), containing extensive booklet with images from performance + installation + newly commissioned essay by Akihito Yasumi (Japanese original + English translation); no digital * Takashi Inagaki’s original soundtrack score for filmmaker Takashi Ito’s Japanese-language stage adaptation of Jean Genet’s Prisoner of Love, and its parallel video installation, The Dead Dance. Genet’s final literary work recou…

* Handmade in an edition of 250 copies only; 180gr vinyl in custom-made screen-printed outer (sealed), containing Xerox-printed booklet with the words from the films of Matthias Mulle and a newly commissioned essay by S. Grisseman* The original soundtracks by Dirk Schaefer for the films of Matthias Muller: The Memo Book (1989), Home Stories (1990), Sleepy Haven (1993), Pensão Globo (1999), Vacancy (1999). Newly re-transferred from the original tapes by Schaefer himself, and remastered, these are…

Primordial sounds created by Maurizio Bianchi/M. B. using a rudimental five strings guitar, afterwards polarized effects added by Siegmar Fricke utilizing a shapeless analogtronic apparatus. CD-R in half handmade 3 panels digipack

Two of the most brutal percussionists from Japan (Linekraft) and Brazil (Iggor Cavalera) tangle amongst an ignorant and repellent species to take revenge with electrified metals in a network of human junk. industrial dark suffering chaos.

*2024 stock* "Recorded back in 2019, in Newcastle upon Tyne, “Skinwalker” is a collaboration between noisy British punk band Bruxa Maria and Norwegian trio MoE. Between these two acts, fireworks might be expected to fly constantly but “Skinwalker” turns out more restrained and controlled than you’d expect. Four tracks, of which three exceed ten minutes, are on offer here, all of them brimming with caged fury and aggression which, if unleashed, could turn this recording into a tapestry of burning…

*2024 stock* "A lone voice rises over the booming rumble of the octobass, a large acoustic instrument resembling a double-bass, yet twice the height. The octobass’ unusually large stature lends itself to these haunting sounds, looming over this cacophonous reverberation like a specter of monstrosity. Another voice lightly ascends, and the two vocalizations coalesce as this musical foundation crumbles along, carried by the tapping of harmonium keys, swimming and dissonant.  This patient singing b…

"The fourteenth series of the Merzbow archive series, which began in 2018 and focuses on unreleased and unearthed material, is a collection of unreleased recordings from 2014 that were performed with a sequencer in the background: Double Beat Sequencer Vol. 1, Double Beat Sequencer Vol.2", "Double Beat Sequencer Vol.3", "Double Beat Sequencer Vol.4", "Double Beat Sequencer Vol.5" and "Double Beat Sequencer Vol.6". Double Beat Sequencer" is a boxed set of all six of these works. The sequencer use…

2011 release ** "Shepard, in 2005, set himself the task of hiking 250 miles across Switzerland, composing a new piece each day (performing it as well, in some public setting). Six of these works are collected here, performed by various Wandelweiser-involved folk. The music has an aura of folk song to it, however attenuated, heard clearly in Christian Wolff's melodica rendition of "Crêt de la Neuve, le 20 juillet 2005" with it's gentle ups and downs, similarly the second brief track with Katie Po…

2013 release ** "The Chord Catalogue is sort of a sister to Music for 88. It is also an examination of pianistic possibilities done with a focus so tight that obscuring any intrinsic aesthetic qualities in the execution seems to be the intention. (Also like Music for 88, Johnson recorded the piece for Phill Niblock’s Experimental Intermedia imprint). Beginning with “The 78 Two-Note Chords” (the section titling further eliminates risk of artistic suggestion), the set of pieces exhausts its way th…

Four beautiful, exceptional ambient nocturnes bloom again on a very welcome 30th anniversary reissue, newly packaged together by Grönland for the benefit of your health... David Sylvian and Holger Czukay’s Plight + Premonition [1988] & Flux + Mutability [1989] bouquets remain some of the most enigmatic ambient recordings of the ‘80s since their conception at Czukay’s converted cinema studio in Köln, 1986. But, while Sylvian was ostensibly coming to record vocals for the last track on Czukay’s Ro…

Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track. The 2LP is pressed on crystal clear vinyl. This 2023 edition was mastered by Stephan Mathieu from the original recordings.

“Kalaczakra” marks the powerful return of Wojtek Mazolewski Quintet, one of Europe’s leading jazz ensembles. The new single offers the first glimpse of their upcoming album Live Spirit I. Built around a catchy horn motif, a distinctive bass line, and a free-flowing, pulsing drum rhythm, the track brilliantly blends Polish and spiritual jazz traditions with a raw, modern edge—bold, uplifting, and unmistakably fresh. The forthcoming album Live Spirit I, recorded live at Warsaw’s iconic Witold Luto…

2015 release **  "The pieces by Anastassis Philippakopoulos that guitarist Chaz Underriner "reinterprets" here were written for instruments other than his own: flute (Song 6, which Wandelweiser Editions published earlier under the composer's name on Songs And Piano Pieces), string section (Song 8, which Underriner performs with three other guitarists: Armin Abdihodzic, Greg Dixon, and Robert Trusko), and bass clarinet (Song 9). Three songs that follow one another discreetly, moving slightly unde…

2015 release ** "The tromba marina is a huge single-stringed instrument, played with a bow. For "in memory of james tenney", in four parts, Möller and Maldfeld each wrestle with one such beast, using instruments from the 17th and early 18th centuries. And f it's grain you want, step right up--this thing, especially Part I, sounds like the bow is severely serrated, close to being able to saw wood. A huge rumble that encloses myriad tones high to low. Think of an Eliane Radigue cello piece with yo…

2007 release ** "Between 2004 and 2006, Pisaro began a series of field recordings. Each time, it consisted of a single sound recording made in Los Angeles, in a single location, strategically placed so that nothing stood out, places without a center, blurred spaces at which Pisaro pointed a microphone without moving. From this series of recordings was born Transparent City, two monumental and epic double CDs in their duration: they exceed 4 hours and 40 minutes in fact. Each disc is composed of …

2010 release ** ""sixty-five minutes long. two periods of thirty minutes each, with a five minute silence between them. each performer find one sound, preferably with pitch. the sound is played for one duration, between one and fifteen minutes, in each thirty minute period, making sure, in the first period, not to cross over into silence. the duration of the sound may change from one period to the next. one of the durations may be zero seconds. (i.e., a player might decide not to play in one of …

2013 release ** "True, there are 24 pieces contained on this disc, which range in duration from 2:00 to 3:45, but in part due to the large amount of silence in which the single notes are swathed and also because the composition are "of a piece", the recording reads almost as a continuous work. The preludes seem to consist of sets of two to five notes, generally, perhaps always, in a rising pattern and very often diminishing as they appear, purely struck, with incredible gentleness, so much so th…

2014 release ** "Shepard walks around, often traveling impressive distances, and composes music, generally playing on route. I had previously heard the excellent documentation of his perambulation through Switzerland in 2005, "On Foot", but in 2012, he chose to navigate far more dangerous territory, namely Brooklyn, doing so for thirteen weeks, penning a composition per week and organizing on-site performances of same by varied musicians which are heard here, usually along with the environmental…

2018 release ** "An adaptation from "Sileen", a composition commissioned by Musica For The Festival Oortreders at Neerpelt, Belgium, 2016 performed with 50 members of a local music school; "Sileen II" was realized with only Gareth Davis on bass clarinet plus sounds from Machinefabriek, recorded in the same pitch and tempo as "Sileen', then slowed to half its speed and one octave lower. Stunning!"

2018 release ** "Two versions of Cage's 'One' and one of his 'One5' performed by pianist Guy Vandromme. 'One' was written in 1987, a ten-minute long piece for solo piano. Per the Cage Works page, the commentary is: "This work comprises 10 systems of piano chords, varying in dynamics, selected by chance. Each system is roughly 1 minute long, and all but one is flexible. Each system contains 2 sets of chords. The order of each set is maintained, but the relationship between the two sets of chords …

2006 release ** “Un Pranzo Favoloso" has been recorded live on 26th May 2005 at Auditorium Concordia in Pordenone (Italy) during the "Schermo Sonoro - Cinemazero" festival. In this incredible concert Lee Ranaldo, Alan Licht, Tim Barnes and Ulrich Krieger played on Stan Brakhage experimental movies; the band explores the concept of soundtrack and creates something new out of it, a "sonic continuum" between music and the movies, in which Stan Brackage's images become sounds. The result is amazing.…

Continuum was a collaboration between Steven Wilson and Dirk Serries (VidnaObmana, Fear Falls Burning) that resulted in two releases, Continuum I (2005) and Continuum II (2007), originally issued by US label Soleilmoon in limited editions that sold out almost instantly.  The project was motivated by their immense passion for a wide-range of musical styles, ranging from spacious ambience to pounding doom metal. On 10th June 2016 both albums of their collaborative ambient and drone music project b…

2018 release ** "Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-…

2008 release ** Limited edition of 100 copies. "Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone."

1992 release ** "The psychotic world of The Rosenberg family with violin music from the dentist, the shrink, the surgeon and other split personalities. A funny, typically nutty release by this internationally known troublemaker, instrument maker and violinist (not necessarily in that order). This is billed as `an opera perverse,' and includes Shelly Hirsch & Phil Minton."

2015 release ** "It is a work of electro-acoustic nature, of computers, of field recordings, found sound and instruments. The four pieces here can be seen as “a map of different territories”, Robert writes, “But the mapped territories are not contiguous: I am the tunnel that links these places and times, I am the border that keeps them together.” Robert tells us stories about these places, but he leaves out stuff, very much like if one would make a map: there is always “scaling, removing, enhanc…

2018 release ** "Chapel In The Pines is the latest set of collaborative work by Oxbow front man Eugene Robinson and master of sonic architecture, Philippe Petit, featuring Percy Howard on additional vocals. The five pieces here are built around brooding spoken word accompanied by a range of electronics, guitars, percussion, piano and metallic sounds molded into suitable backdrops. Anybody familiar with the previous collaborative albums -- The Crying of Lot 69 (2011) and Last of the Dead Hot Love…

*300 copies limited edition* Since their forming in 1999, Theme have released six albums and performed live sporadically in a variety of incarnations, even including Faust's Jean-herve Peron on bass at a number of shows many years ago. 'Meditations on Space, Volume One' is the seventh album and represents the first volume in a two-part set. Consisting of one piece of music (spanning around 40 minutes in total) that's broken into seven parts, it sees the core duo of Stuart Carter and Richard John…

*300 copies limited edition* In 2021 US label Helen Scarsdale Agency released Kleistwahr's 'Winter' album on vinyl in an edition of 300 now more or less sold out, while 'Music for Zeitgeist Fighters' preceded it by a few years on Egypt's Nashazphone imprint also as an LP limited to 300 and equally hard to find these days. Both albums are brought together on this limited edition 2CD release and feature, between them, five bonus tracks not previously made available elsewhere. Anybody paying enough…

** Edition of 300 ** Reissue of this great album by Anthony Di Franco of Ramleh's longstanding JFK project. Originally released in 2017 by US label Chondritic Sound as a limited run vinyl LP, this reissue features two bonus tracks ('Tenebrae' and 'Star Killer II') that only otherwise appeared on a very limited lathe-cut 7" and catches JFK in a more direct mode than subsequent work, with serrated electronics owing more to earlier excursions jostling for attention next to battlefield beats and a m…

**CD version** The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelw…

**Edition of 300 copies on clear Vinyl.** Matiere Memoire has the honor to present to you the new masterful work of Phill Niblock: Exploratory. One of the most beautiful and powerful works that Phill Niblock has ever offered to us! Phill reinvents and probes the oceans of drone music possibilities deeper than ever. This piece has been performed and recorded for over a year by many great musicians around the world, under the supervision and direction of Phill. Arditti String Quartet, David Watson…

2006 release ** "'ein(e) ausführende(r) seiten 218 - 226' is Manfred Werder's composition from 2002, realized by Antoine Beuger's electronic sound and released by Edition Wandelweiser in 2006. The 72-minute piece consists of a very quiet single electronic sound from Beuger, and short silences alternately appearing between electronic sounds. Beuger's minimal electronic sound, which evokes in me a chirr of a small cricket on a quiet autumn night, contains an absolute purity that seems to reject an…

2013 release ** "Korn presents two pieces, each 30 minutes long, which, though dissimilar in pitch (the second is higher), are otherwise tougher to prise apart than the Beugers above. Each is composed of a single sine tone, initially heard as a continuous sound for some 1 1/2 minutes, then repeated with silences interpolated, silences which increase in both length and number upon each iteration. The last line, the eighth in the example printed in the booklet, consists of three very brief blips. …

2012 release ** "Combining the deep voice of Hildegard von Bingen and the inner song of John Cage (or vice versa)—what a wonderful idea, isn't it? And it's Irene Kurka herself who seems to have come up with it. She performs Hildegard nine times and gives her version of Sonnekus² (in nine parts, which Satie's Je te veux inspired Cage to use). She blends, finally, the eighteen pieces already sung. She merges attachment to faith and detachment from all things, Latin and the elevation it encourages …

2006 release ** this cd is not conceived just to be listened to.supplemented with a simple "score", it may induce a "performance at home".you are invited to experience with your ears, eyes, body and mind, the space of your everyday life, your home, "colored" a little bit differently, alone or in the presence of one or more close persons.the cd consists of a one hour sequence of sounds, three times interrupted by substantial silences. the "score" contains 7 suggestions for simple activities.adjus…

2005 release ** music that allows sounds to sound:to die away, completely, into silence sounds thought from their end:not moving forward, but drawing back. this creates space, expanse, a delicate serenity:silence - and what it shelters - becomes audible. this is singing with the ears:barely more than silence. a singing which not only makes,but becomes space: a space for worlds. phrases are also sounds:unfolded, laid out as a path. sound paths that come into being first when followed,invariably t…

2005 release ** “select a sound of one or three tones within the range of an octavedistribute the pitches between the keyboards (use each pitch only once)select 3 – 31 stops from principals, flutes and reeds and distribute them evenly between the keyboards (do not use mixtures)play the pitches and hold the keys down (e.g. with lead weights)push the stop very slowly until you hear a change – then stop the movement, listen for a while and pull  another register in the same way  for a long time, on…