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She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…
Minuzia consists in an acoustic version of an audio installation that the French bassoon player Dafne Vicente-Sandoval had been presenting at a few sound art exhibitions; a handful bassoon cane reeds were regularly soaked into water, and these very thin slices of wood would start crackling in the course of their drying out process. These minute sounds were amplified by contact microphones and listened to through headphones. With an original text by the British anthropologist Tim Ingold.
Score:
S…
"Repress of Johnny Dyani's 1979 LP Song for Biko, recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana, the album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977). Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa in 1945 and became one of South Africa's most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The …
A career-spanning overview of almost epic proportions, Miserable Poison is a massive 2.5 hour collection of Pumice recordings made between 1996 and 2021. The tracks on Miserable Poison are culled from a huge slection of often very limited lathe cut, cassette, CDr and vinyl releases originally put out on labels like Stabbies etc, Root Don Lonie For Cash, Audiobot, 8mm, Yellowelectric, Doubtful Sounds and Soft Abuse. Mastered by Lasse Marhaug and packaged in a gloss 6-panel digipack.
The End is the fourth studio album by German musician Nico. It was recorded in summer 1974 at Sound Techniques studio in London and produced by John Cale. It was released in November 1974. The End is her fifth collaboration with John Cale and second with him as producer. It carries the same harmonium-based sound heard on The Marble Index (1968) and Desertshore (1970), with the addition of Brian Eno's synthesizers and electronic instruments. The song "You Forget to Answer" tells of the misery fel…
With the use of an audio recorder, the sounds of selected places or specific sonic phenomena are recorded. At a later date, these initial recordings are deleted again. This process is captured in the form of „writing“. Thus a series of notations is being created.
Example:Wind (gentle)Record: 8.8.2021, 3:24 PM, Mönbachtal Eifel, (D).Delete: 8.8.2021, 3:31 PMDuration: 3’17“
In January 2023, all the notations created since 2004 were recorded in the studio of the Südwestrundfunk (SWR) by a female an…
Edition of 40. In 1992 the Italian sound artist Francesco Michi curated a project for the Volterra Teatro Festival, called “I Popoli Virtuali” (Virtual Populations). The original idea was to create and show the evidences of the existence of these virtual populations. Michi arranged a series of installations, performances and an exhibition. He himself created the Eugrughi Population, with their own poetics and rituals. “Poesie Eugrughe” is the representation of a supposed Eugrughian poets recital…
The Sounding Museum fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece “Two Weeks in Alert Bay”, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka’wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound.With the coeval Session Musici…
**Includes 120-page booklet** "Silent quest for sound, constant listening in the streets of Brooklyn, the Swiss Alps, the forests of Pennsylvania and the landscape of New Mexico. What if, after hours of walking, the mind finally clears, the ears open? Keep on walking, listening, giving space to resonances. Christopher Shultis, drummer and Professor Emeritus of the University of New Mexico and Craig Shepard, trombonist and member of the Wandelweiser collective, take Henry David Thoreau at his wor…
Marine Mammals and fish of Lofoten and Vesterålen’ is a collection that fits perfectly within the Gruenrekorder field recording series. The driving force behind this publication was Heike Vester, a marine biologist who in 2005 founded the organisation Ocean Sounds with the aim of encouraging a greater understanding and appreciation of marine animals. From 2005-2008, Vester recorded the sounds of species encountered by her team in Norwegian waters and presents a selection of these recordings here…
*In process of stocking. Limited edition of 500 copies.* Sounds of Absence collects artistic positions on the notion of absence, shaped by two years of pandemic lockdowns. The compilation is a cooperation project with the research group ARS – art research sound – at the Hochschule für Musik Mainz, led by Peter Kiefer, and curated by Wingel Mendoza and Joshua Weitzel. In 2020, ARS initiated a website to collect sounds of public spaces during lockdown conditions, in order to capture the sound of t…
* Edition of 300 * Sound performances in public space – an urban soundtrack for Vienna. Julia Bünnagel creates concrete records from molds of sidewalks and street surfaces in Vienna’s urban space. The Cologne artist brings Viennese architecture to life in her DJ set (turntablism). The turntable’s needle reads the architectural texture. The cast surfaces of the streets that are inscribed on the records mix with the sounds of the city during the performances Sounds Like… Vienna. – flooding the squ…
**300 copies** Plein Air the album presents recordings from a plant-driven synthesizer. A custom built instrument that uses scientific sensors and software programming to generate real-time tree leaf data. Light, photosynthesis and transpiration modifies sound: the rhythm, melody, texture, tempo and harmony shift with atmospheric conditions and tree response – electronically. The sounds of each leaf of regional deciduous trees by scientifically sensored data-sonification are much more musical th…
In 2019 Melissa & Nils started working on this project, collaborating and exchanging ideas online. While Melissa followed the howl of the Iberian Wolf in Portugal, Nils focused on one particular Grey Wolf in Germany.
**300 copies release** Soundscape Røst-Spaces and Species Vol I is a unique collection of field recordings and soundscapes, from the Røst archipelago – 100 km into the Atlantic Ocean, off the coast of Nordland (NO/Sápmi). The album is a careful edited selection of hours and hours of sound material listened to and recorded between 2010 and 2011. The listener will experience a multitude of nature and sea-bird voices/spaces and acoustic moments, spanning from booming roars to the faintest of hums. …
*300 copies limited edition* Perifaerye is a multi-part work of art comprising of 18 soundscapes, 36 digital drawings and 24 writings. Perifaerye is at once a record release, a book, a website; in the autumn of 2023 a series of playlists were published on billboards, linking the online soundscapes to the real-life physical realm. This publication is an artistic hybrid: a vinyl record / book combining sound, image and text. The 18 audio works condense the sounds of the urban periphery into a soni…
Double Negative follows the path that Robert Schwarz has pursued with The Scale of Things. Field recordings render the core and compositional starting points around which modular synthesizers are built to complex structures that resemble nature’s contingency as their inner logic. Nature and electronics merge to compositions that reveal uncanniness and strangeness in the heart of the world as well as in ourselves. However, where The Scale of Things provoked existential threats and feelings of bei…
*2024 reissue* An obscure Country-Psych Rock relic from Kansas. In 1968 four of the five original members of The Wizards From Kansas formed a band called ‘New West’, and began playing in the Lawrence, Kansas area, at clubs and parties. Californian guitarist Robert Manson Crain joined the group soon thereafter, expanding to a quintet. Reaching on the same esoteric drift as Clear Light or Emitt Rhodes, the band unleashed an even excellent cover of Buffy Sainte-Marie ‘Cod’ine’, more in the vein of…
Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has …
Big tip! Leading a dynamic trio with virtuoso bass player Leroy Vinnegar and drummer Donald Bailey, piano player Hampton Hawes released one of his best effort in 1970, focusing on an original blend of post-bop and rare groove. The record opens with a rendition of Bacharach "The Look Of Love" and offers a deep soulful voyage with the 11 minutes title track. Hampton Hawes was one of the finest jazz pianists of the 1950s, a fixture on the Los Angeles scene who brought his own interpretations to the…